As Good as Nude
Anne Hollander: Women in White, 6 April 2006
“... in Rome Eliot dresses her fashionably. Even while she’s being admired by an art student as a Madonna, and compared to a draped classical statue by the narrator, her round white halo-like bonnet and soft grey dress are perfectly chic in Romantic 1830. Hughes suggests that high-minded Dorothea, finding insufficient suffering to alleviate on her new ... ”