In Denbigh Road
Peter Campbell: David Sylvester, 7 February 2002
“... About Modern Art, Sylvester tells how Britain in the 1950s had, as he saw it, to be saved from John Berger (both men had stints as art critic for the New Statesman) whose ‘rhetorical skills and . . . performing skills on TV won considerable support, financial as well as moral, for inferior artists.’Berger had a Ruskinian interest in the social context ... ”