At Tate Britain
Rosemary Hill: ‘Ruin Lust’, 3 April 2014
“... Abbey has the crisp immediacy of a stage set while in the hands of Samuel Prout it is cosily brown and crumbly, accoutred with cows. Cotman’s Crowland hangs in watery mist. Like Turner in his detail of a massive Norman column from Holy Island suspended in a tiny sketch, Cotman could conjure up the poignant synecdoche of mighty fragments imbued as much ... ”