“... the other teachers. We had our dinner in a Nissen hut in those days. They called it ‘the dining hall’, as if we were dukes. At the end was a partition, and behind it the teachers ate. Not the nuns – they went home to their own dinner in the convent – but Mrs Parker and Mrs Bacup, and Miss Dowd who taught the babies’ class. In privacy, they set into ...”

“... Chelsea and Westminster Hospital, where, unknown to him, his high-life associate, the film-maker Peter Whitehead, had been taken, after suffering a heart attack. It was one of those mornings of indulgent sunshine, filtered through gauze. Lilies and bell-shaped purple flowers. Twigs. A long pine table which gave Marks plenty of elbow room to roll his herbal ...”

“... career at Balliol College, Oxford of Uncle Arnold, after whom not only his nephew but Toynbee Hall in the East End of London were posthumously named. Carrying the name Arnold Toynbee was a double-edged privilege, as the behaviour of the family testifies; when the young author published his first book under this style, he was reprimanded for appropriating ...”

“... Peter Carey’s Oscar and Lucinda is a tall story, as elaborate and fantastical as any of the yarns spun by the trickster hero of his last novel Illywhacker. For one thing, it’s a family history, and we’re all of us secretly stunned by the coincidences which have resulted, against the odds, in our existence. And the narrator’s account of his great-grandfather, the Reverend Oscar Hopkins, is, by any standards, a weird one ...”

“... be.On a Monday in late August 1956, somewhere around two hundred of us waited in the assembly hall of Dunfermline High School, wondering what would come next. We had stood to sing the day’s hymn and sat bent to mutter the Lord’s Prayer – the Scottish version, debts and debtors rather than the sibilant trespasses and trespass – and then watched as ...”

“... with its ectoplasmic T-shirts and made straight for the auditorium – or was it Valhalla, the hall of the slain?The auditorium had an emptiness that could speak to us all. One shouldn’t really, in this context, use the phrase ‘warm-up act’, but there he was in a loud shirt, Rob Green from Nottingham. He played a guitar and had enough spontaneous ...”

“... a decision to deny them asylum. But even the social security advisory committee set up by Peter Lilley doubted his claim that this would constitute a saving of £200 million. It also warned that ‘extreme hardship’ was likely to result from the legislation. The proposals nonetheless took effect from February. Last month, the Court of Appeal ruled ...”

“... screen; they seem tired and bloated, older than Hollywood would allow. The suspect known as ‘Peter’ (an operative travelling under the name Peter Elvinger, ostensibly a French national), comes off as nerdy, nervous. The suspect known as ‘Kevin’ (Kevin Daveron, ‘Irish’) is a bland executive, a ...”

“... Kiev princes to Politburo rule, from the atrocities of the forced Europeanisation introduced by Peter the Great to Stalin’s Sovietisation, and from the Polish invasion of Moscow in the early 17th century to Moscow’s imposition of martial law on Poland in 1980, the so-called Russian soul has swung between enlightenment and barbarism, humanism and ...”

“... It’s kneeing, nutting, nipple-twisting stuff: a punk version of the traditional music-hall chastisement. Coyote operates a similar trick with the famous gooseberry joke, which is: ‘What’s round and hairy and goes up and down?’ ‘A gooseberry in a lift.’ Adrian Dangerous doesn’t get it. ‘How did a gooseberry get in a lift?’ he wants ...”

“... why Lord and Lady Wilde paid those school fees. Merlin Holland’s essay on his grandfather in Peter Raby’s Cambridge Companion to Oscar Wilde illuminates these appropriations by charting a series of significant errors through multiple versions of Wilde’s history. Holland takes us back to one of the most familiar scenes from the life of Wilde: the bad ...”

“... Then in Leviathan, published some years later, Auster uses the same initials for the narrator, Peter Aaron; and anagrammatic sleight of hand (Delia/Lydia, Iris/Siri: Auster’s real-life loves past and present) further blurs the boundaries between his facts and his fictions. So one approaches his openly autobiographical Hand to Mouth with ...”

“... brown hatter’. But in his third novel, Pompes Funèbres, written in 1947, the oppostions are, as Peter Coe points out in his excellent 1968 study of Genet, beginning to show worrying signs of being out of control. In Pompes Funèbres we are offered Hitler as Saviour, Nazi officer Erik Seiler as love object and an ecstasy of moaning over the ravishing of la ...”

“... at the Floral Theatre, Bridlington, and afterwards served her apprenticeship in old-time Music Hall, in the traditional routine of summer season and winter pantomime. Theatre managers got value for their money when they booked Beryl. She could sing and dance and slapstick, all at the same time. When war broke out, she was requisitioned by ENSA, later ...”

“... like Edward Dmytryk, Joris Ivens, Wolfgaang Staudte or Fred Zinnemann; younger directors like Peter Bogdanovich, Sergei Bondarchuk, Volker Schlöndorff or Andrzej Wajda? Why should Samuel Fuller rate more than twice as much space as Vittorio De Sica? Ah, says Roud, ‘the crash of De Sica’s reputation over the past decade has been the loudest of any ...”