At the Barbican
John-Paul Stonard: ‘Postwar Modern’, 23 June 2022
“... voyeurism than Surrealism. The titles emphasise the link to cinema: The Haunted Bathroom, Campden Hill shows a heavily made-up woman baring her breasts, while The Policeman’s Daughter, Hampstead shows a young woman sitting naked in an upright wooden chair, half turned towards us. A bright light illuminates her body, throwing dark shadows across the ... ”