Out of the Hadhramaut

Michael Gilsenan: Being ‘Arab’, 20 March 2003

... of Arabic,’ Ahmad says to the owner, grinning conspiratorially at us. ‘Speak Arabic with Pak Michael, go on! He speaks Arabic. Go on! With a beard like that in Yemen you’d perfume it; here you mothball it to get rid of the cockroaches!’ So much for the sacred beard, a sign of piety with the Prophet’s beard the exemplar. It is distinctively Arab ...

The Divine Miss P.

Elaine Showalter, 11 February 1993

Sex, Art and American Culture 
by Camille Paglia.
Viking, 256 pp., £16.99, March 1993, 0 670 84612 0
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... than Harold Bloom? Well, if you take her word for it, it’s Camille Paglia, come to set the world straight on the burning issues of our time: tenured radicals, date rape, the aesthetic evolution of Madonna. The self-styled genius and warrior woman seized public attention with her first book, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson ...

The Great Exhibition

John Sutherland, 6 September 1984

Empire of the Sun 
by J.G. Ballard.
Gollancz, 287 pp., £8.95, September 1984, 0 575 03483 1
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Enterprise Red Star 
by Alexander Bogdanov, translated by Charles Rongle, edited by Loren Graham and Richard Stites.
Indiana, 266 pp., $22.50, June 1984, 0 253 17350 7
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Hotel du Lac 
by Anita Brookner.
Cape, 184 pp., £7.95, September 1984, 0 224 02238 5
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Conversations in Another Room 
by Gabriel Josipovici.
Methuen, 121 pp., £7.95, August 1984, 0 413 55930 0
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An Affair on the Appian Way 
by Michael Levey.
Hamish Hamilton, 219 pp., £8.95, August 1984, 0 241 11315 6
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... indifferent as an artist to its human consequences. This frigidity is elaborated in works of straight SF like The Drowned World and The Terminal Beach, in Post-Modernist ‘condensed’ novels like those collected in The Atrocity Exhibition, and in New Wave ‘speculative fiction’, such as Crash (Ballard’s previous best work, in my view). For Empire ...

Old Stragers

Pat Rogers, 7 May 1981

The Garrick Stage: Theatres and Audience in the 18th Century 
by Allardyce Nicoll.
Manchester, 192 pp., £14.50, April 1980, 0 7190 0768 2
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The Kemble Era: John Philip Kemble, Sarah Siddons and the London Stage 
by Linda Kelly.
Bodley Head, 221 pp., £8.50, April 1980, 0 370 10466 8
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Early English Stages 1300 to 1660: Vol. 3: Plays and their Makers to 1576 
by Glynne Wickham.
Routledge, 357 pp., £14.50, April 1981, 0 7100 0218 1
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... and parterres and side-boxes, the cost of nails and packthread, the greenroom gossip? I concede straight away that if you are mounting a performance, as they say, ‘in period’, then you need the basic historical dimensions and data, just as when you are playing ‘authentic’ baroque music you have to tune your strings to the right pitch. And if you are ...

My Millbank

Seumas Milne, 18 April 1996

The Blair Revolution: Can New Labour Deliver? 
by Peter Mandelson and Roger Liddle.
Faber, 274 pp., £7.99, February 1996, 0 571 17818 9
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... worldly-wise readers, ‘getting your way can require a degree of intrigue and manoeuvring.’ The straight-dealing Tony Blair would, they say, prefer that this was unnecessary and does not really ‘enjoy the modus operandi’. How very fortunate the Labour leader is, then, to be able to count on the services of one whose name has become a byword for ...

What’s Coming

David Edgar: J.M. Synge, 22 March 2001

Fool of the Family: A Life of J.M. Synge 
by W.J. McCormack.
Weidenfeld, 499 pp., £25, March 2000, 0 297 64612 5
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Interpreting Synge: Essays from the Synge Summer School 1991-2000 
edited by Nicholas Grene.
Lilliput, 220 pp., £29.95, July 2000, 1 901866 47 5
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... died, and a fifth is missing. At the start, her daughter has received what may well be the missing Michael’s clothes, washed up from the sea ‘in the far north’ at Donegal. During the course of the play, Maurya tries to persuade her remaining son, Bartley, not to ride off with the horses to the Galway fair, predicting that he, too, will be taken by the ...

