“... satire and after. He asks me if we ever had any alternative titles to Beyond the Fringe, which was Robert Ponsonby’s contribution and not popular with us at the time. I can’t think of any but J. Miller later remembers ‘At the Drop of a Brick’, a reference to Flanders and Swann’s At the Drop of a Hat and Peter Cook’s suggestion that we call it ...”

“... left. Ray Liotta, looking young and spruce but tired, is at the wheel, his face well lit. Robert de Niro, in the passenger seat, is asleep. Joe Pesci, in the back seat, is nodding off. A thumping noise is heard, and Liotta says, ‘Jimmy.’ De Niro wakes up. Liotta continues: ‘Did I hear somethin’?’ Cut to a side view of the rear of the ...”

“... Influenced by the very Englishly expressed Victorian socialism of William Morris, H.M. Hyndman and Robert Blatchford, the cause had been taken up and redirected by G.K. Chesterton and Hilaire Belloc in the first decade of the 20th century. It had been resumed in the 1920s by various other figures, including H.J. Massingham, a former guild socialist who ...”

“... about the Next Succession to the Crown of England, which contemporaries attributed to the Jesuit Robert Parsons. It implied that the coup had been lawful and urged it on Elizabeth’s subjects as a precedent. Hayward would publish a refutation of the tract after Elizabeth’s death. A Conference shocked not only the Government but most of its critics. Though ...”

“... would be an armed response to Isis). No wonder she’s begun attracting admiring glances from Robert Kagan, Max Boot and other neoconservative ideologues. Like them, she’s given to soaring abstractions about the inevitable spread of democracy but is also careful to point out that it’s sometimes necessary to use force in the service of global ...”

“... a small horde of Belle Epoque celebrities – everybody from Pierre Louÿs, Mata Hari and Comte Robert de Montesquiou, to Gide, Colette, Rémy de Gourmont, Paul Valéry, Sacha Guitry, Salomon Reinach and the buxom brunette diva Emma Calvé. (It was de Gourmont who nicknamed Barney ‘L’Amazone’, the monicker under which she would publish three books of ...”

“... men, most of them clothed in traditional sharwal khameez and jaunty turbans. ‘Now and then,’ Robert Byron wrote in 1933, ‘a calico beehive with a window at the top flits across the scene. This is a woman.’ Contemporary Kabul is closer to Byron’s description than to a 1977 guidebook’s city of ‘mini-skirted schoolgirls’. The schoolgirls are now ...”

“... the writing of A Small Boy. Thus in his immensely useful compilation, A Henry James Encyclopedia, Robert Gale maintains that William is ‘the hero of James’s autobiography, especially its earlier parts’. James had himself indicated as much when he first discussed a ‘family book’ with William’s heirs during the months, stretching to nearly a ...”

“... in, and she enters the crypt alone. ‘Three kinds of space dominate all Tarkovsky’s films,’ Robert Bird writes: ‘nature, the home, and the shrine or cathedral.’ The ‘cathedral space is demonstrated most fully at the beginning of Nostalghia . . . in the rigorously geometrical yet disconcertingly elusive space of a columned crypt’. One reason ...”

“... the record’s contents. He’d been using the alias since the summer of 1960. His given name was Robert Zimmerman and he had grown up in Hibbing, a small mining town in Minnesota; he was the son of Abe, an electrical goods supplier, and Beatty, and the grandson of Jewish immigrants from Eastern Europe. The name he chose has often been said to be a tribute to ...”

“... here. More than two hundred years later, this sense had not yet faded; with a cheeky rhyme, Robert Burns attributed such devices to the devil: ‘Then you, ye auld, snic-drawing dog!/Ye came to Paradise incog/An’ play’d on man a cursed brogue.’ By the time Burns was writing, ‘brogue’ also commonly described ‘a rude kind of shoe generally ...”

“... there is a serious risk of substituting crabbed obscurity for an enigmatic richness of expression. Robert Browning’s 1877 version of Agamemnon is arguably more difficult to understand than the Greek:Not gently-grieving, not just doling outThe drops of expiation – no, nor tears distilled –Shall he we know of bring the hard aboutTo soft – that intense ...”

“... and that ‘the crazed parataxis still flashes the voltage of the street.’ We are told that Robert Southey’s ‘over-long nose’ gave his face a ‘workmanlike quality, and his work ethic is what he is largely remembered for’. And this, of a representation of melancholy: ‘He wears only linens over his loins. If they are soiled, we don’t ...”

“... Notes for Joyce (1974, revised and republished in 1988 as Ulysses Annotated by Don Gifford with Robert J. Seidman). It shows Joyce as both systematic in his approach to fact and at times struggling, and often failing, in his effort to avoid error. And it makes clear that Ulysses has a mundane source book – Thom’s Directory – to match The Odyssey, its ...”

“... on Buddenbrooks for life among the haute bourgeoisie in prewar Germany and Swiss sanatoria, and Robert Musil’s Young Törless for possible events during Brandt’s schooldays. Where there is no proof, there is supposition. For example: ‘There is ample evidence that Brandt suffered a psychic wound in his school days, something so hurtful that it affected ...”