“... of Joseph Herman’s images of Welsh miners, Joan Eardley’s Glasgow tenement scenes or Peter de Francia’s political paintings further weakens the realist cause. But Garlake’s assessment of Berger’s stance seems fair, recognising as it does the difficulty he had in formulating criteria to match his beliefs. He focused, she argues, on the ...”

“... crisis and the crisis of American materialism coincided. A 35-year-old celebrity when he left New York Harbor on the SS America, he was the subject of mocking magazine profiles: he felt he had already passed through fame to caricature, from poet to provocateur. He was haunted by a vision he had had at the age of 22, when, while reading Blake, a voice ...”

“... add a sensory element to studies that are mainly about something else. What did 18th-century New York, or London or Tokyo, look like? (This could be part of a general account of urban class structure in early modern times.) How, exactly, did church bells sound in late medieval villages? (This, for a study of local religious culture.) What was the range of ...”

“... elude that soporific ‘and then’? So, it is little surprise to find the prolific genre-bender Peter Ackroyd beginning his brief biography of Edgar Allan Poe with a recounting of his subject’s final days. Never mind that Paul Strathern’s recent biographical study, Poe in 90 Minutes, and a new novel by Matthew Pearl, The Poe Shadow, made the same ...”

“... about the Astor Place riot, I too visited a couple of the archives he consulted, namely the New York Public Library for the Performing Arts and the New York Historical Society. Long fascinated by the events of 10 May 1849, I couldn’t leave Manhattan without making a pilgrimage to Astor Place. But I could find no ...”

“... Literature should be naked,’ Peter Stamm writes. Words should never obscure the story, ‘its warmth, its form, its vitality’. It’s form that critics in Germany and his native Switzerland are talking about when they compare Stamm to Raymond Carver. Take ‘The True Pure Land’, one of his more ‘naked’ stories ...”

“... can turn into an addiction. The connection between this and other kinds of abuse is something that Peter Rushforth has been thinking about for a long time. In 1979 he published his first novel, Kindergarten, a short and desolate work which won the Hawthornden Prize. A meditation on ‘Hansel and Gretel’, the grimmest of tales, Kindergarten describes a world ...”

“... of every sketch was people dying.’ Nonetheless, it was undoubtedly a strong influence on Peter Cook (one of the original cast members) and the other three-quarters of the Beyond the Fringe team (Alan Bennett, Jonathan Miller and Dudley Moore), who would go on to present their own take on the nuclear threat, in a sketch called ‘Civil War’.In that ...”

“... aimed against the ravages of developers and despoilers, incomers, fixers, quacks, swarthy New York hoods with misjudged tailoring. Exactly the kind of lowlife Gregory Corso once appeared to be: a 16-year-old member of the so-called Walkie-Talkie Gang who ripped off $64,000 from the soft-file safes of the money-lending Household Finance operation. Corso ...”

“... 13 January. One of Peter Cook’s jokes, several times quoted in his obituaries, is of two men chatting. ‘I’m writing a novel,’ says one, whereupon the other says: ‘Yes, neither am I.’ And of course it’s funny and has a point, except that Peter, I suspect, felt that this disposed of the matter entirely ...”

“... Gear’s work was exhibited alongside Jackson Pollock’s at the Betty Parsons Gallery in New York. In other words, Gear was part of a large international movement.Berger remained suspicious of this whole trend, which he felt was symptomatic of what he considered ‘a period of cultural disintegration’. In this context, it is interesting to read his ...”

“... Perhaps it is too soon to call this one of the greatest motion pictures of all time,’ the New York Times said in June 1942, ‘but it is certainly the finest yet made about the present war, and a most exalting tribute to the British.’ The film was Mrs Miniver, whose heroine had come from a 1939 bestseller by the British writer Jan Struther ...”

“... In a respectful but chary review of The Life and Times of Michael K (1983) in the New York Review of Books, Nadine Gordimer wrote about J.M. Coetzee’s ‘conscious choice’ of allegory as a literary mode in his first three novels. The reasons for this, she speculated, were temperamental: It seemed he did so out of a kind of opposing desire to hold himself clear of events and their daily, grubby, tragic consequences in which, like everyone else living in South Africa, he is up to the neck, and about which he had an inner compulsion to write ...”

“... well as a grain of rice inscribed with verse. The show was reviewed on the front page of the New York Times and the Wall Street Journal. The following year he received a prize from the National Small Works Competition, judged by a curator from the Guggenheim Museum.In December 1990 an exhibition was planned for the Museum of Jurassic Technology: in effect a ...”

“... Karl had a poor view of Cordelia, as he liked to remind me. In the summer of 1979 the New York Review decided to launch a British version of itself and Karl was to be the editor. The Times and its empire, which included the TLS, had been off the streets since the beginning of the year as a result of its owners’ dispute with the unions and the idea ...”