“... necessity for ‘expertise’ when it comes to the visual arts, or to the need evidently felt by its audience for authoritative/enthusiastic communicators (Kenneth Clark, Robert Hughes, Wendy Beckett) which no other artistic public feels – though these things are doubtless relevant. I mean the priority given to a mode of address: when the critic ...”

“... The death of Dennis Potter may have been authored by God, but it was adapted for television by Potter himself. It began after a brief report in the Guardian suggested that Potter’s terminal cancer related to his lifelong addiction to nicotine. By return there was a gleeful letter from Potter revelling in the Potteresque fact that far from his ‘beloved cigarettes’ being the culprits, his forthcoming death from pancreatic cancer was probably iatrogenic: the result of years of lethal medication ...”

“... this most elegant and spirited of men, and immediately there was only one way to make it work – by getting the people who knew him talking. Andrew O’Hagan Michael Wood (film critic): Those working-class lads seemed to be everywhere in British films of the 1960s, grunting and sweating their way through the class ...”

“... When I published my last LRB Diary in June, I half-expected that it would be not only reprinted but also spoofed by one or another of the broadsheets, as indeed it was. What I didn’t expect was that the Daily Telegraph would try to use it as party-political knocking copy when any reader could tell that behind its even-handed mistrust of all politicians was a genuine pleasure at the displacement of Major Ltd by Blair & Co ...”

“... holy? I would like to put this woman and her cells in a story, but what kind of story would it be? What kind of epiphany would grace her ordinary afternoons? My-sister-the-doctor says that what I heard was a reference to the HeLa cell line – a popular choice with medical researchers. They are, disgustingly enough, the cells of a woman’s cancer. What is ...”

“... To understand Nicole Kidman, David Thomson argues, you need to see a film called In the Cut. Not because Kidman is in it. She isn’t. The film stars Meg Ryan, is directed by Jane Campion and tells the story of how a lonely creative writing teacher, Fran, becomes involved with a cop (Mark Ruffalo) who is investigating a string of particularly gruesome murders ...”

“... Israel’s biggest strategic threats looked like a very bad idea. I could not have believed that by the end of the day I would have rather had open-heart surgery than listen to any further analysis of the Middle East. Inside the taxi I reopened the conference kit that had been emailed to me. It was the first time I had been to the event, but as an Israeli I ...”

“... to Birtwistle. It was, perhaps, in political history that historians first recognised their job to be something like interpreting the past in its own terms, warning themselves against the tendency to award points to past actors insofar as their thinking anticipated the present. What Herbert Butterfield in 1931 called ‘the Whig interpretation of ...”

“... Stock Exchange, she in the World Trade Center, north tower, 83rd Floor. Both are ciphers, spun by the formal games and architectural spaces and personal circles they move in. The book begins in an airplane, destination unknown, as the passengers watch the in-flight movie about revolutionary terrorists massacring a group of rich golfers and ...”

“... the United States and Australia – anthropological film-making has been primarily supported by academic institutions or government agencies. By a provocative coincidence, both the origins of modern anthropology and the birth of cinema can be traced to the last decade of the 19th ...”

“... Adrian Stokes’s Stones of Rimini is an extended obeisance performed by a young Englishman before some marble panels in an Italian church. The panels were carved in the 1450s, mostly by a Florentine called Agostino di Duccio, who was working in Rimini for the local warlord. Three dozen illustrations punctuate Stokes’s reissued text of 1934 ...”

“... unavailability of the personal style, engender the well-nigh universal practice today of what may be called pastiche.’ This thought-provoking assertion captures a truth about the shift from the modern to the postmodern: there is something pastiche-like about a great many contemporary writers, not least those who write in a personal voice which is in itself ...”

“... only tractors, bikes and horse-drawn vehicles). Its central, fertile plateau is protected by cliffs on almost all sides that rise to over three hundred feet. There are no natural harbours. In 1862, the lords of the Admiralty of the world’s greatest naval power came to inspect its defences but sailed away, finding nowhere suitable to ...”

“... drawn into the arguments about cultural identity, language, gender and inclusiveness stirred up by the 1991 Field Day Anthology of Irish Writing, which covered 1500 years of work in Latin, Norman French, Gaelic and English. Les Murray’s New Oxford Book of Australian Verse and Anthology of Australian Religious Poetry included traditional work translated ...”

“... Salman in 2015 was cautiously welcomed but what really raised hopes that the PR nightmare could be ended was the appearance in the limelight of his son Mohammed, known as MBS. Was this the serious, young and energetic reformer the kingdom needed? After he was elevated to the highest positions in government – defence minister, first deputy prime ...”