Diary

Hilary Mantel: Meeting the Devil, 4 November 2010

“... the vampire’s kiss and says: ‘Another two of those wounds would do it.’ Finish me off, she means. She is real but I accept her words are not. A hallucination has to be gross before I can pick it out. My internal monologue is performed by many people – nurses and bank managers to the fore. There is a breathless void inside me, and it needs to be ...”

Were you a tome?

Matthew Bevis: Edward Lear, 14 December 2017

Mr Lear: A Life of Art and Nonsense 
by Jenny Uglow.
Faber, 608 pp., £25, October 2017, 978 0 571 26954 9
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“... publication, he was nominated for election as an associate of the Linnean Society. According to David Attenborough, Lear is ‘the finest bird artist there ever was’. His drawings were primarily intended to help scientists identify species, yet his birds are exhibitionists as well as exhibits, always more than an instance that confirms a rule. The same ...”

Fire or Earthquake

Thomas Powers: Joan Didion’s Gaze, 3 November 2022

Let Me Tell You What I Mean: A New Collection of Essays 
by Joan Didion.
Fourth Estate, 149 pp., £8.99, January 2022, 978 0 00 845178 3
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“... as in her photographs, she is almost brutally direct, but it’s never entirely clear what she means to say. The first work of hers to get serious attention was a collection of twenty magazine pieces, Slouching towards Bethlehem (1968), which said enough about 1960s America to plant an anxious seed of worry in the heart of a generation. It was followed by ...”

Shades of Peterloo

Ferdinand Mount: Indecent Government, 7 July 2022

Conspiracy on Cato Street: A Tale of Liberty and Revolution in Regency London 
by Vic Gatrell.
Cambridge, 451 pp., £25, May 2022, 978 1 108 83848 1
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“... so far, so good – ‘while ensuring that it is not abused to conduct politics by another means or to create needless delays.’ Oh. Who is to decide which delays are needless, and what exactly does ‘conduct politics by another means’ imply? Naturally, once the election was won, there had to be some sort of task ...”

Diary

Andrew Brighton: On Peter Fuller, 7 November 1991

“... selection of speakers, who ranged from Patrick Heron to Victor Burgin, Mary Kelly to Robyn Denny, David Hockney to Rasheed Araeen. The highlights included Lisa Tickner’s brilliant dismemberment of Reg Butler’s defence of his question: ‘Can a woman become a vital creative artist without ceasing to be a woman except for purposes of census?’ Peter ...”

Boulez in progress

Paul Driver, 25 June 1987

Orientations 
by Pierre Boulez, edited by Jean-Jacques Nattiez, translated by Martin Cooper.
Faber, 541 pp., £25, July 1986, 9780571138111
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“... an Improvisation’, where he touches on his concept of mobile form (‘improvisation for me means the forcible insertion into the music of a free dimension’) and discusses new techniques of instrumentation; and ‘Sonate, que me veuxtu?’, in which he expounds a musical poetics derived conjointly from Mallarmé’s late experimentations with the idea ...”

All This Love Business

Jean McNicol: Vanessa and Julian Bell, 24 January 2013

Julian Bell: From Bloomsbury to the Spanish Civil War 
by Peter Stansky and William Abrahams.
Stanford, 314 pp., £38.95, 0 8047 7413 7
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“... responsible for Julian’s fondness for country squirely pursuits. There’s a good description by David Garnett of Julian beagling at Cambridge: he was ‘far bigger, noisier and more raggedly dressed than any of his companions … bursting with happy excitement … Late in the afternoon Julian turned up with his ragged clothes torn to tatters, which flapped ...”

Beyond Textualism

Christopher Norris, 19 January 1984

Text Production 
by Michael Riffaterre, translated by Terese Lyons.
Columbia, 341 pp., $32.50, September 1983, 0 231 05334 7
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Writing and the Experience of Limits 
by Philippe Sollers, edited by David Hayman, translated by Philip Barnard.
Columbia, 242 pp., $31.50, September 1983, 0 231 05292 8
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The Reach of Criticism: Method and Perception in Literary Theory 
by Paul Fry.
Yale, 239 pp., £18, October 1984, 0 300 02924 1
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Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism 
by Paul de Man, edited by Wlad Godzich.
Methuen, 308 pp., £7.50, November 1983, 0 416 35860 8
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Displacement: Derrida and After 
edited by Mark Krupnick.
Indiana, 198 pp., £9.75, December 1983, 0 253 31803 3
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Authoritarian Fictions: The Ideological Novel as a Literary Genre 
by Susan Rubin Suleiman.
Columbia, 299 pp., £39, August 1983, 0 231 05492 0
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“... of ahistorical codes and conventions which offer themselves up to formal analysis as the only means to make ‘logical’ sense of their bewildering multiplicity. But the logic in question is an arbitrary construct everywhere dependent on Riffaterre’s well-oiled descriptive machinery. As with most machines, what comes out in the end is determined by ...”

