“... three hundred-page novel written without the e which is by far the most frequently used letter in French. The counterpart to La Disparition was Les Revenentes (1972), a lipogrammatic novel in a, i, o and u – e being the only permitted vowel. No single word in La Disparition can reappear in Les Revenentes, while many of the most familiar words in the ...”

“... or two cases, goofy and inspired. I was particularly taken by Sheila Heti’s decision to turn the French word ‘thus’, ‘ainsi’, into a person, so that ‘Ainsi, si vous en êtes d’accord’ becomes ‘Nancy, could you do that?’ Thirlwell’s idea was to ‘frazzle’, as he says, the ‘whole category of the original’, and his thinking in one ...”

“... Sixteen countries were involved in the intervention to some degree, not counting British and French colonial troops (a term which Reid uses to cover Australians and Canadians as well as Moroccans and Senegalese), and military action took place in half a dozen far-flung locations ‘from the Caspian Sea to the Arctic and from Poland to the Pacific’. But ...”

“... each was drafting his first (and in Sturt’s case only) novel. They read a lot of avant-garde French fiction. ‘You find fault with Maupassant for his wealth of irrelevant (à vous entendre) detail,’ Bennett complained. ‘Frankly, I think you would do well to follow him some way in this. I don’t think his detail is irrelevant.’ Sturt seems to have ...”

“... In November of the following year he alerted his readers to the absence, in the art of David Hockney, of ‘the spiritual quest at the heart of modernism’. Several years later, in June 1981, he gave warning that the stained canvases of Morris Louis, the leading member of the ‘Washington Colour School’, did not represent the breakthrough that ...”

“... It would be an exaggeration to say that when David Hume, at the age of 26, came back to London after his retreat at La Flèche, he had already thought all the thoughts he was going to think. On the other hand, there is a sense in which the famous Hume, who lived among the learned and judicious in Edinburgh so comfortably and, one might say, so smugly in his 18th-century way, was a superfluity ...”

“... executives and club shareholders. According to Dominique Spinosi, the security chief of the French World Cup Committee, ‘the British invented the poison of hooliganism at the start, but they have also invented the antidote.’ The cure is rigid ticket arrangements, a sensible separation of fans and a legal squeeze against touts: but by allocating 60 ...”

“... the Conqueror, and the words ‘noble’, ‘gentle’ and ‘aristocrat’ themselves come from French. Within two decades, the Conquest had been commemorated by two astonishing historical artefacts. The Bayeux Tapestry (pre-1082) must be the only artistic masterpiece that is also a crucial source for a major historical event. Domesday Book (1086) provides ...”

“... of a little girl called Vivienne (Eliana Michaud). She sees him when she thinks of her father, a French Canadian who fought against the English and was executed by them. This and later moments in the film are dated by the start and end of the American Civil War (1861-65), when the girl is a grown-up. The adult Vivienne is wonderfully played by Vicky ...”

“... are a fiercely bellicose nation [who] have overturned the ancient military glory of the French by victories so numerous’ that they had flattened the kingdom of France. What had happened to make the English such an effective force in the decades since their humiliating defeat at Bannockburn in 1314? The short answer is the Battle of Crécy in ...”

“... they also meant to use it to drive a wedge between London and Paris. Knowing that London feared French ambitions in the eastern Mediterranean, Nicholas hoped for an understanding with the British. Returning to London in 1844, he tried to play on his hosts’ anxieties: ‘Turkey is a dying man. We may endeavour to keep him alive but we shall not succeed ...”

“... you have actually seen: Sergio Leone’s Once upon a Time in the Resistance, for instance, or David Lean’s Bridge on the River Seine, or Jean-Pierre Melville’s Shadows of the Army. The film opens with a homage to Leone, Morricone-style music (by Morricone, as it happens) on the soundtrack, and the words ‘Once upon a Time in Nazi-Occupied ...”

“... in responding to the challenge. Writing in the last issue of this review, the American philosopher David Hoy gives courteous attention to Hartman’s redemptive strategy. But he remains sceptical about Derrida’s influence and, in the last resort, dismissive of his claims. For him, Derrida practises a ‘recognisable genre’, that of bringing philosophy to ...”

“... there appears a certain natural goodness verging on modesty.’ Three centuries later, in 1956, David Harris Willson’s biography took the hostile line. Scottish historians tended to be fairer, prompting Jenny Wormald to ask in 1983 whether James was ‘two kings or one?’, so different were his historical reputations north and south of the ...”

“... The idea of a co-ordinated attack by five Arab armies – Goliath and his hordes against little David – is fatuous. When Israel attacked Egyptian forces in September 1948, Abdullah hoped the Egyptians would lose: he believed that an Israeli victory would prevent the Arabs from challenging his right to the West Bank. In the weeks preceding the ...”