“... be published, indeed she sensibly provided for it. ‘I love reading Letters myself,’ she told William Maxwell, her literary executor, ‘and I can imagine enjoying my own.’ She was born in 1893, an only child. Her father was a Harrow master, who, in a way not very complimentary to his profession (but quite right for STW), never sent her to school. She ...”

“... couples on the edge of acts of violence, can, even now, make the name Camden Town oppressive. William Rothenstein said that he had known many poor studios in Paris, but that Sickert’s ‘genius for discovering the dreariest house and the most forbidding rooms in which to work’ was still ‘a source of wonder and amusement’ to him. Harold Gilman’s ...”

“... The painters have paid too much attention to the ism and not enough to the painting,’ William Carlos Williams wrote in 1928. Something similar could be said about Williams’s own critics: since his death in 1963, attention to his theories and to his life has been getting in the way of his poems. With Williams, more than the usual number of isms and caricatures need to be cleared away ...”

“... over her husband’s foot, thus preventing him from going on a ramble over Quantoxhead with Lamb, William and Dorothy; and incidentally producing the poem ‘This Lime Tree Bower My Prison’. ‘Prison’ was the word, almost synonymous for Coleridge with cottage or home; and the charm both of the Lime Tree Bower poem and ‘Frost at Midnight’ largely ...”

“... purple-top turnips and a black radish and put them in a black bowl. I like the brightness of their white undersides and the idea of black flesh against black ceramic – kissing colours. They need movement and pattern and texture: fabric would work well, so I drape a chequered tea towel over one corner of the chest of drawers I am using as a makeshift ...”

“... more to him than poetry. Fisher likes no jazz pianist more than Joe Sullivan, the rumbustious white Chicago artist who came up in the 1920s with Eddie Condon’s band. Like Fisher, Sullivan was an unabashed disciple of the Earl Hines style of playing, with that busily inventive left hand and the right hand playing octaves: The pianist Joe ...”

“... A new history of empire, no longer either triumphalist or cast in the shades of black and white favoured by the post-colonialists, is beginning to be written. It assumes that the metropolis and the colonies were not self-contained realms (as the older ‘imperial history’ often assumed); it recognises that empires were made and ruled by individuals with often very different, even conflicting aspirations ...”

“... to photographic accuracy or, as it seemed to Dante Gabriel Rossetti, literalism; he complained to William Bell Scott that most of the Academy pictures that year were ‘done in prose’. But this was what the general art-viewing public of the mid-Victorian years liked, a picture with a story they could follow and explain to one another. Not that it had to be ...”

“... gas station, a Ford Fairlane parked behind the pumps, filling up, a fluorescent logo above the white office area, the entire station floodlit, probably with mercury vapour lamps. Behind it, half-hidden in the shadows of early morning or evening, is a four-storey tenement, probably built in the early part of the last century, and indistinguishable from the ...”

“... its foreleg as it hung to drain, ‘in the manner in which ladies of that day sometimes carried a white lacy shawl’. Thompson wrote quickly, and within a year of beginning the project sent 15 chapters to Oxford University Press. Lark Rise, the first volume, came out in 1939, followed by Over to Candleford in 1941 and Candleford Green in 1943. She wanted ...”

“... without charge). In 1918, returned from the dead, he married Nancy Nicholson (daughter of William Nicholson the painter, sister to Ben Nicholson and herself a skilful illustrator and designer), with whom he had three children by 1922, although it was never quite clear how keen the strongly feminist Nancy was on being married to him. Meanwhile he was ...”

“... but he was also very good at turning childish inadequacy to imaginative account. A year after William’s death in 1910, he set out to edit a selection of William’s letters only to end up producing a remarkable self-portrait. Though he had intended to preface the letters with a short history of their ...”

“... shared in the 1970s and early 1980s. In February 1974 the head of the home civil service, Sir William Armstrong, suffered a dramatic nervous breakdown in Downing Street, convinced that democracy itself was at stake in the miners’ confrontation with Ted Heath’s government. When Armstrong’s colleague Sir Douglas Allen, the permanent secretary at the ...”

“... of tribal or personal property, but on an interlocking network of ‘ways through’. What the white men saw as the meaningless habit of ‘Walkabout’ was a kind of bush-telegraph stock-exchange, spreading news of commodities and availability among peoples who never saw each other, and might even be unaware of each other’s existence. Since goods were ...”

“... entertain, mislead, console etc). The selections include Queen Charlotte Sophia chastising her son William for being ‘a true trifling character’, emigrant Anne Francis on the ants and jackals greeting colonists in South Africa, Fanny Burney on her mastectomy, two reports of witnessing executions and five different accounts of hot-air balloon voyages. There ...”