“... The​ Soft Machine drummer, Robert Wyatt, his Cockney tenor cracking with fervour, once sang:I’m nearly five foot seven tallI like to smoke and drink and ballI’ve got a yellow suit that’s made by Pamand every day I like an egg and some teabut most of all I like to talk about me.The American poet Wallace Stevens liked his tea – he took to it in connoisseurship and prudence, ‘imported tea’ every afternoon, ‘with some little tea wafers’, partly in order to ease himself off martinis (Elsie, his ‘Pam’, disapproved of his drinking) – but otherwise everything is different ...”

“... foreknowledge, fragmentary but direct, of events in the world before her birth, and the neonate Robert, in Edward St Aubyn’s Mother’s Milk, not only remembers being born (someone ‘clamping his head and wrenching his neck from side to side’) but the preceding state of bliss – ‘never the whole thing again, the whole warm thing all around ...”

“... set trauma on a new course. And psychoanalysis reciprocated the favour. Not only did analysts like Robert Jay Lifton and Bruno Bettelheim help construct the Holocaust as the paradigmatic case of a traumatic event that could not fail to leave ‘a trace on the individual and collective memory’, they also developed a clinical entity, ‘survivor syndrome’ or ...”

“... There were fellow poets such as Felicia Hemans, Tom Moore, Samuel Rogers, Sir Walter Scott and Robert Southey; artists of various kinds including the gifted amateur Sir George Beaumont, Francis Chantry, John Constable, Thomas Lawrence, James Northcote and John Soane; and from the theatre, Jack Bannister, George Colman the younger, various Kembles, the ...”

“... The colour shots are very striking, in a Tokyo-printed, fat-magazine kind of way; that slightly self-conscious excellence of serious investment lurking behind a noble topic – ‘Life’, ‘Time’, ‘Nature’, one of those single-name enterprises. The gourmet layout freezes your attention for a moment, but then you have to keep the pages flicking to ...”

“... half-way through Swallow. Most surprisingly, the tone of the narrative is wryly comic and often self-mocking. It’s an unexpected treat after the sledgehammer jokes of Summit and the lecherous self-pity of Dreams and Hallucinations. Thomas’s comedy begins with his fictional characters demanding equal billing as authors ...”

“... of her fondness for motorcycling ‘rough trade’); yes, in spite of being a very publicly self-confessed Christian, she was married to a divorced alcoholic who worked on the News of the World, but, Barbara Reynolds genuinely makes us feel – so what? This is not really the heart of Sayers or – to use Reynolds’s title – her ‘life and ...”

“... or humility towards movies’, as making ‘only a cynical show of superiority and self-importance’. In the title essay Wenders deplores the incapacity of modern audiences, indulged and debased by the hollow consumerist ethic such criticism reflects, to appreciate the beauty of John Ford’s Westerns; he is pained by ‘the increasingly ...”

“... two hundred years it has been impossible to speak of nationalism ... socialism and democracy, of self-determination for peoples and nations, of government by law and of the belief in human rights ... of ‘the people’s’ demands, of ... ‘secular’ education, political propaganda and the state’s role in promoting ‘enlightenment’, of popular ...”

“... character in Shusaku Endo’s Scandal. Suguro is in his sixties, a successful man, methodical, self-disciplined, attentive to household obligations and the needs of his ailing wife, a man in the midst of life, with the taste of death on his tongue and the shapes of death in his dreams. He is by profession a novelist and by religion a Roman ...”

“... and decay then how can one confront those ghosts of the past without hearing a mocking voice of self-justification? To beat that, one needs a black superman, an embodiment not only of suffering but of virtue and wisdom. And there have been so many disappointments. Nkrumah turned out to be a despot, Nyerere and Kaunda destroyed their own countries and did ...”

“... the book undoubtedly gains in colour and atmosphere. It combines the authentic flavour of Robert Roberts’s The Classic Slum with the vigour and directness of Stephen Humphries’s Hooligans or Rebels? – yet at the same time shows greater objectivity and receptiveness to informants. It is a study well worth replicating elsewhere. There are few ...”

“... William Sullivan, who was then in the midst of a power struggle with J. Edgar Hoover, to visit Robert Mardian, head of the Justice Department’s Internal Security Division, and warn him, as Mardian later testified, that Hoover could not be trusted and might try to blackmail Nixon, as he had blackmailed other Presidents, because of the wiretap ...”

“... quest begins in the psychological wastes of London, where everyone he meets is trapped in arid self-satisfaction, and he himself is unable to write. ‘In London, I had gone stale and dry.’ Setting out for the renewing waters of his childhood dreams, he passes through the Minnesota State Fair (a hybrid of Vanity Fair and Langland’s ‘fair field full ...”

“... history as drama, very often tragedy. His tribute to Raleigh, rising as a poet above his pettier self and that of his age, is discerning. He has a frequently compelling turn of phrase. ‘Ireland, of course, is irony’s chosen country,’ he remarks on the oddity of Burke, emotional and romantic, coming to be venerated as founder of modern ...”