“... sight of fertile land, making generalisations about peasant life difficult. Buñuel’s biographer John Baxter writes about Las Hurdes: ‘The lowlands, Las Hurdes Bajas, were lush and prosperous, but the flinty uplands behind them, Las Hurdes Altas, were among the most deprived areas in Spain. The peasants … lived in medieval conditions, ravaged by ...”

“... follows a remarkable passage: ‘Among the neglected men I have found Robert Bage, Henry Brooke, John Bunyan, Geoffrey Chaucer, Thomas Delaney [sic], Emanuel Ford, William Godwin, Richard Graves, Robert Greene, Robert Henryson, Charles Johnstone, Charles Lever, M.G. Lewis, Thomas Lodge, Henry MacKenzie [sic], Thomas Malory, Charles Maturin, Walter ...”

“... end to die violently as they had lived, the one on the battlefield, the other in a madhouse.E.M. Forster nervously pronounced it ‘unusual’. Dorothy Parker told everyone to read it at once. It was a great succès d’estime, if not a bestseller. What it cost Ede in the reawakening of his own experience of the war can only be imagined.It​ is at this ...”

“... death, lads, Shropshire’; Orwell in 1940 listed ‘suicide, unhappy love, early death’; Forster in 1950 ticked off ‘the football and cherry trees, the poplars and glimmering weirs, the red coats, the darnel and the beer … the homesickness and bed-sickness, the yearning for masculine death’. Larkin in 1979 noted ...”

“... of Pinel and Chiarugi on the Continent, but domestic parallels as well, such as the work of John Ferriar at the Manchester Lunatic Asylum in the 1790s, or of Edward Long Fox, from whose Bristol madhouse Tuke recruited Katherine Allen, the Retreat’s first matron. In what ways does Porter claim to go beyond this? First, by widening the circle of those ...”

“... have been a doctor or a lawyer,’ he was particularly annoyed by indolent celebrities – E.M. Forster was one offender – who didn’t go out of their way to stun by weight. As someone who preferred to end his short stories ‘with a full-stop rather than with a straggle of dots’, he also grew impatient with writers who ‘give you the materials for a ...”

“... those cheerless craps between 1900 and 1930 – Ginny Woolf and Dai Lawrence and Morgy Forster’). It is perhaps not surprising that the publication of their letters did not exactly enhance the contemporary standing of either author, but, quite apart from the faux-naif priggishness of much of the disapproval, there was a failure to allow for the ...”

“... of their own heads. It afflicts English studies as it does most others, and had a recent airing in John Carey’s inaugural lecture at Oxford which proposed that scholars handle texts whereas critics only vandalise them by reading them. This double and triple illusion usefully affords occasion for simple restatements: that, for instance, to read at all is in ...”

“... curator of the museum – the ‘Wonder House’. The curator is a tribute to Kipling’s father, John Lockwood Kipling, who moved to Bombay as curator of the J.J. School of Art in 1865, the year of Kipling’s birth. But through the figure of the curator, Kipling also indirectly acknowledges the existence of a colonial India of intellectual collaboration ...”

“... and comical vividness is the hallmark of Audenian experience, which occurs within situations, as John Bayley once charmingly put it, ‘which we can imagine occurring to the poet as he closes his eyes for a liberating instant between two minutes of actual living’. The poem plays with the idea of knowing things and conveys the feeling of being puzzled by ...”

“... about this; but though she had equerries who were in the Guards she hardly felt able to ask. E.M. Forster figured in the book, with whom she remembered spending an awkward half hour when she invested him with the CH. Mouselike and shy he had said little and in such a small voice she had found him almost impossible to communicate with. Still, he was a bit of a ...”