“... to which is reserved for Catholics only’. Even sharper criticism came from his fellow Catholics. Evelyn Waugh called Scobie’s spiritual deal a ‘mad blasphemy, for the God who accepted that sacrifice could be neither just nor lovable’. Waugh suspected that Greene had taken the idea of Scobie’s warped sanctification from the poet Charles Péguy, whose ...”

“... bore faint traces of the grand manner of the 17th century’, and that the acolyte is evidently St John. All this is a part of the history, the mentalité, of Octave – and so of Yourcenar. These are all fragments peeled from a few dowdy decades in the centuries rolling past Yourcenar’s inward eye. They are so far from everyday conceptions of reality that ...”

“... of Western Orientalism and of Eastern Occidentalism, both of which Tagore confounded. Edward John Thompson (1886-1946) was then an educational missionary at the Wesleyan College at Bankura. He had published several volumes of verse, and was approaching proficiency in Bengali. After a brief meeting in Calcutta, Tagore invited him to visit him at his ...”

“... pressed painfully into their diaphragms’ to make room for the others. A third, married sister, Evelyn, lives with them and is always announcing her own normality, examining the other two for further signs of instability: ‘At a picture show,’ she says, ‘I feel like the norm’; ‘I’m wide open, I’m frank, there’s nothing on my mind besides what ...”

“... though more often in the background. Martin Middlebrook’s The First Day on the Somme and John Keegan’s The Face of Battle are the mini-masterpieces I remember from school; this century, Antony Beevor, Max Hastings and Holland have led the British pack. The history of war is now certainly more palatable to academia: King’s College, London has a ...”

“... with copious quantities of alcohol. This was the era of the journalistic raconteur, satirised by Evelyn Waugh in Scoop forty years earlier, whose favoured sagas involved the finagling of expenses. A Newsweek colleague of mine used to say: ‘I love doing expenses. It’s the only chance I get to write fiction.’ My favourite tale, which I recall hearing ...”

“... ditch, while another (a dancing master, maybe) skips into the limelight. The Elizabethan satirist John Marston was repeatedly mocked for his line ‘Let custards quake, my rage must freely run,’ but his opposition between a wobbling but self-contained cowardly custard (he is thinking of a set custard rather than a sauce) and his own free-flowing inspired ...”

“... Mediterranean and the Danube basin were for a long time privileged zones – the terrains of St John Philby and Robert Byron, of Norman Douglas and Patrick Leigh-Fermor, of R.W.Seton-Watson and Rebecca West. Sorties farther afield – like Peter Fleming’s expeditions to the Gobi or Matto Grosso – were fewer. Paradoxically, the vast expanse of the Empire ...”

“... we read it as a version of what happened. The value of Congo was at first its ivory. But in 1888, John Boyd Dunlop, an Ulster Scot living in Belfast, made a discovery which would make the Congo Basin one of the most lucrative places on earth. In The Devil’s Milk: A Social History of Rubber, John Tully describes the moment ...”

“... has gone horribly wrong, and the solace the authors find in the architecture of Caruso St John or Eric Parry does not make up for it. No guide to London’s architecture has ever been so successful. Regularly updated from top to bottom every decade or so since its first publication in 1983 it obviously fulfils a need. There is no shortage of guides to ...”

“... and fumes from coal (‘sea-coal’) burned in breweries, bakeries and glass foundries. John Evelyn’s Fumifugium, or, the Inconvenience of the Aer and Smoak of London Dissipated (1661) dismissed the idea that domestic hearths had much to do with it – probably correctly at the time.Evelyn wrote about ...”

“... that it was, somehow, their home. Johann Burckhardt, William Thomson (known as Osman effendi), John Gardner Wilkinson, Robert Hay and Edward Lane also ‘went native’ on their travels. Like Champollion, they aped the robes and turbans of the Ottoman ruling class, browned their skin, and made a show of living in ‘Oriental’ style. Hay, Burton and ...”

“... Ingmar Bergman, T.S. Eliot, E.M. Forster, Giacometti, Graves, Isherwood, Heard, Huxley, St-John Perse, Gilbert Ryle, Schoenberg, Shostakovich, Edith Sitwell, Evelyn Waugh. Some, including Eliot and Huxley, are evoked at length; others come to rest in a marvellous single image. Edith Sitwell’s eyes are ‘heavily ...”

“... influence on his early fiction, however, was Raymond Roussel, to whose work he was introduced by John Ashbery in 1956: Roussel’s ‘sovereign genius’, Mathews later declared, ‘demonstrated to me that psychology was a dispensable fashion, that the moral responsibilities of writing did not lie in a respect of subject matter, and that the writing of prose ...”

“... out of the modernist mainstream. His work was not, Soden points out, so different in its themes. Evelyn Waugh’s take on the Bright Young Things, Vile Bodies, was exactly contemporary with Private Lives. Auden and Isherwood made use of revue, music hall and jazz. Virginia Woolf explored bisexuality in her life and work. Woolf did develop a fragile and ...”