“... As Rogan admits, postcolonial and feminist critiques challenged the concentration on the white male working class that structured Tawney and Thompson’s work and Polanyi’s anthropology of ‘primitive’ communities. The theme of Anglo-Saxon liberties and freeborn Englishmen – crucial to Thompson’s portrayal of the constitutionalist tradition ...”

“... lets slip the fact of the boy’s presence to their unreliable, chronically broke and sponging White Russian friend, Prince Yakimov, who betrays him. The Levant Trilogy continues the Pringles’ story but alternates between their experiences and those of a young British officer just arrived in North Africa, Simon Boulderstone, who is trying to track down ...”

“... LOLLY. The doctrine remains: give money back to ‘the people’. The Sun constantly accuses Kenneth Clarke of timidity in his fiscal policy – the Chancellor’s November Budget was ‘as inspiring as a cod kipper’; and by attempting to push Major to the right using the rhetoric of the people’s hatred of being ‘shackled’ by the state it has ...”

“... decision to devote the central gallery to sculptures of women and children is a mistake, and the white of the labels often makes the marbles look dingy. Among the many worthwhile projects of the Getty Trust is its support for art-historical publications. The Getty Research Institute publishes translations of key texts and documents in the history of ...”

“... painting from Elaine de Kooning, Lightnin’ Hopkins in concert and a festival of poetry featuring Kenneth Koch, W.D. Snodgrass and Robert Bly. Most fun of all, Barthelme organised an exhibition, New American Artefacts: The Ugly Show, which included all sorts of bits and pieces he’d found in junk shops: plastic flowers and fruit, a giant jar of ...”

“... contract yet? To compensate, Manson’s pronouncements became more apocalyptic when the Beatles’ White Album came out at the end of 1968. Its songs contained prophetic codes about a coming race war (called ‘Helter Skelter’): the blacks would rise up and enslave the white pigs; the Family would wait out the carnage in a ...”

“... downstairs, now comes up and at the sight of a third party he takes fright, retreating to a white van waiting opposite with its engine running which drives off so quickly I fail to get the number. Thinking about it afterwards, where he went wrong was in not being ingratiating enough or trying to explain what the ‘drain problem’ was and graduating ...”

“... wave-line may wait to fall,yet (waiting for its falling)still the wind may take,from off its crest,white flake on flake of foam,that risesseeming to dart and pulseand rend the light,so my mind hesitatesabove the passionquivering yet to break[…]will the sound break at lastas the wave hesitant,or will the whole night passand I lie listening awake?H.D.’s ...”

“... The charioteer is the rational part of the soul, wrestling to impose balance on his two horses: a white one, which represents the moral, spiritual impulse, and a black, which signifies base, impulsive appetites. In England it became a cause célèbre and a huge success. In McCarthyite America, where sexual perverts and communists were monster pariahs, it ...”

“... wearing elements of a bullfighter costume (red velvet jacket and a black montera hat) along with a white football shirt, yellow socks and black loafers, is confronted by a group of toreros wielding English-branded banderillas – barbed sticks wrapped in the colours of the St George’s Cross. Soon three or four banderillas are hanging from Sterling’s ...”

“... zone in the country that would attract $800 million of investment. Zambia’s former president, Kenneth Kaunda, received him personally, and the Chinese president delivered his usual speech: ‘China is happy to have Zambia as a good friend, good partner, and a good brother.’ Two years earlier, around fifty Zambians were killed in an accident at an ...”

“... from another, and music from Guy Lombardo and his Royal Canadians, the maestros of cheesy white pop. For the first decade or so of his career, Moses preserved his youthful attachment to the ideals of the Progressive movement – parks for the people, clean government by the competent – and pursued power for the sake of those ideals. But from 1934 ...”

“... moving to New York in 1924. She was friendly with Ruth Benedict and Margaret Mead, and Roth met Kenneth Burke, Hart Crane, James T. Farrell and Thomas Wolfe at her salon on 61 Morton Street. She set out to make an intellectual of him in the manner of Henry Higgins, Kellman says, and he suspects that her mentoring of young Jewish men – Roth and Winter ...”

“... sculptures Newman would go on to make. The first one, Here I (also 1950), was made up of two thin white verticals in wood, eight feet tall, one finished in rough plaster, the other in smooth paint, set on plaster mounds on top of a wooden milk crate.Where The Wild stretched painting to its vertical limit, Vir Heroicus Sublimis (1951) did the same with its ...”

“... rustics eating crustless Ruskets’; the strip cartoon by Jules Feiffer; the witty reviews by Kenneth Tynan of plays that we had next to no chance of seeing; the house adverts by the subversive estate agent Roy Brooks that my brother read aloud (‘The décor is revolting … rain drips sadly onto the oilcloth … sacrifice £3500’). As Jeremy Lewis ...”