“... of Tariff Reform was, or that Free Trade Unionism had nothing to do with the TUC, or how Lloyd George dished Asquith in 1915 and 1916, the sections of the book dealing with how the press treated these things will be incomprehensible. Koss has no time to stop and help you. Matters become easier as the book approaches the present day. This is partly, of ...”

“... and impressive that ‘Dent was willing to invest in so many lengthy and intimidating classics: George Grote’s History of Greece in 12 volumes, Hakluyt’s Voyages . . . in eight, J.A. Froude’s History of England in ten, 15 volumes of Balzac and six of Ibsen.’ No less impressive was the stamina and catholicity of the implied Everyman reader, and the ...”

“... been led to expect insights a little sharper than those on show here. This story of Margery and George Ince, living in Rome, where George is employed by some sort of multinational philanthropic and acronymic organisation, falls into the same painless slot as Nancy Mitford’s Don’t Tell Alfred. The story turns on the ...”

“... The cool, courteous Alexander Kinglake and the hot, contentious George Borrow are two of the best-liked and most influential travel writers of the 19th century. They were contemporaries for much of their long lives (Borrow died in 1881, aged 78, Kinglake in 1891, aged 82) but play very different roles in the 20th-century imagination ...”

“... and Cruikshank and Trollope, a slew of Americans and a galaxy of European stars from Balzac and George Sand to Turgenev and Musil, is to leave this reader at least stunned with admiration for the sympathy, originality and fresh turn of phrase constantly shown. Just as the short story is the ideal length for Pritchett as creative writer, so the longish ...”

“... I’ve always had a soft spot for George III, starting all of forty years ago when I was in the sixth form at Leeds Modern School and reading for a scholarship to Cambridge. The smart book around that time was Herbert Butterfield’s The Whig Interpretation of History, which took the 19th century to task for writing history with one eye on the future, and in particular for taking as the only path through the past the development of democratic institutions ...”

“... pen names and spoof attributions figure centrally in the genre’s history, from Scott, to George Eliot, to Kilgore Trout. According to the massive, nine-volume Dictionary of Anonymous and Pseudonymous English Literature there are, largely speaking, only three reasons for masked authorship, all prudential: ‘Generally the motive is some form of ...”

“... of England and the old Empire to talk freely to mad old Indians. Change involved the right of George Bernard Shaw to say that the long lying-in-state of the dead queen was a danger to public health, and for the slow emergence of figures such as D.H. Lawrence and E.M. Forster, who would dramatise in novels the end of restriction and the beginning of new ...”

“... write good novels unless they already have some bend in their imagination, as did Hemingway, Orwell and Joan Didion, towards self-excavation. The urge may hide itself, but you can see it in their language: the words don’t just arrive; they are bred in the bone and the actions they perform are specific to that writer. This is what we call style, and ...”

“... refrains in Hardy’s criticism for the last ten years. Her starting-point here would seem to be George Eliot’s contention that the novel’s highest end is the extension of human sympathy. This noble purpose is the goal to which all the novel’s art (its ‘form’) is directed. Hardy deliberately employs the vague word ‘feeling’ in preference to ...”

“... travel book – the journal of a solo sail round Britain – Raban recast his material as fiction. George Grey, the book’s hero, a spiritual descendant of George Bowling in Coming Up for Air, returns from a twenty-year African odyssey to find his native island horribly transformed. Britain under Thatcher is a ...”

“... to follow. But Two Thousand Million Man-Power stops dead, for no apparent reason, shortly after George V’s funeral procession in London on 28 January 1936. It thus omits a key event in the story of the bomber’s increasing supremacy, the Spanish Civil War, which broke out in July (Guernica was hit on 26 April 1937). The focus, towards the end of the ...”

“... case. Taped interviews with eight or so concerned onlookers (some of them, like Christopher Ricks, George Steiner and Gore Vidal, younger candidates for sagedom) are cut and rearranged to give a chronological sense of each career, but also a whiff of the blood and cordite of intellectual warfare. The purpose is not quite literary biography or portraiture, for ...”

“... authority. You can hear the putter of hope and the crank of disgust in that very plain speech. Orwell would have liked it – its lilt, its flow and its moral transparency. But it is the quantity of solid civic ambition that resounds now. People who cry out for change in the NHS always cry out against the past. They see only ugliness and failure, never ...”

“... of Utopian designs. One late 19th-century approach, exemplified by Ruskin in his Guild of St George and by William Morris in his News from Nowhere, sought salvation in a world of rustic, artsy-craftsy, thatched and timbered, anti-machine socialism: ‘small is beautiful’ before its time. Another, more pragmatic coterie, presided over by Ebenezer Howard ...”