“... 18 now known to have been killed: John Ashton, William Bradshaw, Thomas Buckley, James Crompton, Edmund Dawson, Margaret Downes, William Evans, William Fildes, Samuel Hall, Mary Heyes, Sarah Jones, John Lees, Arthur O’Neill, Martha Partington, John Rhodes, Joseph Whitworth, and two special constables, John Ashworth and Robert Campbell. There were ...”

“... in connection with four murders. He is offered wine, and not just any wine but the 2004 white that Commandant Danglard sources from a small grower in the Sancerrois. The suspect enjoys the wine, asking if he can have the details of the supplier. But he’s still reluctant to talk, reluctant above all to cry in front of the cops. They promise him ...”

“... sans situation qu’instable’. He is describing homosexuals, whom he calls ‘inverts’, and to Edmund White’s analysis of this passage in The Proust Project – White sees Proust’s writing on homosexuality as both ‘venomous’ in certain of its assumptions and productive in the sheer array of its ...”

“... Civil Service to Indians (largely because the entry exams continued to be held in London), when white settlers protested against a bill that allowed European defendants to be tried by Indian judges, Indians invoked the queen’s proclamation – and the white settlers denounced it. Loyalty to the queen was part of the ...”

“... literary era dominated by heap big novelists now facilely grouped as a cetacean school of Great White Males (Styron, Norman Mailer, James Jones, John Updike, Saul Bellow, Gore Vidal, J.D. Salinger, Joseph Heller, the recently retired Philip Roth), whose ghostly father and bearded Neptune disturbing the liquor cabinet deep into the night was Ernest ...”

“... him in Proust, but Gide’s observation reminds us that it is pointless to get so worked up – as Edmund Wilson did – about Proust’s dogmas on love, jealousy or sex. These are indeed not intended to prove anything. We come to accept them, surely, as bees in the bonnet of an old friend, for it is one of the last secrets of Proust’s art (and, in ...”

“... once told his son that he couldn’t imagine learning a new language in order to write a book, as Edmund Wilson had done. The achievement of this biography is to have restored ‘Dwight’, as Wreszin calls him, to his proper place as the guardian and transmitter of a noble lineage of dissent, as the author of some essays that will be read for longer than ...”

“... with a large round head going bald down the forehead. A pigmy waxed moustache too small for the white upper lip, a round and rather long chin. Pale and hollow between nose and cheeks, and bright, colourless, vain eyes. Those eyes he opens wide when he looks and smiles at a woman. A drawling voice and a sneer at the right [‘left’ crossed out] corner of ...”

“... And while the audience may be granted a knowledge of Iago’s plots, or the true nature of Edmund and Macbeth, superior to that of any of the characters on stage, this knowledge is scarcely the guarantee of a happy ending. To do him justice, Evans does pause briefly midway through Shakespeare’s Tragic Practice to ask himself the crucial question. The ...”

“... criticism has overemphasised the racial issue in the play. Nevertheless, the contrast between white and black skin matters more than she allows, if only because it is, on stage, the visually inescapable and culminating disparity between Othello and Desdemona. As such, it goes on reminding us of the special and atypical character of their love: the risks ...”

“... that’s gone wrong with the book. Still, the book has much to recommend it. Its consideration of Edmund Burke is exhaustive. Burke, one of the 18th-century figures whose apotheosis was ordained by Yeats, has lately been attracting the attention of academics like McCormack and Seamus Deane, both of whom have written about him in The Crane Bag. Burke’s ...”

“... for writing in the style of the Ladies’ Home Journal, dismissed by modernist-minded critics like Edmund Wilson, and accused in 1933 by Granville Hicks, a ubiquitous critic then in his Marxist phase, of falling ‘into a supine romanticism because of a refusal to examine life as it is’. She received buckets of mail from priests who saw themselves in Death ...”

“... sublime emotions. In her Original Sonnets on Various Subjects (1799), Anna Seward quoted a ‘Mr White’ from the Gentleman’s Magazine in 1786 who said ‘the style of the sonnet should be nervous, and, where the subject will with propriety bear elevation, sublime.’ Mary Robinson (described by Coleridge as ‘a woman of undoubted genius’, but perhaps ...”

“... epitaph on William the Silent: ‘When he cried, the little children died in the streets.’ Edmund Burke was accused by Mary Wollstonecraft and Tom Paine of putting it on in his lament for Marie Antoinette, but Burke protested that he had wept as he wrote and that the tears had ‘wetted my paper’. In any case, Wollstonecraft herself had been moved to ...”

“... attended a meeting of the Society for Psychical Research, then overseen by Frederic W.H. Myers and Edmund Gurney, observing to her mother that she had found the proceedings ‘a very dull business, consisting mainly of avowals of failed experiments. Gurney looks weary and embittered. The rest singularly water on the brain.’Lee was hardly suited to writing ...”