In Paris

Peter Campbell: ‘The Delirious Museum’, 9 February 2006

... streets have a lot in common with museums – and that the pleasures and interest streets offer may be greater – has a history which parallels that of Modernism. The delirious museum Storrie assembles in his imagination runs together the domain of objects caught in the museum net and that of objects which still float free. Primary texts are those in which ...

Short Cuts

Daniel Soar: Running Out of Time, 8 January 2015

... of time). Steve Richards – a pseudonym, no relation to the biographer of Gordon Brown – may or may not still be in hiding in Dallas; Chris Griscom has latterly retreated to her Light Institute in New Mexico. Nobody of any significance has materialised to replace them. Whatever happened to all the magicians and the ...

At Home

Peter Campbell, 22 September 2011

... or become offices, hotels, museums or university buildings. The plasterwork in a grand building may have been preserved, but has to fight it out with smart new office desks. Smaller domestic interiors may preserve an undatable ceiling rose or clumsy chimneypiece, things covered in the estate agent’s prospectus by the ...

Short Cuts

Jeremy Harding: The French Election, 10 May 2012

... sisters voted for Eva Joly, the Green candidate, in the first round and planned to abstain on 6 May. Her brother would vote for Hollande in both. ‘My sister, who’s rich and spoiled, will vote for Mélenchon,’ she said. My friend, neither rich nor spoiled, voted for him too. The élan of Mélenchon’s campaign was impressive but it concealed the ...

At the Hayward

Brian Dillon: ‘Invisible’, 2 August 2012

... words, an ‘additive subtraction’. Such a work has also, of course, to live in a world that may fill it with meaning or form; John Cage had already observed of some white paintings of Rauschenberg’s that they were ‘landing strips’ for light and shadow. Cage, whose 4’33” is just the most notorious instance of an apparently silent work filled ...

At Victoria Miro

Peter Campbell: William Eggleston, 25 February 2010

... pictures in which pure colour realises its full potential. It comes to have a life of its own that may contribute very little to, even interfere with, other strands of meaning. One influence on Van Gogh’s shadow-free art was the strong, flat patterning of Japanese prints. The colours, however, are closer to those of Indian paintings in which garden parties ...

Short Cuts

Adam Shatz: Israel and Iran, 23 September 2010

... threat since Hitler to the physical survival of the Jewish people’. Moderate Arab regimes may frown in public, but behind closed doors they will thank Israel: the destruction of Tehran’s nuclear programme may even strengthen the fight against nuclear proliferation and thus win praise from ‘the enthusiastic ...

At Tate Modern

Brian Dillon: Klein/Moriyama, 22 November 2012

... and still capture a good deal besides. And it’s the besides that is often the point: there may be a central or off-central subject in a Klein photograph, but at least half the drama unfolds at the edges, where nobody is quite sure if they are in the frame or why. Another example, taken on Mayday in Moscow in 1961, is better known because it appears in ...

Short Cuts

John Lanchester: Ken or Boris?, 10 April 2008

... The London mayoral elections are on 1 May. The elections for the London Assembly take place at the same time. One salient fact about them is that abstention isn’t a responsible option. The election takes place under a bizarrely complicated system in which 14 seats, belonging to geographical constituencies, are awarded on a first past the post basis ...

At the Royal Academy

Peter Campbell: Palladio, 12 February 2009

... not central to an understanding of his work. There are portraits, including a fine El Greco that may or may not be of the architect; there is Bassano’s Tower of Babel, showing masons, bricklayers, plasterers and carpenters at work; there are views made by Canaletto a couple of hundred years later that show Palladio’s ...

At the National Gallery

Peter Campbell: Renaissance Faces, 6 November 2008

... Portrait of a Woman, ‘La Bella’ is one of a class of pictures of handsome Venetians that may be portraits of brides, courtesans or recently married women, or may be idealised images: pin-ups not persons. Palma Vecchio’s portrait of a young man, on the other hand, while not definitely of Ariosto (although the book ...

Short Cuts

Peter Geoghegan: Brexit and the SNP, 3 November 2016

... party membership quadrupled to 100,000, heralding victory in the 2015 general election and this May’s Scottish elections. The SNP won a third term in office on a manifesto that pledged to revisit independence if there was a ‘material change’ in Scotland’s circumstances. The following month, 62 per cent of Scots voted to stay in the European ...

Short Cuts

Andrew O’Hagan: The Article 50 Hearing, 5 January 2017

... going anywhere near that one,’ Mr Eadie replied. By any standard, a divorce is not a change that may occur ‘from time to time’: it is at the very least a repeal, and when it comes to common law, a repeal, involving a withdrawal of rights, would normally require an Act of Parliament. Under the Bill of Rights, a royal prerogative to dispense with laws ...

At the Movies

Michael Wood: ‘Living’, 1 December 2022

... made. But the location is England, where the remains of the day are tinged with a nostalgia that may or may not be ironic. Buses revolve around Piccadilly Circus, we glimpse the Burlington Arcade, there are boats on the Thames. Lots of cheery music on the soundtrack. This is the film’s opening sequence: ordinary life as ...

At The Whitechapel

Peter Campbell: Gerhard Richter, 8 January 2004

... Richter has substituted for the problem ‘how do I make appropriate, personal marks (which may or may not offer an image of the world)?’ another, newer problem: ‘how do I choose significant items from the inchoate mass of images which demand attention on pages, screens and walls?’ Atlas amounts to a first ...