“... early poems, sometimes converting them to an inappropriate modern harshness; nobody seems to like John Crowe Ransom’s reworkings; and Auden’s revisions and exclusions sometimes seem petulant or even perverse, as if he had decided not to understand his own poems. Since the original versions remain accessible this is not a matter of high ...”

“... the spirit of the new music in the same way that the voice of Mahalia Jackson identified Gospel. John Smith’s discography of Johnny Cash, who was resident in Memphis at the time and also benefited from Phillips’s expertise, contributes to the idea of a movement. Presley’s intelligence, however, has always been in doubt. Joe Esposito, his infamous ...”

“... gramophone records of Rumanian church music on the table, next to a pile of prayers composed by John Donne (who also preached at St Dunstan’s). This sturdy English church is encircled with chapels for several of the independent Churches which are in communion with the Church of England, Coptic and Ethiopian, Polish (with a figure of the redoubtable Black ...”

“... by one of the authors. One claim which the authors make most surely be discounted: that Pope John XXIII may have had connections with the Prieuré. While admitting that the claim is incapable of proof, they point, among other insubstantial considerations, to his lifting of the ban on Freemasonry. They assert that his Apostolic Letter of 1960 (the text of ...”

“... and, simultaneously, the man who was Traven first moved tentatively out of the shadows. When John Huston set about filming The Treasure of the Sierra Madre in 1946, he woke one morning to see a small man standing in his Mexican hotel room, offering a card which introduced him as Hal Croves, Traven’s trusted agent. Croves worked for Huston as an ...”

“... grand old capitalised words go, they suspect, so do grand, stirring visions of the human future. John Dewey shared Strachey’s and Virginia Woolf’s conviction that Sin had been a really terrible idea. He would certainly have agreed with Foucault that truth will always be intertwined with power, and that subjectivity is a social construction. Yet he was as ...”

“... with the ‘time of old sin’ – whether a fantastical Alma-Tadema-ish Ancient Rome, or a John Addington Symonds Athens, where pederasty was not merely permissible but praiseworthy – drifted, for those who survived their heady youth of Baudelaire and absinthe, into the Aesthetes’ religion, in which chalices and smoke played their part. ...”

“... the 1960s and 1970s, the works at Ravenscraig employed as many as 13,000 men. Deborah’s father, John, was a miner’s son and left school at 14 to work at Colvilles, the mill that made the girders that hold up Tate Modern. He lost his nerve, Deborah discovered, after rescuing a fellow worker who had been nearly cut in half; so he ran away to Essex, where he ...”

“... of superannuated Pinter. There is always a war with real life. Storey describes a rehearsal with John Gielgud (as Harry) and Ralph Richardson (as Jack) of Home, his play about England and everyday madness. The actors are navigating their way around two chairs and a table. Storey starts by showing the two actors before segueing into what’s happening ...”

“... the social changes that inaugurated his decline. His love objects were not usually girls, though John Betjeman, sighing over thighs, caught the authentic tone of enraptured and impotent yearning. Morton Cohen is, however, at pains to rescue Charles Lutwidge Dodgson (‘Lewis Carroll’) from this galère, and to present him as a well-rounded, sociable ...”

“... The Thing about Joe Sullivan, probably the most likeable collection by a not always likeable poet, John Ash wrote: ‘In a better world, he would be as widely known and highly praised as Ted Hughes and Seamus Heaney.’ This would be a very strange world, and not necessarily a better one. Fisher has never aspired to the sort of readership that Heaney and ...”

“... history. The chapter on CIA infiltration of the art world is riddled with howlers (that John Hay Whitney had his ‘own’ museum is one among several mistakes of this sort), but the gist of her argument about Abstract Expressionism and its uses as propaganda is correct, if not wholly original. Who Paid the Piper? is even so a major work of ...”

“... to know nothing of ‘the world’. ‘I am a child you know,’ he tells the young wards of John Jarndyce. ‘You are designing people compared with me.’ Skimpole’s main similarity to his real-life source, apart from a talent for accepting handouts, is his conversational manner, which is peculiarly fanciful, fluent and charming, but there are other ...”

“... view, a certain kind of ‘civilised’ (i.e. liberal) ideal has been replaced by its opposite – John Stuart Mill has turned into the Ayatollah. If Russell’s subtle consideration of disagreement was replaced by vacuous dogmatism, as Monk asserts it was – and everything he quotes in this book supports this contention – it may say as much about the ...”

“... I had​ this foresight,’ John Updike’s mother, Linda, once told a journalist, ‘that if I married his father the results would be amazing.’ Was Updike amazing? In the most simple terms, which were the ones he favoured, he was an exemplary American success story: a child of the Depression who passed from a hardscrabble youth through the halls of the meritocracy to become a rich man on the earnings of his fiction ...”