The People of the Village

Tash Aw: ‘The End of Eddy’, 16 February 2017

The End of Eddy 
by Edouard Louis, translated by Michael Lucey.
Harvill Secker, 192 pp., £12.99, February 2017, 978 1 84655 900 6
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Histoire de la violence 
by Edouard Louis.
Editions du Seuil, 230 pp., £22, January 2016, 978 2 7578 6481 4
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... of a family name such as Bellegueule is a challenge to even the most skilful translator. Michael Lucey opts for ‘Prettymug’, which is as close as English gets: a man with ‘une belle gueule’ tends to be rugged and macho, while one with ‘un beau visage’ is handsome in a more standard fashion. When combined with Eddy (very much not ...

Diary

Tam Dalyell: The Belgrano Affair, 7 February 1985

... inside a Department – as in the case of what came to me from Clive Ponting. A careful look at Michael Heseltine’s lengthy broadcast evidence shows what exactly was taking place in the Whitehall stratosphere during the month in which Hilda Murrell was murdered. On 6 March Denzil Davies wrote to the Prime Minister, about discrepancies in Mrs Thatcher’s ...

Marvellous Boys

Mark Ford, 9 September 1993

The Ern Malley Affair 
by Michael Heyward.
Faber, 278 pp., £15, August 1993, 0 571 16781 0
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... necessary to understand That a poet may not exist, that his writings Are the incomplete circle and straight drop Of a question mark ... In the 18th century Paley deduced the reality of God from a watch: Malley, who, Ethel reports approvingly, ‘made a fair amount of money repairing watches’, is his dark modern opposite, uncertain even of his own ...

In the Line of Fire

George O’Brien: The Sniper, 28 November 2002

... According to one early theory, the reason some of the murder sites were close to branches of Michael’s, the craft-store chain, was that the shooter wished to be thought of as the Archangel Michael, expecting the cowed populace to recall the name’s meaning (‘who is like God’) and to realise the end was nigh. The ...

Diary

Alan Bennett: What I did in 2000, 25 January 2001

... Edward Crankshaw and C.A. Lejeune, a socially and intellectually glamorous world, particularly to Michael Frayn, one of a group of us who went to the exhibition. But, of course, London itself was beginning to seem glamorous then – the Coffee House in Northumberland Avenue, the Soup Kitchen in Chandos Place, films at the Academy on Oxford Street and suppers ...

Defence of the Housefly

Dinah Birch, 14 November 1996

Letters of Emma and Florence Hardy 
edited by Michael Millgate.
Oxford, 364 pp., £45, April 1996, 0 19 818609 6
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... her marriage, or for many years after it, has survived. She would have been far from pleased with Michael Millgate’s speculations on their disappearance. ‘In her later years she was often regarded as a faintly ludicrous figure, and in her earlier years her status as Miss Emma Gifford or even as Mrs Thomas Hardy might well have been insufficient to ensure ...

Hybrid Heroes

Janette Turner Hospital, 12 December 1996

The Conversations at Curlow Creek 
by David Malouf.
Chatto, 214 pp., £14.99, September 1996, 0 7011 6571 5
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... coastal range. Between sleeping and dreaming, the men talk intermittently until dawn. One of them, Michael Adair, is an officer in the penal colony’s regimental corps, and has just spent 48 hours in the saddle, riding up from the coast at the express orders of the Governor of New South Wales in order to oversee the hanging of the other man at dawn. The ...

Milne’s Cropper

Robert Kee, 7 July 1988

... sit upon each other gracelessly, heavy with dull and often clumsily conveyed management detail. Michael Swann is a ‘man with a highly distinguished scientific background, a very sharp brain and clouds of pipe smoke’. Douglas Muggeridge goes off with Milne to the West Indies two pages after he has died ‘tragically’ of a brain tumour. Strange that a ...

Not Saluting, but Waving

Michael Wood, 20 February 1997

Evita 
directed by Alan Parker.
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The Making of ‘Evita’ 
by Alan Parker.
Boxtree, 127 pp., £12.99, December 1996, 0 7522 2264 3
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In My Own Words 
by Eva Perón, translated by Laura Dail.
New Press, 120 pp., $8.95, November 1996, 1 56584 353 3
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Santa Evita 
by Tomás Eloy Martínez, translated by Helen Lane.
Doubleday, 371 pp., £15.99, January 1997, 0 385 40875 7
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... before she is thrown out of the church. You will not be surprised to hear that the film cuts straight from this scene to Eva’s own, vast funeral cortège, shot in Budapest in a sumptuous style which suggests a cross between early Eisenstein and late Cecil B. De Mille. There are fine pictures of this and many other scenes in The Making of ...