“... faux-documentary comedy about a chat show, The Larry Sanders Show (1992-98), which he co-produced and co-wrote for HBO, and starred in as the eponymous host. The chat show scenes were shot as if in a traditional studio, the hyper-cynical behind-the-scenes bitching and bickering on a handheld camera. Celebrities ...”

“... the profit motive, a belief in progress, science, social legislation, planning and international co-operation, perhaps especially where Russia is in question.’ There is a decided suggestion of Communist fellow-travelling. Partisan Review began its career in 1933 as an organ devoted to the interests of the Communist Party. The liberal imagination means (to ...”

“... batch of studies finds, in the USA, Peter Plan and T.G. Bishop combing the plays for miracles and James Biester finding the key to Renaissance courtly poetry in its strategies for eliciting astonishment. Back home, Jonathan Bate is gobsmacked by the sheer Genius of Shakespeare. It’s perhaps as well to remember that in cooler moments Jonson complained that ...”

“... from lawyers arriving every day. It was probably the worst time of my life.’ Cornwell agreed to co-operate with Sisman after reading his last book, a Life of Hugh Trevor-Roper. In an intriguingly cagey introduction, Sisman describes the resulting deal. Cornwell would give him long interviews, access to his archives, and a list of introductions. ‘I was to ...”

“... includes an exciting shoot-out at Grinev’s estate. Elements of the story are indebted to Walter Scott, but the bucking adventurism is closer to Fenimore Cooper (whom Pushkin was reading at the time). Pushkin had great difficulty extending his fictional prose. He had wanted to turn ‘The Blackamoor of Peter the Great’ into a novel (a fictionalised ...”

“... public is curiously subtle. Thomas Mann and Arnold Bennett would have taken it for granted, like Scott, that though their reconstructions might not appeal to everyone, they would be read by a complete cross-section of the reading public, from the discerning connoisseur to those who were getting something out of the lending library. In the same way, the ...”

“... skilfully retaining all its traditional apparatus. Stendhal’s imagination is a kind of parody of Scott’s: his sensibility is itself its own journal and his own memoir. Reviewing Stendhal’s last book, The Charterhouse of Parma, when it appeared in 1839, Balzac noted admiringly that the novel ‘often contained a whole book in a single page’. But that ...”

“... lacked. ‘Airt, airt, what is it all about?’ he once exclaimed to the painter William Bell Scott. ‘If all art, except good portraits, faces of great men well done, if all art but these was swept out of the world we would be all the better!’ A passage in Ruskin’s autobiographical Praeterita, deleted when the book was in proof, vividly sums up the ...”

“... Thus his paintings are mostly a computer-assisted updating of Pop and Surrealism, equal parts James Rosenquist and Salvador Dalí (his first love), and the sculptures that mash up pop-cultural figures like Elvis and Hulk are also usually overdone. So, too, Koons often fails to inflect the three categories that are his bread and butter – kitsch, porn and ...”

“... in virtue, may get travestied by the inwardly vicious. Everyone also suspects himself, as Scott Fitzgerald noted, of possessing at least one cardinal virtue. Where politicians continually have to flatter a demos that sees them as clay-footed, each citizen, banjaxed and blandished by turns, is apt to divine in himself a moral purity his political ...”

“... of various family members. His exploration of the hitherto obscure roles of Cassandra and of James, the eldest brother, is one of his best discoveries. In the years in which Jane was at last getting published, Cassandra can already be seen as a family watchdog. When Sense and Sensibility emerged in 1811, Cassandra begged everyone to keep Jane’s ...”

“... candidates for the roles of Brünnhilde and Siegfried, Tristan and Isolde, or Elektra: but now, as James Levine, the artistic director of the Metropolitan Opera in New York, has notoriously complained, it is very hard to assemble a cast even for Aida. Nobody quite knows why this should be so: it could be the fault of teaching, it could be the merest freak of ...”

“... Richard Pare collection, Photography and Architecture 1839-1939)? Photography would then be co-operating in the actual construction of the newer buildings, angling into dimensions of built space that our ordinary human bodies have little daily commerce with, combining planes we normally separate in dramatic visual ‘chords’, and absorbing the signs ...”

“... Once certain authors acquired ‘classic’ status, they were not easily displaced. Defoe, Swift, Scott, Dickens, Hardy figure in almost every story of a life transformed by reading, along with the major poets (Milton, Wordsworth, Tennyson), dramatists (none matched Shakespeare and Shaw in popularity), discursive prose writers (Carlyle and Ruskin are the ...”

“... David Runciman, Neal Ascherson, James Butler, T.J. Clark, Jonathan Coe, Sionaidh Douglas-Scott, Daniel Finn, Dawn Foster, Jeremy Harding, Colin Kidd, Ross McKibbin, Philippe Marlière, James Meek, Pankaj Mishra, Jan-Werner Müller, Susan Pedersen, J ...”