“... it down. There had been a Centre for Contemporary Cultural Studies at Birmingham University since Richard Hoggart set it up in 1964, but cultural studies proper only really started after Hall took over as director a few years later: ‘What is the discipline? We didn’t have one. In a way we had to construct it. Not because we had huge ambitions to be ...”

“... Henry Brooke, John Bunyan, Geoffrey Chaucer, Thomas Delaney [sic], Emanuel Ford, William Godwin, Richard Graves, Robert Greene, Robert Henryson, Charles Johnstone, Charles Lever, M.G. Lewis, Thomas Lodge, Henry MacKenzie [sic], Thomas Malory, Charles Maturin, Walter Scott, Philip Sidney, Horace Walpole ... twenty, plus the recognised fathers of the novel ...”

“... is missing, but anxious that people should not suspect that it is his integrity. The career of Richard Crossman refuted these stereotypes rather in the manner that Samuel Johnson, by stubbing his foot against a rock, claimed to refute Berkeley: what was lost as a formal exercise was pure gain as an object lesson. For Crossman remained incorrigibly attached ...”

“... dividing his time between games, the Officers’ Training Corps, walking in the countryside (Richard Jefferies was an enduring hero), and excitedly discovering writers. With Shakespeare, Blake was an early enthusiasm (everything was early in Sorley’s life); Synge’s Playboy of the Western World, he told his parents, was supposed to be the finest drama ...”

“... of the distinctions we make. Likewise the possibilities of moral scepticism discussed by Bernard Williams in ‘Moral Luck’, an essay she has earlier attacked, do not depend on a failure to realise that all ordinary language, including his own in the essay, is impregnated with notions of praise and blame: they anticipate a potential obsolescence in our ...”

“... and music patron Baron Gottfried van Swieten, the guardian angel of Mozart’s late style. Richard Taruskin accuses Stravinsky of lying about the original idea of The Rite of Spring, which was visual and frankly ‘Scriabinistic’ rather than purely musical. In various autobiographical statements Stravinsky dismissed the help of Nicholas Roerich in ...”

“... social change’. His ambition is to get beyond both, taking as his guides E.P. Thompson, Raymond Williams, Pierre Bourdieu and Alain Touraine. There is a strong dash of Marxism in his fountain of inspiration. In his scrutiny of the Sikh community, he stresses its diversity, as between urban and rural, higher and lower social or caste strata, and, very ...”

“... he has written a novel called The Memorial; lives with his mother and a younger brother called Richard; works on a movie; has fashionable but uncontroversial left-wing ideas (he speaks himself of his ‘parlour socialism’); confesses to small acts of cowardice. But we know far more about the quality of his attention to the world than we know about ...”

“... school in Pennsylvania, where he made friends with the son of Oscar Hammerstein, the lyricist for Richard Rodgers. (The young Sondheim went to see their pioneering show Oklahoma! when it opened in 1943.) Hammerstein recognised Sondheim’s talent, began to educate him in musical theatre and became a father-figure. It comes as a modest surprise now when ...”

“... inhabitants as McCullers, W.H. Auden, Benjamin Britten, Gypsy Rose Lee, Paul and Jane Bowles and Richard Wright. (Auden seems to have been an especially terrible housemate, complaining about excessive use of toilet paper and telling people their colds weren’t physical but mental.) Carson was one of the original members; she arrived during her first ...”

“... CIA was a Soviet spy. After such sleuthing it is a relief to find in this book of essays edited by Richard Langhorne an article on the Cambridge spies by a don, and it is by far the most sensible account so far written. It is the best because Christopher Andrew is a historian at Corpus Christi, Cambridge who has become the leading authority on the Intelligence ...”

“... Elvis Presley’s top half on the Ed Sullivan Show; John F. Kennedy’s live debate with a melting Richard Nixon; an early episode of I Love Lucy; a dinner-table scene from The Waltons; Neil Armstrong’s One Small Step; the shooting of Lee Harvey Oswald; the pilot show of Roseanne. Each viewer wore headphones; all you could hear was the giggles and gasps. On ...”

“... with dusters. I don’t mean I want to play Burt Reynolds parts, only somewhere between him and Richard Wattis, say – those are the parameters.’She was a great woman, her performance of ‘Let’s Do It’ at the Albert Hall the stuff of legend. I just hope Noël Coward was still around to see it. I first met her, almost epically, in Sainsbury’s in ...”

“... in the middle of a field.20 January. Collected by the New Yorker and taken to be photographed by Richard Avedon, now a grey-haired faun of 72 who says he’s bored with taking snapshots in the studio (this morning Isaiah Berlin and Stephen Spender) and wants to photograph me outside. ‘Outside’ means that eventually I find myself perched up a tree in Hyde ...”

“... a letter from mother of stale news she’d already relayed over the phone, a card from Oscar Williams inviting us to a cocktail party in New York on the impossible last day of my classes. No news.’ In late 1959, waiting for short story acceptances that would not come, she wrote in her journal: ‘Must not wait for mail as it ruins the day.’ Then the ...”