“... The formation of a new Israeli government made up of the ultra-nationalist Right and the ultra-Orthodox is a propitious moment to reflect on the role of the radical Right in the history of Zionism. The state of Israel was created by left-wing elements, led by the social-democratic Labour Party. The Revisionists were the right wing of Zionism prior to 1948, but they were a small constellation in the Zionist firmament, a minority opposition in a largely socialist movement ...”

“... is here revealed for the first time. But his relations with the Conservative Prime Minister, Sir Robert Borden, were mostly cordial, his term of office was generally deemed a success, and he and his wife returned to Britain in 1915 amidst near-universal feelings of appreciation and regret. By then the Duke was 66, and Queen Victoria’s only surviving ...”

“... but just a mechanism for improbable adventures. In Colonel Sun, his own imitation under the alias Robert Markham, Kingsley Amis showed that he understood this, but the knowledge only deprived him of his own powers while not giving him Fleming’s. The only memorable moment in the book has Bond, at the moment just before some disaster strikes, driving quietly ...”

“... in her prose. One function of the novel is the commemoration and celebration of Sassoon and Owen. Robert Graves is a more equivocal spectre. The cadences of Goodbye to All That have sounded in Barker’s work before. In a climactic moment towards the end of The Century’s Daughter a social worker rescues the parrot belonging to the book’s dead heroine. He ...”

“... claims made on his behalf, Michael Hofmann’s recent hailing of Brodsky as the true successor to Robert Lowell and great American poet of our age has at least the virtue of unambivalence. We may not agree with it, but the terms are clear. Hitherto, through no fault of his own, the poet has seemed to occupy a position of statelessness somewhere between ...”

“... misses that note of implacable hostility which mars the otherwise creative and convincing work of ...”

“... London but ended up running a tiny, undemanding parish in the City, overshadowed by St Paul’s. Robert Peter, a brilliant Classics scholar at Cambridge, ‘achieved so little because he was a fool’; moreover, he was cruel to choirboys and horses. Henry Carrington, a dilettante, failed to take on the Dissenters, resorted to wintering in Italy, leaving ...”

“... identified as ‘a philosopher, the brother of the one-armed pianist Paul Wittgenstein’. Robert Musil occupies the summit of Canetti’s esteem until he is demoted after a show of petulance at a tactless mention of his archrival Thomas Mann. Herman Broch was Canetti’s great friend at the beginning of the period but fades out of the narrative as it ...”

“... pen and ‘candle coal’ for ink. Other impressive examples of the ‘alternative culture’ are Robert Copland’s low-life ‘The High Way to the Spital House’, a dialogue between the poet and a porter, who explains: Forsooth, yea, we do all such folk in take,    That do ask lodging for Our Lord’s sake; And indeed it is our custom and use ...”

“... Betjeman. Larkin, of course, is the one contemporary to whom Amis is prepared to yield high marks (Robert Conquest, perhaps the most ‘all right’ of Kingsley’s literary cronies, is shunted off into ‘light verse’). Larkin is named as Amis’s second-favourite poet (Housman is tops, though he may not have stayed tops, we suspect, if Amis had ever sat ...”

“... at the end of ‘Report on Experience’ was sincere. Blunden and Sassoon were furious when Robert Graves published in 1929 Goodbye to All That. Blunden’s comments are of great significance, and deserve to be taken seriously as evidence of what men who loathed the war, and had been through a great deal of it, actually felt and continued to feel. Very ...”

“... do not share and ‘which they have not sufficient imagination to realise’. Pat Barker shows how Robert Graves – arguing that even if you change your mind you shouldn’t break a contract already signed – succeeds in smothering Sassoon’s protest (he’d also chucked his MC in the Mersey) by pulling strings and getting him sent to Craiglockhart. What ...”

“... cheeks in the hope that he might open his eyes for a moment and say hello or goodbye’ – about Robert Graves in Majorca, and about an old lady singing: Forty-four and forty-five Am I dead or am 1 alive? I know but I don’t care. I know about despair. This intensely personal structure of image and reference ensures that Blackburn is always present in her ...”

“... assistant curator at New York’s Museum of Modern Art when Jackson Pollock, Willem de Kooning and Robert Rauschenberg were making Action Painting famous; and he and John Ashbery, his friend and contemporary, must have felt their poetry belonged in tandem with that school. O’Hara’s ‘Why I am not a painter’ doesn’t tell us why he is not a painter, but ...”

“... The end-papers of Stepsons show that classic of nostalgia, a family long ago at tea in a summer garden. A laughing aunt clutches a terrier; ranged round the table are a baleful grandmother, an alert little girl, a father scarcely visible and two boys whose faces rend the heart. Gentle, vulnerable, unbearably tense, they are poised for flight. Opposite, as far off as possible, sits their enemy, the Scottish Gerwoman, the stepmother of this tragic autobiographical novel ...”