“... crying: ‘Here’s a shot to herald the dawn of a new century.’ We are in the territory of D.H. Lawrence. All too soon Jakobe has to return to Copenhagen. Per travels to Rome, where he runs into Nanny. She is now married to a rising star in Danish journalism but already dissatisfied, and flirts readily with her sister’s fiancé. Caught up in the ...”

“... forms, and his energetic, almost disorientingly large output have elicited comparisons with D.H. Lawrence; when Lawrence died, Williams wrote a substantial elegy. Like Lawrence, he liked to think of himself as breaking society’s rules, and like ...”

“... by an interviewer from the Paris Review about his early influences, Rush first mentioned ‘D.H. Lawrence. Actually, a lot of Lawrence.’ He has probably been familiar for decades with the argument Lawrence made in the characteristically irresponsible and penetrating Studies in Classic ...”

“... all intellect, all aesthetics in a process of literal transcription into the real.’ D.H. Lawrence, with Tocqueville perhaps the most intuitive of all foreign writers about America, was able in a work like St Mawr to see, as Baudrillard can’t, the actual pathos of American figurations of ‘desert’ and ‘space’, the pathos of desire that wants ...”

“... or ‘academic’, gives itself up to unconnected whimsies, velleities or spasms. At its best D.H. Lawrence, who did it best, characterised the genre as ‘the poetry of that which is at hand’, ‘the insurgent naked throb of the instant moment’ where ‘there is no perfection, no consummation, nothing finished.’ The genre can have its successes – we ...”

“... remarks on Don Quixote, extraordinary essays on Byron, Dickens, Ibsen, Frost, Marianne Moore, D.H. Lawrence; but when Auden wants to evoke ‘a parable of agape’, or ‘Holy Love’, he talks about Bertie Wooster’s relation to Jeeves. Bertie in his blithering is a comic model of humility, and his reward is Jeeves’s immaculate and unfailing ...”

“... as pure matter of touch,’ but the Romantic cult of touch as a medium of truth would lead to D.H. Lawrence, a writer with a number of disconcerting points of contact with Cunningham. Lawrence wrote superbly about the way touch gets under the guard of consciousness in such stories as ‘You Touched Me’ and ‘The Man who ...”

“... sensibility on recent jazz (he listened to Charlie Parker while composing) and his fiction on D.H. Lawrence, ‘my own mentor, finally the only one I can have’. Creeley later claimed that he picked up his sense of line from the mistaken assumption that Williams, when reading his own poems aloud, paused at every line end. But imitating Williams was not ...”

“... his cuffs trimmed with scissors’; H.G. Wells, vigorous but ‘a bit vulgar, you know’; D.H. Lawrence, protesting, ‘Mrs Garnett says I have no true nobility – with all my cleverness and charm. But that is not true. It is there, in spite of all the littlenesses and commonnesses’; Tussy Marx; the Webbs; Yeats poor enough to black his heels where they ...”

“... With his trusty snorkel, he stakes out the whole of watery England for his Grail quest. Like D.H. Lawrence, Deakin is happy, in the end, to remain mystified by the secret of that invigorating power. He quotes Lawrence’s poem ‘The Third Thing’: Water is H2O, hydrogen two parts, oxygen one, but there is also a third ...”

“... excoriated by Yeats. O’Malley tells his story in cadences influenced by the early Joyce, D.H. Lawrence and American writer friends like Hart Crane, but with a dry assurance all his own. The heroics come through all the more powerfully in his highly-polished but economical style. The supreme example can be found in the closing paragraph of the book. It is ...”

“... not only of Tolstoy, but of Chekhov and the great peasant stories of Giovanni Verga, whom D.H. Lawrence rightly called Homeric. Such writers see life as their characters would, yet combine a proximity to them with a detachment from them. Perhaps the most obstructive fact for Josipovici’s argument is not that such combinations can be achieved, but that a ...”

“... become quite dry or expand into immense floods; we shared that sense of precariousness which D.H. Lawrence noted in Kangaroo. Our economy was one which wholly depended for its survival on a flow of exports to bring fresh imports flowing into it. It might, even so, be hard at first to think of a chair or a table as a complex system of activities. But we had ...”

“... we talked about books,’ he reports, ‘which in Cambridge at that time meant F.R. Leavis, D.H. Lawrence and Joseph Conrad, whom we both admired.’ Huneeus was much impressed by Nostromo, Conrad’s disheartening novel about political excitement and hopelessness in South America. ‘Good God,’ Huneeus exclaimed. ‘I mean, the man hardly touched land ...”

“... The Classic; The Art of Telling; History and Value; An Appetite for Poetry and books on D.H. Lawrence and on Wallace Stevens. He retired from his Cambridge chair in 1982; was knighted in 1991. Not Entitled takes us through a grim but not unhappy childhood in Douglas (‘It as a world in which everybody was more or less ill. Heart, stomach, nerves were ...”