Memory Failure

Pankaj Mishra: Germany’s Commitment to Israel, 4 January 2024

Subcontractors of Guilt: Holocaust Memory and Muslim Belonging in Postwar Germany 
by Esra Özyürek.
Stanford, 264 pp., £25.99, March 2024, 978 1 5036 3556 2
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Never Again: Germans and Genocide after the Holocaust 
by Andrew Port.
Harvard, 352 pp., £30.95, May 2024, 978 0 674 27522 5
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... in the weeks since 7 October. Solidarity with the Jewish state has burnished Germany’s proud self-image as the only country that makes public remembrance of its criminal past the foundation of its collective identity. But in 1960, when Adenauer met Ben-Gurion, he was presiding over a systematic reversal of the de-Nazification process decreed by the ...

What else actually is there?

Jenny Turner: On Gillian Rose, 7 November 2024

Love’s Work 
by Gillian Rose.
Penguin, 112 pp., £9.99, March 2024, 978 0 241 94549 0
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Marxist Modernism: Introductory Lectures on Frankfurt School Critical Theory 
by Gillian Rose, edited by Robert Lucas Scott and James Gordon Finlayson.
Verso, 176 pp., £16.99, September 2024, 978 1 80429 011 8
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... and partial understanding of aspects of everyday social life, and leads in stages of increasing self-knowledge to a grasp of the totality’ – and to find a place for himself in the emergent modern world. Rose read the Phenomenology, too, as a Bildungsroman,which recapitulates the play of personae – the story of how natural consciousness acquired ...

Dogs

Fiona Pitt-Kethley, 13 June 1991

... cannot be taught new tricks – and those they have are all predictable. They guard their kennels self-importantly, mark out their territory in wind and piss, bark righteously for any trifling cause. follow the pack in every bloody thing. All their affection’s of the boisterous kind – they’re awfully free with dandruff, spittle, hair. The eviller ones ...

Three Poems

Hugo Williams, 24 January 2008

... china hasn’t been auctioned off to keep me at school. Best of all, the Marie Laurencin self-portrait didn’t go down with the rest of the stuff on its way to Portugal. Its brown smudges of eyes look out across the fields as if they were looking into the future. One of our old musicals is playing on the broken radiogram. I lean on the back of the ...

Three Poems

Ange Mlinko, 23 July 2009

... leaves shiver silent chimes beyond the glass brings either the rapture [my children . . .] or self-criticism  of one who comes with a theory [. . . are an economy of scarcity] of myself there is no more evidence to admit – only consistent with limestone’s incessant weeping cave a madonna’s ...

Revolutionary Gaze

Mark Elvin, 4 November 1982

China Diary 
by Stephen Spender and David Hockney.
Thames and Hudson, 200 pp., £10, November 1982, 0 500 01290 3
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... If one turns to what China Diary actually is, one has to say that it is a mildly narcissistic, self-indulgent ramble, quite pleasant to read, and with occasional flashes of insight. Thus Spender remarks that ‘there are times in China when the tourists seem totally disconnected from the places they are visiting... like the plug of the television set in ...

Naked and glistening

Dan Jacobson, 3 April 1980

The Diamond Underworld 
by Fred Kamil.
Allen Lane, 244 pp., £6.50, November 1979, 0 7139 1086 0
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... money to a diamond-smuggling stranger from Sierra Leone, who promptly took off with it, as any self-respecting diamond-smuggler would. Whereupon our intrepid autobiographer swore a mighty oath against the smugglers, and rounded up a small army of mercenaries from the bars of Monrovia, who were apparently so impressed with his air of command that they ...

Short Cuts

Christopher Clark: What would Bismarck do?, 26 September 2019

... all summer, has often asked himself. We know this because Cummings’s sprawling and fantastically self-revealing blog (still live at the time of writing) is punctuated with thoughts about Bismarck. For Cummings, Bismarck is the sacred monster of tactical politics, the genius statesman whose political moves repeatedly surprised and wrong-footed friends and ...

Short Cuts

Rosemary Hill: What Writers Wear, 27 July 2017

... on the move’, were also the result of a desire to turn the tables on the world. Made to feel self-conscious about her appearance as a child, as an adult she ensured that everyone else should be conscious of it too. Clothes come between the naked self and the world, as does writing. Where the dividing line is drawn ...

At Tate Britain

Brian Dillon: Queer British Art, 7 September 2017

... Sitwell from 1916. Laura Knight, three years earlier, had been condemned by the Telegraph for a self-portrait with a nude model that lacked ‘the higher charm of the “eternal feminine”’. A few such notable nudes aside, there is a tendency to allegorise lesbian desire in objects and interiors: as in Ethel Sands’s The Chintz Couch of 1911, or the ...

At the Movies

Michael Wood: ‘Mysteries of Lisbon’, 5 January 2012

Mysteries of Lisbon 
directed by Raúl Ruiz.
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... There are artfully self-conscious moments in Raúl Ruiz’s Time Regained (1999) which distract us briefly from the film’s amazing achievement: to reveal the last volume of Proust’s intellectual monument (and by implication the rest of the work) for the intricate social soap opera it also is, a universe of stars appropriately represented by Catherine Deneuve, Emmanuelle Béart and others ...

At the National Portrait Gallery

Peter Campbell: Thomas Lawrence, 6 January 2011

... Elizabeth Leveson-Gower thought it ‘almost a sin’ to see it disappear below the paint. He was self-taught and it was drawing, not painting, that brought the child prodigy to the attention of his father’s patrons in the Black Bear, a coaching inn on the London to Bath road. ‘Not merely the wonder of his family but of the times, for his astonishing ...

At Tate Britain

Anne Wagner: Hepworth, 27 August 2015

... shared with the painter Ben Nicholson. The show vividly conjures the studio’s crowded, exuberant self-confidence. Paintings, drawings, prints, photographs, sculptures, textile designs, collages: all the things they made invent a specific aesthetics of intimacy, a shared exploration of what it means to love and be loved, to feel close and yet distinct, to ...

At the Royal Collection

Peter Campbell: Retrieved at the Restoration, 6 September 2007

... the two paintings by Gentileschi – A Sibyl is the other one – and his daughter Artemisia’s self-portrait. Without these the exhibition would be significant; with them it is magnificent. As well as paintings there are rooms of drawings. A few, like Michelangelo’s Fall of Phaeton and A Children’s Bacchanal, were presentation pieces, and thus ends in ...