“... her ability to make the most improbable people go cuckoo over her. An otherwise mopey young D.H. Lawrence, for example. In 1908, having seen her perform one of her signature roles – Marguerite, the doomed courtesan in La Dame aux camélias – Lawrence sounds like a decadent schoolgirl on heat: ‘Oh, to see her, and to ...”

“... terrible to her – exactly what isn’t yet clear. Parker and Barbara then go to an exhibition of Robert Mapplethorpe’s pictures (Parker hates them), to a restaurant (Parker throws up), and, the next evening, to a motel, where Barbara pretends to be a prostitute. The next time they indulge in some sexual role-playing in the same motel, Barbara dresses up as ...”

“... came to know William Baziotes and later, through Rothko, Clyfford Still, and then Jackson Pollock, Robert Motherwell and Ad Reinhardt. According to Motherwell, the group opposed art dedicated either to ‘social values’ or to formalist aesthetics, and they agreed that ‘the function of the artist is to make actual the spiritual.’ Clearly, this position ...”

“... are Laurence Lerner, Cedric Watts, Roger Scruton, John Holloway, Gabriel Josipovici, Wayne Booth, Robert Pattison and Anthony Thorlby. Four of them teach at Sussex, so I suppose the book started as a bright idea in the Senior Common Room at Falmer. Some of the essays are genial performances. Josipovici obviously likes Barthes’s work, and writes happily of ...”

“... as Belphoebe, Diana, a goddess supreme, never fully forgave him. Ralegh wrote a letter to Sir Robert Cecil from the Tower which was probably intended to be shown to the queen in order to win back her favour. The letter displays Ralegh at his best and worst. It’s a monstrous blast of self-pity, tempered by his characteristic half-belief in his own ...”

“... Encyclopédie, Gibbon’s Decline and Fall (1776), and the more specialised works studied by Lawrence Lipking in his important book, The Ordering of the Arts in 18th-Century England – Charles Burney’s History of Music, for example, Joshua Reynolds’s Discourses on Art and Johnson’s own Lives of the Poets. The Oxford History of English Literature ...”

“... her methods of teaching watercolour painting, was brought out by her brother’s first publisher, Lawrence and Bullen. The sisters’ real achievement – and the one for which Joan Hardwick feels they ought to be remembered – came about much later, after they had moved back to Ireland, where they set up and ran a printing press, and workshop. They made and ...”

“... North & South (1946), and a Pulitzer Prize in 1956 for her second, A Cold Spring. Writing to Robert Lowell in 1958, she confesses to feeling ‘green with envy’ over Lowell’s ‘kind of assurance’ in the poems of Life Studies, and adds that ‘it is hell to realise one has wasted half one’s talent through timidity.’ Bishop’s ‘timidity’ is ...”

“... we have no right’. Mindful of the ancient Greek fable about ‘the bird in borrowed feathers’, Robert Greene dismissed William Shakespeare in 1592 as that ‘upstart Crow, beautified with our feathers’ who dared to mingle among London’s established writers. Meanwhile, in English markets, items misleadingly claiming to be made entirely from desirable ...”

“... was merit in the movement to ‘destroy art before it’s too late’. Warhol’s biographer Fred Lawrence Guiles1 remarks elsewhere that his subject’s Pop creations ‘were more Duchampian than anybody’s. If a machine could have created silkscreen paintings of coke bottles, soup cans and dollar bills, Andy would have paid its inventor to set the thing up ...”

“... Poetry pro that I hardly am, I feel that, and I guess Ian Hamilton does too. His biography of Robert Lowell came out in 1982 (at the time, I was half-seriously trying to write a PhD on him). Hamilton, as he writes in ‘A Biographer’s Misgivings’, the first piece in Walking Possession, knew his subject fairly well: ‘I had seen quite a lot of Lowell ...”

“... and the systems of taboos and inhibitions which man has erected to control them’, while for Lawrence Stone history is a geology of the glacial grinding of repression – ‘the huge mysterious secular swings from repression to permissiveness and back again’. In both accounts, it is the body’s chains, not the body itself, which has a history. Edward ...”

“... suit over the next few years. Leading women’s schools in the US, including Vassar and Sarah Lawrence, meanwhile, began to admit men, as did Lady Margaret Hall and St Anne’s in Oxford, and Girton in Cambridge. In an extraordinarily short space of time, coeducation had ceased to be a distant possibility and was in widespread operation. One obvious ...”

“... of energy and his paranoia – Campbell resembled two other, more important contemporaries, D.H. Lawrence and Wyndham Lewis. And like them at their least controlled, he demonstrated in his life and work two basic points: that energy alone, taken as a human value, leads to something very like fascism; and that paranoia is fatal to even the most gifted artist ...”

“... was vigorously positive; what the French celebrated was their ‘culture’. (As Lawrence Durrell satirised it: ‘All culture tends to corrupt; French culture tends to corrupt absolutely.’) In fairness, Elias was more original and more careful in what he wrote than many who followed. The Civilising Process is a classic that will be read in ...”