“... as the carriage pulls away, ‘and, thank God, I’m out of Chiswick.’Admiration is defined by Johnson in that Dictionary as ‘taken sometimes in a bad sense, though generally in a good’, and he was, for the greater part of his life, a great engine of self-admiration, as well as a copious begetter of admiration in other people. Yet none that loved ...”

“... in my local park in Leeds, there is a handsome stone structure. The Barrans Fountain was built by the Victorian clothing manufacturer Sir John Barran, once also the city’s mayor. He must have been a man with ambition. A building he constructed in the city centre is Moorish and beautiful, a small glimpse of Granada in the middle of West Yorkshire, though ...”

“... Pauline Kael took against the rainbow at the end of David Lean’s film Doctor Zhivago. It was a ‘disgraceful effect’, she said, ‘a coarse gesture of condescension and appeasement to the Russians’, and she asked if Lean and Robert Bolt would have placed a rainbow ‘over the future of England’. Actually it’s difficult to think of David Lean placing rainbows anywhere much, and more significantly, the mood of the rainbow, if not the actual image, is fully there in Boris Pasternak’s novel, as Russian as you can get ...”

“... were uncertain about the future. Both regimes had effectively emptied formal politics of meaning by banning any party that had real popular appeal and restricting others to the status of a loyal opposition, thus depriving itself of intermediaries between the state and its citizens who could have negotiated an end to the crisis. Both countries’ supposed ...”

“... will this young woman make sense of being a wife, and what sort of wife is she? And can she both be a wife and what she most longs to be – an artist, a writer, someone who speaks to the world and is heard? It may seem like an old-fashioned problem (of course she can!), yet it’s a real one, and to investigate it ...”

“... Common​ sense in British politics tends to be aligned with the wisdom of party managers: that the electorate abhors uncertainty, and is incapable of understanding either internal party divisions or Continental-style coalitions. Only very occasionally, when the whips are thwarted by force of circumstance, do the voters – and indeed a frustrated cadre of pragmatic and independent-minded politicians – escape the iron cage of partisan constraint ...”

“... this injustice was to become a central element of suffragette demonstrations.) She was praised by her tutor as ‘industrious and painstaking’. She began teaching and writing plays and journalism in London, and in 1906 joined the WSPU, the Women’s Social and Political Union, but her independent – and extreme – militancy caused a breach. In the ...”

“... and repeatedly reject the lessons of Thatcherite economics. Yet at the root of her puzzlement, by a further irony, was her own misunderstanding of Smith. It was not simply that the electorate north of the border had betrayed its free-marketeering heritage, but that Thatcher’s hero was far from the proto-Thatcherite she and her advisers assumed him to ...”

“... been the most versatile and enduring of poetic forms. It has been pumped with inscape and instress by Gerard Manley Hopkins, filled with sentiment by Anna Seward, cut and pasted by Ted Berrigan (his 1964 Sonnets were apparently assembled with the help of the 1960s equivalent of a Pritt ...”

“... timber and plaster above a stone crypt. The debating chamber, converted from St Stephen’s Chapel by Wren in 1692, measured 15 metres by ten and had 348 seats for the 658 MPs. Dark narrow passages and staircases gave access to committee rooms (half of them unfit for use or used for other purposes), a library and a smoking ...”

“... mad for love. To recover his lost wits, his comrade-in-arms Astolfo travels to the Moon, guided by St John the Evangelist. On the Moon all that is lost on Earth can be found. The favours of princes show up as inflated bellows, ladies’ charms as limed snares; lost wits are stored in individually labelled ...”

“... sad joke of his career was that his fame outlived his success; after Red River, he couldn’t even be anonymous in failure. The shape of Clift’s career has a tragic symmetry: eight early films, from Red River to Fred Zinnemann’s From Here to Eternity (1953), and then, after Edward Dmytryk’s Raintree County (1957), eight late films from Vincent ...”

“... Some novels are met by such a hurricane of hostile criticism that they sink out of sight. Only word of mouth, the contrary opinion running from reader to reader, can occasionally bring them to the surface again. To the End of the Land has the opposite problem. It arrived on a foaming wave of praise which, when they actually get down to its pages, will leave many readers puzzled ...”

“... Very few actors specialised as Hopper did in convincing malice. Vincent Price was too camp to be really alarming, even as the witchfinder general. Peter Lorre was heartbreaking as a child murderer. James Gandolfini, playing an incorrigibly mean-minded godfather for seven years, strangely held on to the affection of most of his mass audience. James Cagney ...”

“... in a marketplace. The central figure of the book is Meadow Mori, who is introduced to the reader by way of an internet essay, part of a series entitled ‘How I Began’ on a site devoted to Women and Film. After graduating in film studies Mori supposedly wrote to an obese ex-wunderkind of the screen, now reduced to voiceovers and chat show appearances ...”