“... Who can forget the moment in Chapter Six of Greenmantle when Richard Hannay penetrates the inner apartments of Colonel Ulric von Stumm and, with a thrill of horror, realises that there is something distinctly rum about the chief of Prussian Intelligence: Everywhere on little tables and in cabinets was a profusion of knick-knacks, and there was some beautiful embroidery framed on screens ...”

“... Henry James met Rupert Brooke on a visit to Cambridge in June 1909, having been invited there by some young admirers who made him feel, he wrote in a letter, ‘rather like an unnatural intellectual Pasha visiting his Circassian Hareem’. Brooke, in a white shirt and white flannel trousers, took charge of a punting trip on the Cam ...”

“... The first three volumes of The Buildings of England appeared in 1951, the year of the Festival of Britain. The last, Staffordshire, was published in 1974, on the eve of the miners’ strike and the three-day week ...”

“... 3 January. To ‘Dynasties’, the exhibition of Tudor portraits at the Tate. There are some superb pictures but, with the sitters shortly to die or be executed, many of them seem ominous or doom-laden. New to me and to R ...”

“... Out Second H-Test, Explosion even bigger than the first one,’ the Manchester Guardian reported on Saturday, 1 June 1957. It was the lead news item. The story that followed was datelined ‘Aboard HMS Alert’, Alert being the frigate which housed the representatives of the British press corps invited to see for ...”

“... A novelist is condemned to produce a succession of novelties, new names for characters, new incidents for his plots, new scenery,’ reflects the beleaguered hero of The Ordeal of Gilbert Pinfold, Evelyn Waugh’s portrait of the artist as a middle-aged car crash ...”

“... Johnson’s Imlac, urging that the poet neglect the ‘minuter discriminations’ of the tulip leaf in favour of ‘general properties’, has been unpopular for two hundred years, never more so than now, when it is believed that accumulated tiny detail – thinginess – vouches for a poem’ s authenticity ...”

“... My first thoughts, in connection with suits, are of Lucky Lucan, Joseph Beuys and the Thin White Duke, at the head of an imaginary horde of accountants, dandies, clubland heroes, zoot-suiters and funeral directors. It has taken me some time to realise that the question of suits is indeed a crucial question, not only about fashion but about sexual identity, national culture and art history ...”

“... his health. He was in Cape Town when he heard that war had been declared. He responded in ‘On Receiving News of the War: Cape Town’: Snow is a strange white word. No ice or frost Have asked of bud or bird ...”

“... They came for Comrade Prince D.S. Mirsky, ‘aristocrat of critics’, some time in the night of 2 to 3 June 1937. He lived in a high, bare room which had a fine view over Moscow. It was five floors up, with no lift, so he had plenty of time to hear them climbing towards him ...”

“... The contradictory quality of Carlyle’s achievement as intuitive sage, seminal interpreter of German Romanticism, sworn enemy of mechanical and reductive views of life, outrageous ranter and charismatic humbug is already present in the early Sartor Resartus, lively and opaque by turns, a book which inspired the young and bewildered their elders ...”

“... Early in 1982, at the nadir of the fortunes of the first Thatcher government, a number of ministers sought to identify the causes of the riots that had erupted in British cities the previous summer. On 27 March, the prime minister herself blamed events in Brixton and Toxteth not on economic or political forces but on a decade ...”

“... In​ A Map to the Door of No Return (2001), Dionne Brand makes the argument that ‘in the diaspora, as in bad dreams, you are constantly overwhelmed by the persistence of the spectre of captivity.’ For Afrodiasporic people, captivity isn’t a condition, or a place, she argues, but an embodied memory, a haunting of bodies ‘curdling under the singing of whips, those bodies cursed, those bodies valued … they leap onto the backs of the contemporary ...”

“... Any life​ of A.E. Housman is an assemblage of the already known and the well documented. Housman’s stage-management of his reputation was as controlled as his quatrains, and the mask of reserve – assumed directly after he inexplicably failed his finals in Greats at Oxford – became a perfected gesture, a way of being in the world structured as a renunciation ...”

“... Who better to be our guide to modern Cambridge than the Dixie Professor of Ecclesiastical History? Christopher Brooke was brought up in Cambridge, the son of the professor of medieval history and himself a post-war Apostle. He begins by whisking us round the colleges telling us what each was like in Victorian times and how the abolition of the religious Tests and the Royal Commission (1872) transformed Cambridge from being a provincial seminary and a federation of colleges into a university of faculties and departments where the dons could marry and no longer had to be clergymen ...”