At the Courtauld
John-Paul Stonard: Chaïm Soutine, 30 November 2017
“... or from memory – has become a standard part of his story. It was as if every painting had to be a terrible battle with reality. The goal was not greater naturalism, but rather to convey the sense of a dizzying encounter untethered from habit and convention. You can see this in Soutine’s early landscapes, made in the decade or so after he emigrated to ... ”