“... paper. There were heady moments. In the course of a feud with Number 10 he decided to sue Harold Wilson and the head of the Civil Service for denying the newspaper the usual advance copies of the Honours List. ‘I did not have a watertight legal case,’ he admits, but counsel were engaged and a vacation judge was alerted. If Number 10 had not caved in it ...”

“... opening essay in this book, ‘British Power in the European Balance 1906-1914’, Keith Wilson shows that, however strongly the Foreign Office asserted that it was basing its policies on the maintenance of the Balance of Power as an abstract principle, England’s choice of an association with France and Russia, as against Germany, was the only way ...”

“... its humour less absorbing than before. Even that blend of the banal and the appalling, to which Michael Holroyd rightly drew attention, was not as compulsive as it had been. The past was claiming its own. Disillusion is in a sense completed by this biography: not, I hasten to say, the biographer’s fault, since he has made it as readable as Hamilton’s ...”

“... but was a shrewd Parliamentarian. Jenkins, bearing an old political grudge, turned instead to Michael Foot, who declined, knowing that Abse was the man for the job. Jenkins finally accepted this. Abse’s rather florid taste in waistcoats had already made him conspicuous. Tam Dalyell begged him not to ‘wear his funny dresses’ but Abse’s ...”

“... derived from the lurid tales of spookery and skulduggery that emerged in the dying days of Harold Wilson’s premiership, when the longstanding suspicion that Wilson was a KGB plant led to rumoured attempts by MI5 and others to undermine him by any means necessary. Even in 1982, these stories seemed to be going out with the ...”

“... triumph of the cult of personality is that it can expose its emptiness without losing its magic. Michael Rogin’s brilliant collection of essays, ‘Ronald Reagan’, the Movie, and Other Episodes in Political Demonology, attempts to account for and destroy this magic by restoring the two dimensions it has effaced: history and psychic interiority. The title ...”

“... MI5 connivance with Fascists in the Thirties; KGB infiltration; the bugging of allies; the ‘Wilson plot’: all began to take on some credence once more. The last, especially, though a marginal theme of Peter Wright’s book (he couldn’t see what all the fuss was about: Wilson was obviously a rotter), rocked ...”

“... when it disaffiliated in 1932 (she eventually rejoined Labour, and as arts minister under Harold Wilson devised and created the Open University). Bevan’s response to her when the ILP left Labour was typically cutting, not to say macho: ‘Why don’t you get into a nunnery and be done with it? … I tell you, it is the Labour Party or nothing.’ Part of ...”

“... Reform Bills, and the loss of its MP, one of the ministerial architects of the poll tax, Michael Ancram; or the fact that they came within the narrowest shave of losing their Defence Secretary George Younger, in Ayr – by general consent a good constituency MP, and a very possible successor to Mrs Thatcher. In crude terms, the Scots found the ...”

“... the precariousness and fragility of human lives, not their culmination in calamity. As Emily Wilson points out in the first volume of this ambitious history of the form, tragedy in ancient times was confined to the theatre. You couldn’t have a tragic novel or a tragic view of the world. Nor could you have a tragic famine or case of heart failure. Using ...”

“... wars’, so feminist writing about science seems to have attracted particular opprobrium. Michael Lynch, another contributor to The One Culture?, suggests that the debates about science should be seen not as a ‘war’ but rather as an adversarial legal dispute. It is a closer analogy, but not an entirely reassuring one. The rhetorical resources of ...”

“... Ellison envisaged a racial melodrama that would put him in the company of Mark Twain (Pudd’nhead Wilson), James Weldon Johnson (Autobiography of an Ex-Colored Man), William Faulkner (Light in August, Absalom! Absalom!, Go down, Moses) and Nella Larsen (Passing) – all of whom examined the meaning of American freedom as flight across the colour line. Like ...”

“... of revolutionary change. There was the October Revolution in Russia in 1917, and in 1918 Woodrow Wilson, though hardly a firebrand, issued the principles of a new world order of which national self-determination would be a key component. The following January, an assembly of Irish MPs, elected to Westminster on the abstentionist ticket, met in Dublin to ...”

“... of essays, some of which first appeared in this paper, and are now reprinted in Engagement, on Michael Mann, Norberto Bobbio, Roberto Unger, W.G. Runciman. Andreas Hillgruber, Max Weber, Ernest Gellner, Carlo Ginzburg, Isaiah Berlin, Fernand Braudel and Francis Fukuyama. More recently (LRB, 24 September and 22 October), he has extended himself to ...”

“... a little thunderous, but not to the point of Mannerism, nor are his figures as stagey-grotesque as Michael Ayrton’s were. His line and colour are tart – compared with illustrations commissioned for cookery books today, almost brutal – but the world they create is welcoming. Before market research quantified the effectiveness of commercial art, and fine ...”