Bliss

Michael Neve, 16 October 1980

My Guru and his Disciple 
by Christopher Isherwood.
Eyre Methuen, 338 pp., £8.50, July 1980, 0 413 46930 1
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... for putting oneself to this task. Isherwood expressed this with typical simplicity in a letter to John Lehmann in July 1939: ‘I am so sick of being a person.’ The beginnings of his interest in Eastern religion were not easy, and this book starts out by conveying powerfully the Tennysonian quality of ‘honest doubt’ that Isherwood felt towards the whole ...

Short Cuts

Tom Stevenson: All Talk, No Ceasefire, 26 September 2024

... that now bisects the strip. After a negotiating round in Cairo, the White House spokesperson John Kirby said on 23 August that ‘there has been progress made.’ All that was needed was for ‘both sides to come together and work towards implementation’.The background to the negotiations has been the continued destruction of the Gaza Strip. Between ...

On Reichenau Island

Irina Dumitrescu, 26 September 2024

... set off on his journey, founding abbeys as he went. But when he got to Säckingen the locals took him for a cattle rustler, whipped him and chased him away. Fridolin complained to Clovis, king of the Franks, and returned with a signed charter granting him the island, as well as two messengers who threatened any dissenters with immediate ...

Chevril

J.D.F. Jones: Novels on South Africa, 11 November 1999

Ladysmith 
by Giles Foden.
Faber, 366 pp., £9.99, September 1999, 0 571 19733 7
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Manly Pursuits 
by Ann Harries.
Bloomsbury, 340 pp., £15.99, March 1999, 0 7475 4293 7
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... and had the wit to extend the hand of friendship to their enemies in the Union of 1910. The Boers took revenge in 1948 and we all know the unhappy story since then. Both sides are now bypassed for ever. One of the legacies of this emotionally charged colonial war, which has only recently slipped beyond living memory, was the phenomenon of the ‘Boer War ...

Flower Power

P.N. Furbank: Jocelyn Brooke, 8 May 2003

'The Military Orchid’ and Other Novels 
by Jocelyn Brooke.
Penguin, 437 pp., £10.99, August 2002, 0 14 118713 1
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... or fill in a form or profit from reading a newspaper. He was a habitual scribbler, but it took him the greatest effort to believe in himself as a serious writer; and after his highbrow Bedales days he never even pretended to be a thinker. At most, when he took up the theory that Italian peasants, unlike the ...

They might be giants

Richard Fortey: Classical palaeontology, 2 November 2000

The First Fossil Hunters: Palaeontology in Greek and Roman Times 
by Adrienne Mayor.
Princeton, 361 pp., £22, May 2000, 0 691 05863 6
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... guide to British curiosities, that the bones of giants had been discovered in Essex. The evidence took the form of limb bones the size of small tree trunks, and enormous teeth. The local people were familiar with legends of their oversized forebears, and the bones provided visible testimony to the history behind the legends. As in Essex, so in classical ...

Mulishness

Paul Keegan: David Jones removes himself, 7 November 2019

David Jones: Engraver, Soldier, Painter, Poet 
by Thomas Dilworth.
Vintage, 448 pp., £14.99, January 2019, 978 0 7847 0800 2
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Epoch and Artist Selected Writings 
by David Jones, edited by Harman Grisewood.
Faber, 320 pp., £18.99, April 2017, 978 0 571 33950 1
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‘The Dying Gaul’ and Other Writings 
by David Jones, edited by Harman Grisewood.
Faber, 240 pp., £17.99, April 2017, 978 0 571 33953 2
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Dai Greatcoat A Self-Portrait of David Jones in His Letters 
edited by René Hague.
Faber, 280 pp., £17.99, April 2017, 978 0 571 33952 5
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... an artist who constructed images out of words – in his painted inscriptions – and whose poems took in the observable world, including everything glimpsed in his peripheral vision. There was the hand-held and eye-level, frame-by-frame actuality of In Parenthesis (1937), his poem of the trenches, noise-saturated, full of chiaroscuro and stalked by ...

Diary

Alan Bennett: Bennett’s Dissection, 1 January 2009

... I spend a lot of time these days just tidying up and today I start on my notebooks. Around 1964 I took to carrying a notebook in my pocket in which I used to jot down scraps of overheard conversation, ideas for plays or sketches and (very seldom) thoughts on life. I stopped around 1990, by which time I’d accumulated 30 or so of these little hardbacked books ...

