“... ideas. The most startling object in the exhibition, the frame composed of gilded twigs surrounding John Austen Fitzgerald’s spooky painting of a fairy-infested bird’s nest, is a three-dimensional development of the sort of border design common in illustrated books of the period. The most beautiful paintings in the exhibition, those by the little-known ...”

“... It seems safe to infer from his now majestically large oeuvre that John Updike’s ultimate ambition is to get the whole of America, its geography as well as its history, the fluctuations of its spiritual as well as of its material wellbeing, into his books. The contribution of the four Rabbit volumes to the realisation of this plan (one volume per decade since 1960) is easily recognised, but many other novels, though less clearly devoted to the annotation of historical change, have a similar purpose ...”

“... was first displayed to the public in the late Georgian and early Victorian London theatre. In John Martin’s apocalyptic paintings of prehistoric life from the 1830s, gruesome monsters tear at one another in the slime. They appeared as mezzotints at the front of popular geological books, and in a folio work on the bones of sea-dragons by Thomas ...”

“... Matthew and Luke, says nothing at all about the Nativity. He begins with the baptism of Jesus by John. The evangelist John, the latest of the four, ignores the Nativity, beginning his book with an extraordinary poetico-theological prologue and getting straight into the ministry. There are extra-canonical gospels that ...”

“... into the NHS, following on from the ‘options for radical reform’ set out by Oliver Letwin and John Redwood in 1988. It had three pillars: GP fund-holding (delegating budgets to individual GP practices); the replacement of health authorities by ‘NHS trusts’ (self-governing accounting centres with borrowing powers, and their own finance, human resources ...”

“... I begin to write about John Martin: Apocalypse (at Tate Britain until 15 January) before looking at the pictures. Maybe, I say to myself, if I set memories of Martin’s pictures against the words in the catalogue (Tate, £19.99), if I learn what he achieved in more than a century and a half of (variable) success, I’ll find that we owe his memory some kind of apology ...”

“... ever made in the UK. It was Howard Hunt who broke the story that the CIA funded Animal Farm, John Halas and Joy Batchelor’s 1954 version of George Orwell’s political allegory of the Russian Revolution and its aftermath, played out in a British farmyard. Cashing in on his Watergate notoriety, the rogue spook and sometime spy novelist took credit in ...”

“... brittle. She was mocking, brash, hoity-toity. What she never was, in her films, was silent. John Ford admired her ‘strange, sharp face’ which made Tennessee Williams think of ‘a medieval saint in a Gothic cathedral’. Her voice has been described as ‘nasal’, ‘metallic’, and by one biographer as ‘a cross between Donald Duck and a ...”

“... more often acknowledged than explored. Fox’s concern is the imaginative literature of the age of John Skelton and Thomas More, and then of Sir Thomas Wyatt and the Earl of Surrey: literature which he believes to have been gravely undervalued, and which he commends not only for its intrinsic pleasures but as a rich historical source. What the most ...”

“... in Wheatley’s verse residues of African spiritual practices and memories of her birthplace. John Shields has argued that her elegies are compatible with African animist traditions, and proposes that her background was with the Fula people. Odell said Phillis described her mother pouring water ‘before the sun at his rising’, which has led some to ...”

“... He’s drawn up his swollen legs and stopped breathing. no I can’t get up Neither Luke nor John nor the patron Of wanderers nor Mary herself help the sister To dial. Women shriek down the ...”

“... the shys, the bolds, for me to sign their poem-photostats; I write ‘Best wishes to Clare; John; Clive; Maureen.’ These are their souvenirs – Bard Rock, Hippocrene beer mats – xeroxed to help them sort out what I mean, like worksheets. I’m the only worksheet on the scene! Behind me I feel pressure from the girls, the gentle touch of ...”

“... In the middle of a dark night,restless, with bright love burning– Oh, fortunate delight! –I slipped out, no one seeing,now that all my house lay sleeping.In darkness and secureI went by a secret stair, disguised– Oh, lucky venture! –in darkness and concealed,my house now being lulled to sleep.In that night of bliss and joyseen by none, in secret and quiet,with no clear vision I stepped forthwith neither guide nor lightsave that which burned within my heartand shone to light my journeymore surely than the midday blazeto where one who I know trulybeneath no overlooking gazeawaiting me there stays ...”

“... on the years 1500-1800, is to remind us of what could be seen as the glory days of habeas corpus. John Anderson was a slave in Missouri. Separated from his wife and family, whom he wished to visit, he came into conflict with his master and owner, who decided to resolve the problem by selling Anderson to another owner. In 1853, Anderson escaped and made for ...”

“... us, as for Trollope, ‘a terrible aspect’. It doesn’t apparently, though, for Gilbert Phelps, John Sutherland and Peter Keating, surveyors and encyclopedists of the form who in their respective fields have laboured with energetic exhaustiveness and not broken down. Each of these books feels as if it takes in an infinity of novels, and each deserves the ...”