“... ditch, while another (a dancing master, maybe) skips into the limelight. The Elizabethan satirist John Marston was repeatedly mocked for his line ‘Let custards quake, my rage must freely run,’ but his opposition between a wobbling but self-contained cowardly custard (he is thinking of a set custard rather than a sauce) and his own free-flowing inspired ...”

“... Mediterranean and the Danube basin were for a long time privileged zones – the terrains of St John Philby and Robert Byron, of Norman Douglas and Patrick Leigh-Fermor, of R.W.Seton-Watson and Rebecca West. Sorties farther afield – like Peter Fleming’s expeditions to the Gobi or Matto Grosso – were fewer. Paradoxically, the vast expanse of the Empire ...”

“... we read it as a version of what happened. The value of Congo was at first its ivory. But in 1888, John Boyd Dunlop, an Ulster Scot living in Belfast, made a discovery which would make the Congo Basin one of the most lucrative places on earth. In The Devil’s Milk: A Social History of Rubber, John Tully describes the moment ...”

“... has gone horribly wrong, and the solace the authors find in the architecture of Caruso St John or Eric Parry does not make up for it. No guide to London’s architecture has ever been so successful. Regularly updated from top to bottom every decade or so since its first publication in 1983 it obviously fulfils a need. There is no shortage of guides to ...”

“... Ingmar Bergman, T.S. Eliot, E.M. Forster, Giacometti, Graves, Isherwood, Heard, Huxley, St-John Perse, Gilbert Ryle, Schoenberg, Shostakovich, Edith Sitwell, Evelyn Waugh. Some, including Eliot and Huxley, are evoked at length; others come to rest in a marvellous single image. Edith Sitwell’s eyes are ‘heavily ...”

“... and fumes from coal (‘sea-coal’) burned in breweries, bakeries and glass foundries. John Evelyn’s Fumifugium, or, the Inconvenience of the Aer and Smoak of London Dissipated (1661) dismissed the idea that domestic hearths had much to do with it – probably correctly at the time.Evelyn wrote about ...”

“... influence on his early fiction, however, was Raymond Roussel, to whose work he was introduced by John Ashbery in 1956: Roussel’s ‘sovereign genius’, Mathews later declared, ‘demonstrated to me that psychology was a dispensable fashion, that the moral responsibilities of writing did not lie in a respect of subject matter, and that the writing of prose ...”

“... that it was, somehow, their home. Johann Burckhardt, William Thomson (known as Osman effendi), John Gardner Wilkinson, Robert Hay and Edward Lane also ‘went native’ on their travels. Like Champollion, they aped the robes and turbans of the Ottoman ruling class, browned their skin, and made a show of living in ‘Oriental’ style. Hay, Burton and ...”

“... out of the modernist mainstream. His work was not, Soden points out, so different in its themes. Evelyn Waugh’s take on the Bright Young Things, Vile Bodies, was exactly contemporary with Private Lives. Auden and Isherwood made use of revue, music hall and jazz. Virginia Woolf explored bisexuality in her life and work. Woolf did develop a fragile and ...”

“... to the burning sun, which sends him blind. One other scene stands out. The hero, Harry Faversham (John Clements), fears he is a coward and having declined to go with his regiment to the Sudan goes native in order to prove himself by working unrecognised to assist his ex-colleagues who have sent him the feathers. To corroborate his disguise as a harmless ...”

“... of God, as well as a history of our self-conceptions, of our utopias and terrors, and this is what John Casey provides. Casey is in many ways an ideal guide. He is bracingly conservative about the writing of cultural history, meaning that he likes texts, and chronology, and evidence. He has taught English at Cambridge for many years, and his book has about it ...”

“... pattern with Johns. About one fifth of all males in the UK between 1800 and 1850 were christened John and the vast majority of the other men and boys around at the time were Joseph, James, Thomas or William. Around 1850, however, the repertoire of names in regular use began to increase rapidly. As Gothic-looking steeples rose around the country, so ...”

“... Beasts in interest. The volume has a valuable seventy-page introduction and some useful notes by John Haffenden, who arranges the material as far as possible in chronological order. The play or melodrama, Three Stories, was written when the poet was 20, and performed, with him in the cast, by the Cambridge ADC. Long supposed to have been lost as Empson ...”

“... driving an ambulance). The designer Eileen Gray and her ‘companion’, the weaver and cellist Evelyn Wyld, were part of a fleet of drivers assembled by Lily de Gramont. Dolly Wilde joined them. Anne Morgan, daughter of J.P. Morgan, started the ‘heiress corps’ with her partner, Anne Murray Dike. For many, it was liberating. Women referred to one ...”

“... may prefer Marguerite Porete, burning alive with her book, or the rich black intersection of St John of the Cross or the pyroclastic whisper of Anonymous, Unknown Author. Or something a little closer to home – Jeannie, for instance, the family friend whom my father (a Catholic priest in full cassock) calls simply a Eucharistic mystic, so guilelessly, and ...”