Slow Waltz

Daniel Trilling: Trouble with the Troubles Act, 6 June 2024

“... Dominica. But earlier that day he had heard on the radio that the centre was hosting an event run by the organisation Troubles, Tragedy and Trauma. He told me that he felt ‘compelled to go down there’.In 1991, Andy’s older brother, Tony Harrison, a private in the Parachute Regiment stationed in Belfast, was shot dead ...”

Hysterical Vigour

Frank Kermode, 23 October 2008

Indignation 
byPhilip Roth.
Cape, 233 pp., £16.99, September 2008, 978 0 224 08513 7
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“... The title of this novel comes from the Chinese national anthem: Arise, ye who refuse to be bondslaves! With our very flesh and blood We will build a new Great Wall! China’s masses have met the day of danger. Indignation fills the hearts of all of our countrymen, Arise! Arise! Arise! Marcus Messner silently recites these lines, which he had learned by heart in grade school during the Second World War, as a way of enduring compulsory chapel at the small Ohio college where he had fled from a humbler establishment in his home town, Newark, New Jersey ...”

A Taste for the Obvious

Brian Dillon: Adam Thirlwell, 22 October 2009

The Escape 
byAdam Thirlwell.
Cape, 322 pp., £16.99, August 2009, 978 0 224 08911 1
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“... that suggest (or do they?) that those moral, metaphysical and historical aperçus are not to be trusted, that his narrator is in fact a pretentious and immature fantasist. The most obvious stylistic hangover from the first two books is Thirlwell’s stubbornly flat insistence on repeating elements of a sentence in close proximity, like Warhol ...”

Diary

Glen Newey: Life with WikiLeaks, 6 January 2011

“... they strive so much to have the public State conformably govern’d to the inward vitious rule, by which they govern themselves. For indeed none can love freedom heartilie, but good men; the rest love not freedom, but licence; which never hath more scope or more indulgence than under Tyrants. Everyone knows that democracies, though they clothe themselves ...”

At the Occupation

Joanna Biggs, 16 December 2010

“... The stately dome and columns of University College London are dominated by a bedsheet banner proclaiming its occupation and the grey stone is scrawled with coloured chalk: ‘Cut Out Cuts: Don’t Con-Dem Me!’ Inside, the campus has supposedly been put on lockdown. Guards in yellow jackets sit by hastily produced signs announcing ID checks ...”

A Conversation with Gore Vidal

Thomas Powers: Meeting Gore Vidal, 31 July 2014

“... no one keeps diaries anymore, implying that all the awful, fascinating detail of life is going to be lost. I suppressed an urge to tell him not to worry – I’d pay him special attention so at least one of his evenings would be recorded. He said he had kept a diary himself for a while when young, but it seemed to ...”

Israel mows the lawn

Mouin Rabbani, 31 July 2014

“... actually formaldehyde. It supplies the amount of formaldehyde that is necessary so there will not be a political process with the Palestinians. In 2006 Weissglass was just as frank about Israel’s policy towards Gaza’s 1.8 million inhabitants: ‘The idea is to put the Palestinians on a diet, but not to make them die of hunger.’ He was not speaking ...”

Don’t be dull

Miranda Critchley: Heroin, 6 November 2014

White Out: The Secret Life of Heroin 
byMichael Clune.
Hazelden, 261 pp., £11.50, April 2013, 978 1 61649 208 3
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“... of them. Lying on my back on Chip’s roof, all the memories of my childhood turned white one by one. Clune now teaches English at Case Western Reserve University in Cleveland and has been clean for more than a decade. Accounts of addiction often begin with the first time – Burroughs started Junky with his first opiate experience, ‘during the ...”

At the Whitney

Hal Foster: Jeff Koons, 31 July 2014

“... Modern art​ was born into a market economy, and by the early 20th century it could no longer ignore its commodity status. While some artists sought to escape this condition through abstraction, say, others worked to underscore it with the readymade, an everyday product they simply nominated as an artwork. In its first incarnation, with Dada, this device was taken to be critical of the cultural-economic system in which it was enmeshed, but by the time of Pop such negativity had all but drained away ...”

‘It didn’t need to be done’

Tariq Ali: The Muslim Response, 5 February 2015

“... under which Charlie Hebdo was published before it was forced into a name change – it was banned by the French government for insulting the corpse of Charles de Gaulle. In a remarkable essay published in the Nouvel Observateur Roussel made two essential points. The first concerned French foreign policy: I don’t much like it when a head of state speaks of ...”

Short Cuts

Stephen Sedley: Anonymity, 19 January 2017

“... The​ Italian newspaper Il Sole 24 Ore recently outed (or claimed to be outing) the writer of the Neapolitan novels concealed behind the pseudonym Elena Ferrante. Has the press – or anyone else – any moral right to do this? Is an author’s identity an aspect of her personal privacy, to be disclosed or withheld as she chooses? Or is it information which belongs as much in the public domain as the books she writes? Anonymous and pseudonymous publication has a long history ...”

The Magic Trousers

Matt Foot: Police Racism, 7 February 2019

Behind the Blue Line: My Fight against Racism and Discrimination in the Police 
byGurpal Virdi.
Biteback, 299 pp., £20, March 2018, 978 1 78590 321 2
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“... on Virdi’s previous case, I felt a duty to do all I could to prevent what appeared to me to be another witch hunt. Gurpal came into the office and was exactly the way I remembered him at the Hackney Empire, warm and straightforward. The timing of the decision to investigate him was suspicious: Virdi was at this point seeking election as a local ...”

Out of Babel

Michael Hofmann: Thomas Bernhard Traduced, 14 December 2017

Collected Poems 
byThomas Bernhard, translated byJames Reidel.
Chicago, 459 pp., £25, June 2017, 978 0 85742 426 6
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“... The​ posthumous progress in English of the Austrian writer Thomas Bernhard (1931-89) is marked by deaths: those of his majoritarian and minoritarian translators David McLintock and Ewald Osers, in 2003 and 2011 respectively; and in 2015 that of Carol Brown Janeway, his publisher at Knopf, his unlikely champion over decades (because, for all his influence and cultishness, Bernhard in English never exactly sold), and the translator herself of the posthumous My Prizes, in an exquisitely bound volume from Notting Hill Editions, with a justly amused introduction by Frances Wilson: ‘Few writers have received more applause than Thomas Bernhard, Austrian novelist, playwright and enfant terrible, and few have bitten more sharply the hand that clapped ...”

Diary

Sophie Smith: A Free Speech Agenda, 12 August 2021

“... on GB News began pulling their ads. The Swedish cider brand Kopparberg was first, followed by a dozen others, including Ikea, Vodafone and the Open University. None said it was boycotting the channel, although this is the way their actions were described both by some supporters and ...”

Short Cuts

Ferdinand Mount: Untilled Fields, 1 July 2021

“... followed the switch from sail to steam (the rate for the journey from Chicago to Liverpool dropped by two-thirds between 1873 and 1884) and the advances in reaping and binding machinery that solved the nagging labour shortage in the Midwest. Grain imports rose from only 2 per cent of Britain’s total supply in the 1830s to 45 per cent in the 1880s (65 per ...”