At the National Gallery
Julian Bell: Beyond Caravaggio, 15 December 2016
“... he’s quickly recording the patterns of light across this body part or that on an umbered canvas. David Hockney’s now familiar guess that lenses covertly facilitated Caravaggio’s cinematic effects came with a salute to his ‘terrific talent’. My guess is that we should cut out the middleman, and that the only apparatus involved was Caravaggio’s own ... ”