We shall not be moved

John Bayley, 2 February 1984

Come aboard and sail away 
by John Fuller.
Salamander, 48 pp., £6, October 1983, 0 907540 37 6
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Children in Exile 
by James Fenton.
Salamander, 24 pp., £5, October 1983, 0 907540 39 2
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‘The Memory of War’ and ‘Children in Exile’: Poems 1968-1983 
by James Fenton.
Penguin, 110 pp., £1.95, October 1983, 0 14 006812 0
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Some Contemporary Poets of Britain and Ireland: An Anthology 
edited by Michael Schmidt.
Carcanet, 184 pp., £9.95, November 1983, 0 85635 469 4
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Nights in the Iron Hotel 
by Michael Hofmann.
Faber, 48 pp., £4, November 1983, 0 571 13116 6
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The Irish Lights 
by Charles Johnston and Kyril Fitzlyon.
Bodley Head, 77 pp., £4.50, September 1983, 0 370 30557 4
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Fifteen to Infinity 
by Ruth Fainlight.
Hutchinson, 62 pp., £5.95, September 1983, 0 09 152471 7
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Donald Davie and the Responsibilities of Literature 
edited by George Dekker.
Carcanet, 153 pp., £9.95, November 1983, 9780856354663
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“... movement, but seeming almost a normal aspect of the modern scene, like the ‘magic realism’ of David Hockney or Alex Colville. James Fenton’s ‘Dead Soldiers’, ‘A German Requiem’ and ‘Children in Exile’ are poems that work by a new and at first disconcerting technique, not to move us or to establish feeling, but to suggest a situation where ...”

Lowellship

John Bayley, 17 September 1987

Robert Lowell: Essays on the Poetry 
edited by Steven Gould Axelrod and Helen Deese.
Cambridge, 377 pp., £17.50, June 1987, 0 571 14979 0
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Collected Prose 
by Robert Lowell, edited and introduced by Robert Giroux.
Faber, 269 pp., £27.50, February 1987, 0 521 30872 0
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“... genius of Dickens, could not have become himself in the poems without it. As with Dickens (David Copperfield, Pip, ‘George Silverman’s Explanation’) the detail in the writing has a strong diagnostic slant. Dickens’s heroes, like Lowell, are seeking to explain their present selves: but with the important difference that such explanation for ...”

Quite a Night!

Michael Wood: Eyes Wide Shut, 30 September 1999

Eyes Wide Open: A Memoir of Stanley Kubrik and ‘Eyes Wide Shut’ 
by Frederic Raphael.
Orion, 186 pp., £12.99, July 1999, 0 7528 1868 6
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Dream Story 
by Arthur Schnitzler, translated by J.M.Q. Davies.
Penguin, 99 pp., £5.99, July 1999, 0 14 118224 5
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“... with artist, and more symbolically, writer with director. Raphael is quite open about this, and means, I think, to sound rueful about his mistake. How could he have thought he was anything other than the provider of a blueprint on which the master would go to work? But the inferiority of his role still rankles, and a scene in which he pictures Kubrick as ...”

Pick a nonce and try a hash

Donald MacKenzie: On Bitcoin, 18 April 2019

“... in 1998, of an earlier form of electronic money, eCash, developed by the computer scientist David Chaum. When Chaum’s firm, which ran the system in a centralised fashion, went bankrupt, it took eCash down with it. With bitcoin, there is no central computer, and therefore no single point of failure, but there isn’t a central record ...”

Paupers and Richlings

Benjamin Kunkel: Piketty’s ‘Capital’, 3 July 2014

Capital in the 21st Century 
by Thomas Piketty, translated by Arthur Goldhammer.
Harvard, 696 pp., £29.95, March 2014, 978 0 674 43000 6
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“... most fully developed the argument that the labour time embodied in commodities, including whatever means of production go into furnishing them, ultimately determines their value; and prices, when they don’t coincide with values, at least oscillate around them. For the marginalists, value was a function of marginal utility. In the famous example, diamonds ...”

Crocodile’s Breath

James Meek: The Tale of the Tube, 5 May 2005

The Subterranean Railway: How the London Underground Was Built and How It Changed the City For Ever 
by Christian Wolmar.
Atlantic, 351 pp., £17.99, November 2004, 1 84354 022 3
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“... subsidy. The company trying to raise money for the Metropolitan was on the verge of collapse. David Wire, the lord mayor, allowed himself to be persuaded by Pearson – then the Corporation of the City of London’s solicitor – of the case for public transport in the capital, the one that’s still being made today. Wire accepted that something needed ...”

After the Fall

John Lanchester: Ten Years after the Crash, 5 July 2018

“... period of declining real incomes in recorded economic history. ‘Recorded economic history’ means as far back as current techniques can reach, which is back to the end of the Napoleonic Wars. Worse than the decades that followed the Napoleonic Wars, worse than the crises that followed them, worse than the financial crises that inspired Marx, worse than ...”