At the Courtauld
John-Paul Stonard: Chaïm Soutine, 30 November 2017
“... areas of colour, enlivened by tiny touches of chromatic variation – an excuse for pure painting. David Sylvester said of Soutine’s landscapes that the motif is ‘secondary to the forces it has unleashed’, and the same holds true for the portraits. Flickers of colour only half follow the folds of the white uniform in The Little Pastry Cook ... ”