Damsons and Custard
Paul Laity: Documentary cinema’s unsung poet, 3 March 2005
“... voice, and Harrisson was at the other end, doing exactly the same thing.’ In 1934, Jennings, a young artist and intellectual about town, joined John Grierson’s GPO Film Unit on a freelance basis, mainly, it seems, because he was hard up. He went on to become Britain’s most admired wartime documentary film-maker, and although his is far from a household ... ”