“... ideas ranged from a theme park to a picturesque ruin garden – but the one finally chosen was by the Argentinian architect Rafael Viñoly, best known in this country for the unloved Fenchurch Street ‘Walkie-Talkie’.* His plan was to make the redevelopment of the power station economically ‘viable’ by surrounding ...”

“... when she thinks of her father, a French Canadian who fought against the English and was executed by them. This and later moments in the film are dated by the start and end of the American Civil War (1861-65), when the girl is a grown-up. The adult Vivienne is wonderfully played by Vicky ...”

“... see the planting she’s done here in London in front of houses in any hill town in Tuscany. Cheek by jowl, each in a piece of land not more than twenty feet by forty, are wilderness, cultivated informality and disciplined horticulture. All make pictures, two by intention, one through ...”

“... turned down on four occasions for the post of director of the National Gallery. He was thought to be too closely associated with the trade (‘little better than a dealer’), and was known to have operated with scant respect for officialdom when employed by the South Kensington museum. In addition, his taste deviated too ...”

“... taste’. During that time he made the pictures for which he is now famous: shepherds and flocks by moonlight, bright clouds, foaming blossom, cornfields heavy with a dream of late summer. None of the Shoreham pictures was shown, sold, or even known to more than a few people in his lifetime (although it’s possible that some of the group of six sepia pen ...”

“... between ‘Useless Man’, a dirge from Bowery’s trash art noise band Minty, and a rendition of David Bowie’s ‘Ashes to Ashes’. What might Bowery have identified with in the latter song? I ain’t got no money and I ain’t got no hair? Or something to do with salacious self-mythology? Sordid details following …He was born in 1961 and grew up in ...”

“... It was shaping up​ to be the publishing event of the year, the first blast of post-pandemica as we emerged from our hobbit holes and combed the cobwebs from our hair: the starship arrival of Blake Bailey’s authorised biography of Philip Roth, Philip Roth: The Biography. The ‘the’ of the subtitle said: accept no substitutes ...”

“... in the middle of a promotional binge, late nights, dry-throat blather; the anecdotes on autopilot. By temperament he’s the contrary of the Tory apparatchik in the radio car. Instant confidentiality, a gentle workout for the laughter lines. He’s guilty. Of what? What have you got? Guilty with extenuating circumstances. ‘Truth without betrayal,’ Howard ...”

“... covers of the March issue of British Vogue. On the front, she’s wearing a chiffon crepon dress by Gucci – a semi-see-through affair with cartoon-effect sequined appliqué collar, ruffles, epaulettes and bow. She’s lying on a pink and gold brocade sofa, half-smiling and biting her thumb. On the back she’s advertising Yves Saint Laurent’s new Black ...”

“... Untrammelled curiosity is an excellent quality in a historian – none better – but it has to be turned inward if one attempts autobiography. At the insistence of his friends, publisher and agent, Hobsbawm did write an autobiography, but Interesting Times, published in 2002, when he was 85, is almost comically unrevealing. He writes movingly about his ...”

“... was the worst of the many recent bad news stories about the NHS, its significance underscored by the fact that David Cameron felt it necessary to present the report to the House of the Commons himself, rather than leave it to the secretary of state for health. The public inquiry was set up in 2010 ...”

“... two other biographies in English already exist: Iain Hamilton’s Koestler: A Biography (1982) and David Cesarani’s Arthur Koestler: The Homeless Mind (1998). But Scammell has little time for either work. His bibliography dismisses Hamilton’s book as ‘superficial and ill-researched’, and Cesarani’s (the one which attacked Koestler as a serial ...”

“... restaurant we go next door to the National Gallery, still after all these years a great luxury to be able to go in after hours. Walking through the galleries with the lights springing on as we pass through each door it’s always a temptation to turn aside and look at old favourites, but we press on to the basement of the Sainsbury Wing and the Late Rembrandt ...”

“... Of all the great English poets, Dryden must be the least enjoyed. Once honoured ‘rather in the stiffness than in the strength of his eminence’, he was soon ‘laid carefully away among the heroes’, according to Mark Van Doren, the critic who is still, nearly a century on, the most persuasive of his would-be resurrectors ...”

“... Virginia Woolf​ could be cruelly accurate in her assessments of people. On 24 April 1925 Robert Graves visited her unexpectedly and stayed too long. She described him as ‘a nice ingenuous rattle headed young man’, and declared ‘the poor boy is all emphasis protestation and pose.’ By 1925 Graves had good reason to be ‘rattle headed ...”