“... of some financial economists has been more clearly performative. Fischer Black, Myron Scholes and Robert C. Merton’s Nobel Prize-winning option pricing equation of 1973 – which I described two years ago as ‘the single most important breakthrough in the modern mathematical theory of finance’* – didn’t originally describe the market prices of ...”

“... be stretched to encompass an unwavering air of innocence, combined with an evident capacity for self-delusion and, when it suited him, ruthlessness. Naivety is neither good nor bad in itself, and many famous politicians have had their share of it. But unless Blair, far from being the regular guy as which he likes to project himself, is a hypocrite of ...”

“... a realist and a determined unrealist that he could seemingly invent a strange Christian sect of self-mutilated castrates and a cannibal who takes along a green companion on his journey lest he run short of food along the way, and then reveal in an afterword that such practices were well documented in the Russia of the time – which is rather like finding a ...”

“... returned from its Babylonian captivity in Avignon, Rome was a shadow of its ancient imperial self. Perhaps twenty thousand people lived in a city built for a million. Sheep grazed on the Forum, where the great dramas of the Republic had been staged, and on the hills, where warlords and emperors had built their palaces. The streets were no longer ...”

“... concentrate on gun safety and environmental awareness – and those who bought their guns for self-defence, and had no interest in ever leaving Washington. You know who won.One of the things Johnson wanted, and blamed the NRA for not letting him get, was a national registry of all the guns in the country. NRA lobbying was still in its infancy, but when ...”

“... Vegas (1972), the principal manifesto of Post-Modern architecture. There, in a famous opposition, Robert Venturi and Denise Scott Brown distinguished Modernist design, in which ‘space, structure and programme’ are subsumed in ‘an overall symbolic form’, which they called the ‘duck’, from Post-Modern design, in which ‘space and structure are ...”

“... Early in​ 1971, Robert Hughes, recently appointed as Time magazine’s chief art critic, was ripping out his loft apartment at 143 Prince Street when he received an unexpected visitor. This was Henry Geldzahler, curator of modern art at the Metropolitan Museum. Hughes, probably the most macho and combative critic in his profession, was, by his own account, sweaty, foul-tempered, sore-footed and ‘grey with ingrained dirt ...”

“... Protestant piece of writing: there is the assertion of uncompromising principle, a strong self-justifying theme which runs throughout the sermon, an affirmation of the work ethic (that brutal verb ‘to business’, echoing the anti-Home Rule slogan, ‘Ulster means business’), and finally there is the idea of being born again. Imaginatively, this ...”

“... to the beefiest emu; Eleanor Crow’s dark silhouette on Max Porter’s book (the designer surely self-selecting for the commission) is more muted and harmonious, with no delineation of an eye, not exactly comforting – beak open – but short on actual threat. The Crow of the text comes closer to the Hughesian archetype, smelling to human nostrils of ...”

“... in Letters Concerning the English Nation, was the country of religious toleration, robust self-government, vibrant commerce and advanced ideas. Montesquieu’s dithyrambic praise of the English constitution in The Spirit of the Laws, like Diderot’s for Samuel Richardson (‘O Richardson, Richardson ... I will keep you on the same shelf with ...”

“... radicalism of the agents who flourished in the spring and summer of 1647 than to the intruded, self-righteous and mutinous idealism of the Levellers. The agents ‘always spoke out of their own experiences as soldiers, and mainly about the grievances of soldiers’. Yet by the autumn ‘unstable’, ‘excitable’, ‘violent’ men were to be found ...”

“... Melville’s narrator. By 1855 in New York they were the third largest occupational group. Their self-esteem as their numbers grew was not shared: ‘Nothing about clerical labour was congenial to the way most Americans thought of work … At best, it seemed to reproduce things … the bodies of real workers were sinewy, tanned by the relentless sun, or ...”

“... They thought it all was experience.’ The letters show the moment by moment process of self-enlargement, of fiction taking over from reality, of Hemingway braiding himself a style first and then a history to match it. If his family mistook so much of what he wrote for experience, that’s because he set it up that way, signing himself ‘Old ...”

“... but not when he sticks to his mission, part of which is to persuade his audience that only self-deprecation and a lack of curiosity blind them to the fact that the roofscapes and skylines of Durham and Stralsund are the equals of Venice. Some of his favourite stomping grounds are those ‘places as far south as south of the Thames which feel – and ...”

“... worldview, and about the sniffiness with which he was viewed by the small, determinedly self-improving black middle class, which wasn’t at first thrilled by the outside world’s interest in some ‘damn nasty Rasta’, all ‘ganja smell and frowsy arm’, as an angry mother puts it. Other characters do impressions of foreign music-business types ...”