“... the social changes that inaugurated his decline. His love objects were not usually girls, though John Betjeman, sighing over thighs, caught the authentic tone of enraptured and impotent yearning. Morton Cohen is, however, at pains to rescue Charles Lutwidge Dodgson (‘Lewis Carroll’) from this galère, and to present him as a well-rounded, sociable ...”

“... The Thing about Joe Sullivan, probably the most likeable collection by a not always likeable poet, John Ash wrote: ‘In a better world, he would be as widely known and highly praised as Ted Hughes and Seamus Heaney.’ This would be a very strange world, and not necessarily a better one. Fisher has never aspired to the sort of readership that Heaney and ...”

“... history. The chapter on CIA infiltration of the art world is riddled with howlers (that John Hay Whitney had his ‘own’ museum is one among several mistakes of this sort), but the gist of her argument about Abstract Expressionism and its uses as propaganda is correct, if not wholly original. Who Paid the Piper? is even so a major work of ...”

“... to know nothing of ‘the world’. ‘I am a child you know,’ he tells the young wards of John Jarndyce. ‘You are designing people compared with me.’ Skimpole’s main similarity to his real-life source, apart from a talent for accepting handouts, is his conversational manner, which is peculiarly fanciful, fluent and charming, but there are other ...”

“... view, a certain kind of ‘civilised’ (i.e. liberal) ideal has been replaced by its opposite – John Stuart Mill has turned into the Ayatollah. If Russell’s subtle consideration of disagreement was replaced by vacuous dogmatism, as Monk asserts it was – and everything he quotes in this book supports this contention – it may say as much about the ...”

“... I had​ this foresight,’ John Updike’s mother, Linda, once told a journalist, ‘that if I married his father the results would be amazing.’ Was Updike amazing? In the most simple terms, which were the ones he favoured, he was an exemplary American success story: a child of the Depression who passed from a hardscrabble youth through the halls of the meritocracy to become a rich man on the earnings of his fiction ...”

“... Farrant, and later by Oxford’s Boys, an amalgam of children’s companies put together by John Lyly, who was then secretary to the Earl of Oxford. Two elegant Lyly comedies, Campaspe and Sappho and Phao, were premiered there in 1584, but in that same year legal wrangles over the lease led to the closure of the theatre. If Shakespeare and his company ...”

“... of any literary stature were only too aware of the tradition of publishing correspondence. John Evelyn, for example, arranged his manuscript letter books to resemble a collection on the classical model. The privacy of the letter was a vexed issue. Once cast into the mailbag it was lost to the sender but might never arrive: ‘I am very uneasy about the ...”

“... In the summer of 1831, James Woods, master of St John’s College, Cambridge, and Wordsworth’s former tutor, decided that his college should have a portrait of its most celebrated living alumnus. He commissioned Henry William Pickersgill – an apprentice Spitalfields silk-weaver turned Royal Academician – to produce a full-length oil painting of Wordsworth in an appropriately sublime setting, and in the early autumn of 1832 Pickersgill made the journey to Rydal Mount ...”

“... The American philosopher John Dewey thought that democracy should be like a giant conversation: the nation talking to itself about its hopes and fears and listening to what other people have to say. Unfortunately (or perhaps fortunately) for Dewey, he never got to hear what such a conversation might sound like, because the technology wasn’t available ...”

“... instead to provide scraps of gossip that might give insights into his character and conversation. John Aubrey related that Shakespeare was the son of a butcher who ‘when he killed a calf would do it in high style, and make a speech’. By the early 18th century, Shakespearean biography was turning into something of an industry, with an indiscriminate ...”

“... acutely aware of their linguistic distinctiveness, signalled in the first edition of the Rev. John Jamieson’s influential Etymological Dictionary of the Scottish Language, published in 1808-09. Carlyle, the sage of Craigenputtock, had not stayed there, but in literary London he retained and exploited his outsider’s sense of his own alien speech and ...”

“... 1640, 24 years after Shakespeare’s death. That edition, however, involved wholesale revision. John Benson, the publisher, capitalising on the undiminished sales of Venus and Adonis, produced a volume of what looked to be not old-fashioned sonnets but new Shakespeare love poems. The transformation involved both format and erotics: many of the sonnets are ...”

“... Julie’s domestic existence is shattered; in Enduring Love, Clarissa and Joe witness the death of John Logan as he falls from a balloon, are changed for ever, and spend the rest of the novel trying to absorb the consequences of the spectacle; Black Dogs is in part about how Bernard Tremaine, a politician, scientist and rationalist, drifts away from his ...”

“... in a little: ‘A hand or eye/By Hilliard drawn is worth an history/By a worse painter made,’ John Donne wrote in 1597. By a ‘history’ he means one of those big, populous, often Italian paintings much in demand among Elizabethan collectors – paintings you stand back from to see the drama of some mythological or biblical episode unfold. No one stands ...”