“... When​ T.S. Eliot asked John Hayward in February 1938 to act as his literary executor (‘in case some unexpected calamity cuts me down like a flower’), he told him to prevent publication of his literary remains – including ‘any letters at all of any intimacy to anybody’. ‘In fact,’ he added, ‘I have a mania for posthumous privacy ...”

“... New Freewoman (later known as the Egoist), the Little Review and the Dial. His protégés, T.S. Eliot and James Laughlin, would bear the impress of his tastes when they edited the Criterion and the New Directions publishing house, respectively. But first Pound had to make a splash, along the lines of Roger Fry’s Post-Impressionist exhibition or ...”

“... number of readers but, when it came to matters of prosody, not enough disciples. In 1917 T.S. Eliot, reflecting on the new vers libre, hoped there might be no conflict between the two traditions. ‘In an ideal state of society one might imagine the good New growing naturally from the good Old, without the need for polemic and theory.’ This did not ...”

“... development. Ballad of the Mari Lwyd, Watkins’s first volume, was not published until 1941. T.S. Eliot evidently preferred Watkins’s more controlled brand of New Romanticism to that of Dylan Thomas, who was published by Dent. Even so, given Thomas’s popularity, Eliot must have been mindful of the similarities between ...”

“... The task of keeping us interested in the canonical poets seems now to have fallen mainly to the Longman Annotated English Poets series. But who are we? Every time another volume is added somebody has to decide who we are, how many we are, and how much annotation and prefatory material we’ll want in addition to a reliable text ...”

“... told her of going to see Apocalypse Now and then coming home to listen to the Doors and read T.S. Eliot. ‘He found the materials that he needed for his escape,’ Savage writes, ‘only to discover – as advised in much of his reading – that escape was impossible.’ Impossible because, as much of that reading matter also concludes, what he needed to ...”

“... Why shouldn’t Jackself do the same? Polley’s fourth collection, which won last year’s T.S. Eliot Prize, is a story sequence of 34 poems set in the phantasmagoric Cumbrian farmland of Lamanby. Picador calls it a ‘fictionalised autobiography’ in reiver country, and it ventriloquises the Jacks of English folklore, incorporating nursery rhymes, riddles ...”

“... in the eyes of UK Immigration. In a happy accident, this made the book eligible for the T.S. Eliot Prize, which it won last year. It also shows how much the migrant artist must always depend on the approval of the ...”

“... college – in the collection of memorabilia of such Christian writers as George MacDonald, T.S. Eliot, Charles Williams and Tolkien. It is evidence of some sort of fame. A.N. Wilson sees ‘unmistakable and remarkable evidence of something like sanctification which occurred in him towards the end of his days’, but that I do not pretend to be able to ...”

“... seldom speak of tradition, though we occasionally apply its name in deploring its absence,’ T.S. Eliot wrote at the beginning of ‘Tradition and the Individual Talent’. How would such an essay go on if it were to begin ‘In Irish writing ...’ and if it were to consider the plight of the novelist? We begin with language. How different words sound on our ...”

“... Thus the prominent Anglo-American critics from 1900 to 1950 – for example, Leavis, T.S. Eliot, Edmund Wilson, Lionel Trilling – produce essentially essayistic work, legislating, setting up evaluative hierarchies, and at their worst, attitudinising. The major Central and East European critics of this period – figures like ...”

“... from the politicians. This was hardly necessary, since most of the politicians looked like T.S. Eliot and most of the poets looked like Michael Foot – with Mary Wilson as one of the exceptions. Although I warned the heroine of Mrs Wilson’s Diary that I was a journalist, she favoured me with her political opinions (sound, I thought, if unorthodox) and I ...”

“... that you get excellent teas in Manchester, or conversing freezingly about refrigerators with T.S. Eliot. But even here gaiety broke in and was posthumously triumphant. To a number of her literary friends and admirers she bequeathed looking-glasses. Raisley Moorsom, described in one place by Mrs Spurling as having known Margaret and Ivy ‘almost from the ...”

“... on serious questions, it is one’s duty to use silly metaphors on serious questions ... It is the test of a good religion whether you can joke about it. I can recall this last persuasion as potent with the generation approaching adulthood in Chesterton’s prime. How often was I told over cocoa or mulled wine with devoutly disposed young men, that Savonarola ...”

“... as if the movement of French or Irish underlaid it, a feeling perceived no doubt by T.S. Eliot when in 1934 he accepted for the Criterion a poem by the 21-year-old George Barker called ‘Daedalus’, a poem which today seems remarkably to combine the flavour of the period with an already complete mastery of this linguistic ‘glide’. Where florid ...”