“... Donne’s powers are, for John Carey, a matter of power, the poems being ‘the most enduring exhibition of the will to power the English Renaissance produced’. The praises of Donne in this critical work of amazing flair and obduracy are single-minded: Donne is here valued, supremely, for the power and tenacity of his ego, for his imaginative energy, for his desire to dominate or his rage for supremacy, and for the obsession with which he registered the contrarieties and contradictions of life ‘in all their urgent discord ...”

“... Twenty-one years ago, in The Characters of Love, John Bayley suggested that ‘there is a sense in which the highest compliment we can pay to Shakespeare is to discuss his great plays as if they were also great novels.’ At that time, Othello seemed to him particularly (indeed uniquely) responsive to such treatment ...”

“... a radical bookshop and publisher in North London, Johnson met the Trinidadian poet and activist John La Rose, who became his mentor. He was also introduced to Caribbean intellectuals including Brathwaite, Andrew Salkey and Sam Selvon.With Selvon’s encouragement, Johnson abandoned his attempts to write poetry in standard English and began experimenting ...”

“... Harding, L.G. Salingar, Peter Ure, Ian Watt, J.C. Maxwell, L.C. Knights, D.J. Enright, Roy Strong, John Broadbent, Arthur Humphreys, Philip Collins, Pat Rogers, D.W. Jefferson and John Preston. What is disturbing is that everyone made his reputation elsewhere, often in the format which is properly Leavisian, the ...”

“... political life’. The writers Inglis presents under this rubric are William Morris, T.H. Green, John Maynard Keynes, R.G. Collingwood, F.R. Leavis, George Orwell, Adrian Stokes, Tony Crosland – as he calls him – Richard Titmuss, Richard Hoggart, Raymond Williams, John Berger, E.P. Thompson and Isaiah Berlin. If you ...”

“... success, and ending with some surprisingly detached reflections on Mrs Thatcher from the pen of John Vincent. As a final savoury, Tony Benn, Michael Fraser, David Marquand and David Butler sum up the entire era. The argument starts with the first and by some way the best piece in the collection, Paul Addison’s essay on ‘The Road from 1945’. Addison ...”

“... to place on record their sense of admiration for the dignity and courage displayed by Mr and Mrs John Profumo and their family in the quarter-century since the episode occurred. ‘This letter,’ they continued, ‘also records our feelings that it is now appropriate to consign the episode to history.’ It was an odd letter and I would be surprised if Lord ...”

“... son of a prosperous tradesman, who like Mr Bounderby exaggerated the lowliness of his origins; John Sheepshanks, so shabbily dressed that he was once refused admission to a first-class railway carriage, who told raucous jokes to the Prime Minister as he showed him round his gallery; jolly John Miller, with long white ...”

“... John Evelyn was a dry old stick – and here that metaphor has an almost literal force, since his first and greatest love was for trees. In Fumifugium (1661) he argued that smoky workshops should be banished from London, and that the environs of the city should be planted with ‘such Shrubs, as yield the most fragrant and odoriferous Flowers’ to sweeten its stench ...”

“... and Portugal, and the new kabbalistic ideas coming from the school of Isaac Luria in Palestine. John Freely’s lively book is basically a retelling of Scholem’s story enriched by the author’s knowledge of the Ottoman background. His one significant addition to Scholem is his suggestion as to where Sabbatai might be buried. Freely has omitted all of ...”

“... England (S.T. Bindoff, 1950), England Under the Tudors (G.R. Elton, 1955), Tudor England again (John Guy, 1988), branding the age – see J.A. Williamson’s The Tudor Age (1953) – with the logo of the double rose of the dynasty which, conveniently, coincided with a generous 16th century of 118 years, 1485 to 1603. It is a good question how we would have ...”

“... There is a dry wind blowing through the East, and the parched grasses wait the spark. John Buchan, Greenmantle (1916) As Lloyd George’s wartime Director of Information, John Buchan urged Britain to support an incomprehensible Eastern war with the cry: ‘The Turk must go!’ At the beginning of 1916, the Turk was not going anywhere: he held fast at Gallipoli, driving off the Allied landings in January, and accepted the surrender of a British Mesopotamian invasion force at Kut, south of Baghdad, in April ...”

“... as the youngest son. He reproduced this situation in Lucretia (1846), in which the heir of the St John’s Laughton estate marries the heiress of Vernon Grange. ‘Two sons were born. To the elder was destined his father’s inheritance – to the younger the maternal property. One house is not large enough for two heirs. Nothing could exceed the pride of the ...”

“... industry. Born to the old world (‘taste was my cultural capital, boiled down to a syrup’), John Seabrook, a critic at large for the New Yorker, wanders in the new, but this desert of ‘Nobrow’ – where the old ‘brow’ distinctions no longer seem to apply – is not so arid to him. In fact he drinks more deeply at the oases of Nobrow culture (a ...”

“... cloud at the end of Schumann’s life has been seen as overshadowing everything on the way, but John Worthen’s biography refuses idle teleology. An emeritus professor of English at the University of Nottingham, Worthen has written about D.H. Lawrence and the Wordsworth circle and makes no claim to musical expertise; but he has been seized by the Schumann ...”