At the British Museum

Peter Campbell: Renaissance Drawings, 27 May 2010

... so when you arrive at Fra Angelico’s sweetly decorative manuscript illustration of King David you notice that the gesture of the hand must be the result of someone’s careful observation of what a bent wrist and separated fingers can be made to say and how a foot can be made to rest firmly on the ground. It is dated c.1430 – one can imagine a ...

Short Cuts

Paul Myerscough: The Pret Buzz, 3 January 2013

... of the country, £7.45). The company is no doubt pleased to recognise itself in the image of what David Cameron described a year ago as ‘socially responsible’ capitalism, and its sales have bucked the recession – turnover and profits increased by 15 per cent in 2011. But using eco-friendly packaging and donating unused food to the homeless is one ...

At the Movies

Michael Wood: The gangster movie, 13 December 2007

American Gangster 
directed by Ridley Scott.
November 2007
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... for them, but the cheering does drown out quite a lot of other noises. ‘Viewers may ask,’ David Denby says in his very good review of this film in the New Yorker, ‘why it’s supposed to be better that hundreds, maybe thousands, of people in Harlem were destroyed by black gangsters rather than by Italians.’ And along the same lines we may suspect ...

Who’s on the Ropes Now?

Ross McKibbin: A Bad Week for Gordon Brown, 1 November 2007

... only a couple of weeks ago and giving entirely good reasons why Gordon Brown was on top and David Cameron on the ropes now look faintly embarrassing. But at the beginning of October Brown was on top and no one can be faulted for failing to see his impending humiliation. Nor could they have predicted that the abandonment of a premature general election ...

At Tate Britain

Peter Campbell: How We Are, 5 July 2007

... photographs of exhausted marines. Set an amateur snapshot by Vanessa Bell, a glamour portrait by David Bailey, and a picture of a nurse in uniform from Belle View Studio in Bradford against one another. One aim the curators had when they settled on this melange – a multi-layered picture of the nation in photographs – is summed up in the title: How We ...

At the Movies

Michael Wood: ‘Let the Right One In’, 14 May 2009

Let the Right One In 
directed by Tomas Alfredson.
November 2008
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... tempted to pick up on this suggestion because it recalls one of the greatest of all horror movies, David Cronenberg’s The Brood (1979), where so-called anger therapy results not only in a welcome release of psychic aggression but in teams of little people smashing in the heads of the people the patient doesn’t like. The real interest of Let the Right One ...

Plastigoop

Stephanie Burt: Lucia Perillo, 17 November 2016

Time Will Clean the Carcass Bones: Selected and New Poems 
by Lucia Perillo.
Copper Canyon, 239 pp., $23, February 2016, 978 1 55659 473 1
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... personal essays, not far from the work of the so-called ‘ultra-talk’ poets (Albert Goldbarth, David Kirby) whose chatty, digressive work filled many magazines in the 1990s. Perillo told me at a recent reading that her favourite contemporary poet was C.K. Williams, whose famously long-lined, sometimes violent poems were as committed as she is to ...

At the Movies

Michael Wood: ‘Some Like It Hot’, 22 November 2018

... with the classics of the genre, is off. There is another premise, another genre in question. David Selznick told Wilder that ‘mixing gangsters and comedy wouldn’t work,’ and perhaps even Wilder didn’t know at first how wrong his adviser was. Would the St Valentine’s Day Massacre really play as farce? The opening frames of the film offer an ...

At the Royal Scottish Academy

Nicholas Penny: The Age of Titian, 21 October 2004

... One unfamiliar painting is hard to leave behind. This is the extraordinary picture of King David holding a lira da braccio and looking down on a priest who kneels in prayer before him: a work recognised by Mina Gregori as by Moretto nearly twenty years ago, and which has not been seen in public in Britain for two hundred years. It was once attributed ...

At the British Museum

Francis Gooding: Picasso’s Prints, 20 March 2025

... Histoire naturelle rubs up against vitriolic anti-Franco cartoons; Cranach the Elder’s David and Bathsheba is subject to a fierce analytic glare. Throughout, Picasso’s lovers, friends and forebears drift in and out (Vollard, Dora Maar, Françoise Gilot, Jacqueline Roque, Manet, Rembrandt), taking one role then another in an endless play of ...

At the Villa Medici

Peter Campbell: 17th-Century Religous Paintings, 30 November 2000

... when a change of surface texture – say, between one fabric and another – must be registered. (David would let this French tradition of brushwork be the vehicle for political rather than religious probity.) This is a very different craft from the more energetic kind which makes surfaces in Rubens’s paintings seem more alive than the hair or fur or flesh ...

Short Cuts

James Meek: Thames Water, 9 May 2024

... the system – the leaks, the water shortages and, most pressingly, the sewers. ‘Consider,’ David Kinnersley wrote in his book Troubled Water, just before the giveaway happened, ‘how much enthusiasm there would be for privatisation in Parliament or the City if it were called sewage privatisation. Although everyone refers to water privatisation, the ...

What We’re about to Receive

Jeremy Harding: Food Insecurity, 13 May 2010

... out a simpler diet than we’re used to, an equivalent for rainy, hectic Britain of what Elizabeth David discerned in the Mediterranean diet when she called it ‘the rational, right and proper food for human beings to eat’. Except there’s no romantic sense, as there was in David, of a benign landscape supporting people ...

A Man of Parts and Learning

Fara Dabhoiwala: Francis Williams Gets His Due, 21 November 2024

... portrait, albeit of a distinctively colonial character and quality. Last year, the art historian David Bindman, who has studied the picture closely for thirty years, proposed that it is in fact a self-portrait, painted by Williams himself.What is the intent of the image and what is created by its beholders? The problem of Francis Williams’s portrait shows ...

Insouciance

Anne Hollander: Wild Lee Miller, 20 July 2006

Lee Miller 
by Carolyn Burke.
Bloomsbury, 426 pp., £12.99, March 2006, 0 7475 8793 0
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... envied the men their licence to experience and capture the look of real action. The photographer David Scherman, her new American chum and lover, from whom she learned a lot, pointed out that she was ‘a perfectly bona fide Yank from Poughkeepsie’ and could herself qualify for such a job; so with Withers’s backing she sought and received accreditation ...