The Suitcase: Part Two

Frances Stonor Saunders, 13 August 2020

... at its flapping corners in awkward gusts of Welsh wind.My father was very fond of maps. He took great care to respect the original creases when folding them and arranged them next to his impressive run of National Geographic, whose bright yellow spines I liked. I think he believed in maps at a very literal level, not simply as a reliable guide for ...

In His Pink Negligée

Colm Tóibín: The Ruthless Truman Capote, 21 April 2005

The Complete Stories 
by Truman Capote.
Random House, 400 pp., $24.95, September 2004, 0 679 64310 9
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Too Brief a Treat: The Letters of Truman Capote 
edited by Gerald Clarke.
Random House, 487 pp., $27.95, September 2004, 0 375 50133 9
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... face lifted for the fourth time – the Doctors say no more), then Cecil [Beaton] and John Gielgud came to stay with us, and we went to Venice on Arturo Lopez’s yacht … Oh yes, I forgot Noel Coward – he fell in love with Jack. Jack hated it All. Later, in his thirties, he would tire also of the Greeks: ‘The children are so horrid: have ...

Don’t wait to be asked

Clare Bucknell: Revolutionary Portraiture, 2 March 2023

A Revolution on Canvas: The Rise of Women Artists in Britain and France, 1760-1830 
by Paris Spies-Gans.
Paul Mellon Centre, 384 pp., £45, June 2022, 978 1 913107 29 1
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... male and female, to submit their work, the change was dramatic. The first open Salon took place in September, just weeks after the decree; it accepted 22 female exhibitors, twenty of whom owed their visibility and commercial platform directly to the revolutionary upheavals.France’s new exhibiting artists hadn’t learned to paint in a ...

What does a snake know, or intend?

David Thomson: Where Joan Didion was from, 18 March 2004

Where I Was From 
by Joan Didion.
Flamingo, 240 pp., £14.99, March 2004, 0 00 717886 7
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... and dust in Sacramento would be like a plague or a curse – so that Joan’s new husband, John Gregory Dunne, when he came to visit, would use a mischievous finger to write ‘DUST’ here and there. Dunne, who died at the end of last year, was tall, handsome, articulate, funny – the man of the world behind whose attractive show Joan hid and ...

Gielgud’s Achievements

Alan Bennett, 20 December 1979

An Actor and his Time 
by John Gielgud.
Sidgwick, 253 pp., £8.95
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... Sir John Gielgud is 75. To hear him talk or watch him on the stage he seems much younger, whereas his recollections of the lions of the Edwardian theatre ought to put him well past his century. It’s an elastic life because baby Gielgud was so quick off the mark, the famous nose soon round the edge of the pram observing the odd behaviour of his Terry uncles and aunts ...

Robin’s Hoods

Patrick Wormald, 5 May 1983

Robin Hood 
by J.C. Holt.
Thames and Hudson, 208 pp., £8.95, May 1982, 0 500 25081 2
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The Early History of Glastonbury: An Edition, Translation and Study of William of Malmesbury’s ‘De Antiquitate Glastonie Ecclesie’ 
by John Scott.
Boydell, 224 pp., £25, January 1982, 9780851151540
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Megalithomania 
by John Michell.
Thames and Hudson, 168 pp., £8.50, March 1982, 9780500012611
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... England by Maurice Keen, a delightful collection of Rymes of Robin Hood by Barry Dobson and John Taylor, and a constructive reassessment of ‘the birth and setting of the ballads of Robin Hood’ by John Maddicott, have not only cast a flood of light on the origins and significance of the legend, but also materially ...

Speaking well

Christopher Ricks, 18 August 1983

Cyril Connolly: Journal and Memoir 
by David Pryce-Jones.
Collins, 304 pp., £12.50, July 1983, 0 333 32827 2
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J.B. Yeats: Letters to His Son W.B. Yeats and Others, 1869-1922 
edited with a memoir by Joseph Hone.
Secker, 296 pp., £7.95, May 1983, 0 436 59205 3
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... was not conventionally handsome.’ The crayon sketch of Connolly on the jacket, by Augustus John, is no oil painting. But what might make us reluctant to spring to Connolly’s defence is that he said the same sort of thing about others, while characteristically mingling it with self-disgust: ‘Back in London met Princess Bibesco and did not care for ...