As if standing before Julius
Nicholas Penny, 7 April 1994
Only Connect: Art and the Spectator in the Italian Renaissance
by John Shearman.
Princeton, 281 pp., £35, October 1992,0 691 09972 3 Show More
by John Shearman.
Princeton, 281 pp., £35, October 1992,
“... theories other scholars have advanced about Donatello’s bronze sculpture of a beautiful nude David, Shearman unveils his own interpretation: ‘The meaning of names is important in Renaissance art, and David means beloved.’ Did artists or their patrons really bother much about etymology? A footnote gives only one ... ”