At Victoria Miro
Peter Campbell: William Eggleston, 25 February 2010
“... unhappy. The unexplained strangeness of the ordinary or tacky that has drawn film-makers like David Lynch to Eggleston is evident, but the colour also registers at a different level. As in Van Gogh’s late paintings it has a life of its own. Purely as coloured objects, the photographs are rich, subtle, pretty even. The process used to print them in the ... ”