Short Cuts

Paul Myerscough: The Pret Buzz, 3 January 2013

... of the country, £7.45). The company is no doubt pleased to recognise itself in the image of what David Cameron described a year ago as ‘socially responsible’ capitalism, and its sales have bucked the recession – turnover and profits increased by 15 per cent in 2011. But using eco-friendly packaging and donating unused food to the homeless is one ...

Short Cuts

John Lanchester: #tevezexcuses, 20 October 2011

... masterplan: he is paid £250,000 a week. (Actually, it’s a little more complicated than that, as David Conn has been jaw-droppingly reporting in the Guardian. Tevez’s ‘economic rights’ apparently belong to an overseas investment company whose ultimate ownership is opaque, and is being disputed in court by post-Soviet oligarchs.) What you get for your ...

At the Architects’

Alice Spawls: Whirling Automata, 4 July 2019

... like to admit it, by The Way Things Go (1987), a 30-minute film by the artists Peter Fischli and David Weiss. Their creation is an example of a Rube Goldberg machine (named after the cartoonist) in which an unlikely number of devices are linked together to create a domino effect – in its original sense the name refers to a machine designed to perform a ...

Consolation Cartography

D. Graham Burnett: The power of maps, 3 November 2005

Rhumb Lines and Map Wars: A Social History of the Mercator Projection 
by Mark Monmonier.
Chicago, 242 pp., £17.50, November 2004, 0 226 53431 6
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... by sea and land. As the multiple volumes of The History of Cartography, edited by J.B. Harley and David Woodward, have shown in painstaking detail, the history of maps – their creation, use and abuse – is the history of a whole series of human efforts to comprehend and organise the physical and social worlds. Monmonier, who is the editor of the ...

Family Dramas

J.A. Burrow, 2 July 1981

Symbolic Stories 
by Derek Brewer.
Boydell, 190 pp., £15, October 1980, 0 85991 063 6
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... or latent presence of this family drama in a wide variety of stories: Cinderella, Snow White, David and Goliath, Sir Gawain and the Green Knight, Sir Gareth, Hamlet, Imogen, Fanny Price and Pip. The following observation is typical of the method: ‘Although Cymbeline rages at Imogen and the Queen is courteous, Imogen is not deceived by her, and we ...

At the British Museum

Francis Gooding: Picasso’s Prints, 20 March 2025

... Histoire naturelle rubs up against vitriolic anti-Franco cartoons; Cranach the Elder’s David and Bathsheba is subject to a fierce analytic glare. Throughout, Picasso’s lovers, friends and forebears drift in and out (Vollard, Dora Maar, Françoise Gilot, Jacqueline Roque, Manet, Rembrandt), taking one role then another in an endless play of ...

Downland Maniacs

Michael Mason, 5 October 1995

The Village that Died for England 
by Patrick Wright.
Cape, 420 pp., £17.99, March 1995, 0 224 03886 9
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... the Tolpuddle Martyrs in a revamped Tyneham), Mike Leigh (via Nuts in May), Nigel Coates, even David Mellor. The piquant list of names should convey something of the flavour of Wright’s book, and also the flavour of Purbeck as he understands its role in 20th-century English culture. Wright’s reminder of how muddled is the broadly ...

At the Villa Medici

Peter Campbell: 17th-Century Religous Paintings, 30 November 2000

... when a change of surface texture – say, between one fabric and another – must be registered. (David would let this French tradition of brushwork be the vehicle for political rather than religious probity.) This is a very different craft from the more energetic kind which makes surfaces in Rubens’s paintings seem more alive than the hair or fur or flesh ...

At the Royal Scottish Academy

Nicholas Penny: The Age of Titian, 21 October 2004

... One unfamiliar painting is hard to leave behind. This is the extraordinary picture of King David holding a lira da braccio and looking down on a priest who kneels in prayer before him: a work recognised by Mina Gregori as by Moretto nearly twenty years ago, and which has not been seen in public in Britain for two hundred years. It was once attributed ...

At Tate Britain

Peter Campbell: How We Are, 5 July 2007

... photographs of exhausted marines. Set an amateur snapshot by Vanessa Bell, a glamour portrait by David Bailey, and a picture of a nurse in uniform from Belle View Studio in Bradford against one another. One aim the curators had when they settled on this melange – a multi-layered picture of the nation in photographs – is summed up in the title: How We ...

Who’s on the Ropes Now?

Ross McKibbin: A Bad Week for Gordon Brown, 1 November 2007

... only a couple of weeks ago and giving entirely good reasons why Gordon Brown was on top and David Cameron on the ropes now look faintly embarrassing. But at the beginning of October Brown was on top and no one can be faulted for failing to see his impending humiliation. Nor could they have predicted that the abandonment of a premature general election ...

At the Movies

Michael Wood: The gangster movie, 13 December 2007

American Gangster 
directed by Ridley Scott.
November 2007
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... for them, but the cheering does drown out quite a lot of other noises. ‘Viewers may ask,’ David Denby says in his very good review of this film in the New Yorker, ‘why it’s supposed to be better that hundreds, maybe thousands, of people in Harlem were destroyed by black gangsters rather than by Italians.’ And along the same lines we may suspect ...

Short Cuts

James Meek: Thames Water, 9 May 2024

... the system – the leaks, the water shortages and, most pressingly, the sewers. ‘Consider,’ David Kinnersley wrote in his book Troubled Water, just before the giveaway happened, ‘how much enthusiasm there would be for privatisation in Parliament or the City if it were called sewage privatisation. Although everyone refers to water privatisation, the ...

What We’re about to Receive

Jeremy Harding: Food Insecurity, 13 May 2010

... out a simpler diet than we’re used to, an equivalent for rainy, hectic Britain of what Elizabeth David discerned in the Mediterranean diet when she called it ‘the rational, right and proper food for human beings to eat’. Except there’s no romantic sense, as there was in David, of a benign landscape supporting people ...

A Man of Parts and Learning

Fara Dabhoiwala: Francis Williams Gets His Due, 21 November 2024

... portrait, albeit of a distinctively colonial character and quality. Last year, the art historian David Bindman, who has studied the picture closely for thirty years, proposed that it is in fact a self-portrait, painted by Williams himself.What is the intent of the image and what is created by its beholders? The problem of Francis Williams’s portrait shows ...