“... Marx. He thought, like many militant Imperialists, that the cowardice of British troops at Majuba Hill had revealed the physical and moral degeneracy of the urban population. ‘The disgrace in itself is unspeakable.’ His literary experiments connected with attempts to regenerate the Imperial race by purifying its language, by conserving an essentially and ...”

“... Florence Nightingale. Yet Strachey himself seems less our contemporary now than he did when Michael Holroyd’s biography appeared in the late 1960s. Greeting the publication of G.E. Moore’s Principia Ethica in 1903, the young Strachey imagined that ‘the truth’ was ‘really now upon the march’ and that ‘the Age of Reason’ had dawned at ...”

“... Dickens, who held strong opinions about virtually everything, had his own view of such occasions. Michael Slater notes his ‘embarrassment’ and ‘irritation’ at the Shakespeare tercentenary celebrations of 1864: always for Dickens the best way for a writer or any other artist to be remembered was not through biographies, unless they redounded as much ...”

“... my agent, calls to say I have been offered a role in the BBC Andrew Davies adaptation of Fanny Hill. She reads through this raunchy script finding no mention of the part for which I’m slated until she gets to the very final scene, where Fanny meets an old and respectable gentleman (me) whom she fucks to extinction, then inherits his fortune and lives ...”

“... birth, life, death and meteoric rise to fame, Ern Malley has continued to provoke virulent debate. Michael Heyward’s shrewd and funny book not only provides full social and literary contexts for the affair, but explores Malley’s almost equally intriguing afterlife. Much to the dismay of his two inventors, he was no sooner invented than he cut loose and set ...”

“... limited to a small but dedicated following among writers such as Richard Ford, Stewart O’Nan and Michael Chabon. This came ten years too late for Yates, who died of emphysema and complications following minor surgery in 1992. His fiction is closely modelled on his own experiences and, perhaps unsurprisingly, it is a miserable place. The Easter Parade ...”

“... Celebration was concerned, modern ended in the 1930s. The future as defined by the brochure from Michael Eisner’s Disney Corporation was to be found not in Walt’s skyscrapers and monorails, but in a long-lost past of white picket fences and pastel dormer windows, so lost that perhaps it was entirely mythic: There was once a place where neighbours ...”

“... because of their period role, which is to counteract the excesses of the Sixties – Sisson, Hill, Scruton. Now the Martians arrive, commended for having reacted against ‘the drabness and gloom of the Movement and ... the “difficulty” of modernism’. By so doing, according to Blake Morrison and Andrew Motion, they helped to ‘extend the ...”

“... it’s no surprise that Rachel, the narrator of A Friend from England, is part-owner of a Notting Hill bookshop and a reader of Stendhal; her first novel A Start in Life (1981) took its title from Balzac and had a heroine whose life was ‘ruined by literature’. Nor is Rachel unusual in feeling a strong attraction towards people for whom comfort is more ...”

“... is looser in style and the tone is now more personal, there is a lingering coolness. Like Michael Hofmann, Greenlaw has a fondness for paired, unexpected adjectives delivered in a clipped prose-like manner: ‘This privacy is teenage,/collective’; ‘The hill has its nightlife, amiable, averted’. Rather like the ...”

“... July​ 2003, the body of the weapons inspector David Kelly was found in the woods on Harrowdown Hill in Oxfordshire, two months after he’d revealed that the Blair administration had exaggerated the threat posed by Saddam Hussein. Rachel Wells, the central character in Number 11 and the narrator of the first of its five overlapping stories, was ten when ...”

“... editor. We had a committee consisting of John Fuller, Francis Hope, Martin Dodsworth, Colin Falck, Michael Fried and Gabriel Pearson. We never had meetings or anything like that. There was a lot of correspondence, because John went to Buffalo for a year. So he wrote to me a lot from there. And Michael and Colin had already ...”

“... difficult to read Milton’s narrative in Paradise Lost in this way – we visualise the Archangel Michael’s two-handed sword not as the double lever on a printing press, but simply as a sword, while we see ‘chaos’ and the ‘abyss’ physically, as part of outer space. Yet Milton, the adept student of Spenser, was designing a flexibly symbolic ...”

“... the scene Her purest of crystal and brightest of green; ’Twas not her soft magic of streamlet or hill, Oh! no – it was something more exquisite still. ’Twas that friends, the belov’d of my bosom, were near, Who made every dear scene of enchantment more dear, And who felt how the best charms of nature improve, When we see them reflected in looks that ...”

“... immigrants, and in the late 1950s the couple moved to a three-bedroom colonial house in Cherry Hill, New Jersey, which is fairly close to Philadelphia. Everyone you ask speaks of the Spahrs as a classic American postwar family, moderately affluent and natively tough, putting great stock in education, sports, mealtimes, prayers, memories, and earning ...”