“... were organised into parties with uniformed paramilitary wings. They operated in what the historian Robert Paxton has called an ‘uneasy but effective collaboration’ with traditional elites, which wanted to maintain order and crush the left. Fascism, from this perspective, was born of particular social conditions that are unlikely to recur in the same ...”

“... Depestre; the Cuban artist Wifredo Lam; the French poet Louis Aragon; the French photographer Robert Doisneau; the Russian-Mexican painter Vlady Rusakov and his father, Victor Serge, hero of the anti-Stalinist left. Several of her works are lost, including The Commune, Louise Michel and Us, a film she worked on in the early 1970s and ‘Guns for ...”

“... the book has had its admirers – my battered 1970s paperback carries endorsements from Richard Hughes, Naomi Mitchison and C.S. Lewis, and Auden was an early fan. (Auden was a patron saint of lost causes. He was also the only major writer to stand up for Laura Riding.) But mostly, the sort of people who get their opinions published have lashed it with ...”

“... to them, but she had met T.S. Eliot, too, and there was Priestley and Philip Larkin and even Ted Hughes, to whom she’d taken a bit of a shine but who remained nonplussed in her presence. And it was because she had at that time read so little of what they had written that she could not find anything to say and they, of course, had not said much of interest ...”