“... that at every turn the narrative seems to play itself out before our eyes, the first volume of John Richardson’s long-awaited Life of Picasso will leave its readers waiting impatiently for Volume Two. Long may it go on. Meanwhile it is a special kind of pleasure to be able to praise the book of an old and close friend, and be confident that the praise ...”

“... Left to know itself, they have edited the eloquent works of a pre-socialist exponent of liberty, John Warr, who in the months around the execution of Charles I in January 1649 urged sweeping legal and political reforms. In Warr’s eyes, ‘liberty was the antithesis of power,’ not of property as Winstanley the Digger might have maintained: ‘it ...”

“... Venice with his memories. Some will read his diary with amused contempt; and it almost looks as if John Sparrow intended them to do so. He mocks Leeves in his epilogue with some rollicking verses to the tune of ‘Three Blind Mice’. Leeves was what Guardsmen used to call an old twank. The diary begins with him twittering in Venice. ‘Cannonade every evening ...”

“... was: ‘Gentlemen, the Times is printed – by steam.’ The year was 1814; the proprietor was John Walter II; the new technology was the Koenig steam-driven press capable of over a thousand impressions an hour, against the 250 impressions which was all the old Stanhope iron press could manage; and his tactic of secrecy and confrontation (he was frightened ...”

“... of attractive works of art. The count would rise to eight if his taste ran to the work of Gwen John, or even to a dozen if he were indulgent. The remainder of the illustrations, some 94 per cent of the total, could serve equally well as the illustrations to a book called Dreary Painting Through The Ages. Ms Greer tries to upgrade some of these ...”

“... the object of the satire as the mysterious slow opening of Beethoven’s Fourth Symphony (pace John Warrack, who in his introduction to the present volume raises pedantic objections as to the strict accuracy of Weber’s description of the passage in question): but it is equally clear that, far from identifying with the orchestral players of his day, Weber ...”

“... John Berger is 60. He is not forgotten. Permanent Red, his criticism from the Fifties, is in print. Ways of Seeing is the antidote put in the hands of students who have drunk too deeply of Courtauld art history. His novels, too, have created a stir. His first, A Painter of Our Time, had such vitriolic reviews that the publishers withdrew it, and G won the Booker Prize: Berger’s hard swallow on that sugarplum made him briefly notorious ...”

“... Adolf Grünbaum in Pittsburgh, to Richard Swinburne in Oxford, to David Deutsch in Headington, to John Leslie in Canada, to Derek Parfit, again in Oxford. He meets Roger Penrose in New York, has phone conversations with Steven Weinberg and John Updike. These conversations become a way of evoking possibilities as much as ...”

“... return to creditors when they were sold. Levy died suddenly in 1976, and Sidney Weinberg’s son John took over as senior partner with John Whitehead. Both were investment bankers rather than traders, and it was Whitehead who attempted to carve in stone the firm’s code of business practice with his 12 (later ...”

“... lodge, and, when they failed to recant, to be racked in the Tower.’ He searched his friend John Petit’s house for heretical literature and left him in prison, untried. He applauded the burning of a harmless leather seller called John Tewkesbury, noting: ‘There never was a wretch, I wene, better worthy.’ And he ...”

“... and Lemons’ – has taken hold of his imagination. He catches glimpses of Sarah and her friend John in the corners of bars, heads bent down low over their books and their notes. His curiosity is only increased by their brusque treatment of him, and he begins consulting his own oracles in order to find out what they are up to. ‘Where are Sarah and ...”

“... of history among younger people, may be to blame. In his autobiography Grace Before Ploughing, John Masefield – himself an excellent historical writer for children – recalls that he was early made aware ‘of a Civil War feeling, that Hereford and the Welsh had stood for the King, and that across the Severn to the East of us were others who had taken ...”

“... in England. It was marvellous what bogeys she discovered lurking in apparently blameless texts: ‘John Gilpin’, for instance, ‘because it places an honest, industrious tradesman, worthy to be held out as an example of prudence and economy to men of his rank, in a ridiculous situation, and provokes a laugh at the expense of conjugal affection’. Robinson ...”

“... a conscious programme to fill a cultural vacuum. Lessing and Herder consciously played the part of John the Baptist, and Herder, for one, recognised in Goethe the fulfilment of the prophecy. But the picture is not quite so clear and simple as this may suggest. If Reed is right to associate Classicism with ‘ideas of literary status and authority’, ‘ages ...”

“... of a Nice American Kid. (He still speaks of latterday players as ‘kids’, a term that sits on John Newcombe and Stan Smith as askew as on a lord mayor.) He was tall and, if not quite clean-cut, skinny. He looked as if he would converse by shuffling his large feet and muttering ‘Aw, shucks’. (Thus kids muttered in novels of the period. What they said ...”