“... time, another traveller, The Jewish Rider (1985/86), is deep in a book. He looks remarkably like Michael Podro, but it may be a disguise or a trick of the light – one can’t be sure. Down the corridor we can see the conductor – dressed like a bell-hop in an old comedy – brandishing a riding-crop. Out of the carriage window, crucifix and death camp ...”

“... liked them very much, but still didn’t know why Wilson had been fired by the New Republic. Michael Straight was his sister’s husband – can that be right? the chains of relation are sometimes bewildering in Vidal’s world, where literally everybody seems to know everybody – but when Vidal had asked him, Straight simply said: ‘Well, he ...”

“... in his twenties. Towards the end of the decade he moved from Warwickshire to London, where he met Michael Moorcock, then the editor of the science fiction magazine New Worlds. Harrison took over from Moorcock soon afterwards, and remained at the helm until 1975, during which time New Worlds became associated with the experimental current in science fiction ...”

“... becomes culturally effective, and the translator a “noble collateral” with him.’ Henry Howard, Earl of Surrey, relied heavily on Douglas’s Eneados when he translated Books Two and Four of Virgil’s epic into English. Surrey rejected Douglas’s use of rhyming couplets and drew on Italian verso sciolto to create the earliest form of blank verse ...”

“... Blairite vision of popular culture. Where the previous hosts had been drunkenly offensive, Michael Wojas was defensive – a much worse thing in a barman. He was off his face and paranoid, which eventually led to the club closing down. To be fair, the smoking ban and a change in the drinking laws prepared the way, but the Colony was enamoured of past ...”

“... Clint Eastwood, Lee Marvin, James Coburn, and in England – and in a different, English way – Michael Caine, seldom did anything else. It was also a manner which could not always be easily distinguished from simple idleness. For the first 25 years of Mitchum’s career, his performances were routinely mocked – most consistently by Mitchum himself ...”

“... such excellent studies in the accurately entitled Literary Lives series (published by Palgrave) as Michael O’Neill’s Percy Bysshe Shelley (1989) or Caroline Franklin’s Byron (2000), not-very-literary biographies, some running to four hundred and more pages, continue to accumulate in the bookshops. There (presumably) they attract readers far more ...”

“... Bradbury, as it isn’t perhaps needless to say, and Martin Amis. Perhaps there is wisdom in Howard Brenton’s observation that what binds us together in this period is nothing more than ‘a profound unease’. It is here, approaching the end of his study, that Appleyard chooses, or is compelled, to make some independent valuations. Speaking of Paul ...”

“... not deterred the blurb-writers or big-name eulogists. Among the extreme claims made on his behalf, Michael Hofmann’s recent hailing of Brodsky as the true successor to Robert Lowell and great American poet of our age has at least the virtue of unambivalence. We may not agree with it, but the terms are clear. Hitherto, through no fault of his own, the poet ...”

“... took part far more than their editors did in political, military and imperial affairs. William Howard Russell, backed by Delane, could be said to have brought down a British government by the vigour of his Crimean reporting, a legitimate feat in the circumstances. But the Times’s correspondent General Ferdinand Eber, a Hungarian condottiere who served ...”

“... is the theme of The Reign of James VI (2000), a collection of essays edited by Julian Goodare and Michael Lynch. The most radical suggestion has been made by Jenny Wormald, who regards James’s reign overall as a ‘triumphant success’, and any problems after 1603 as a consequence of English xenophobia and the outbreak of the Thirty Years’ War. Given the ...”

“... of his ‘Who ...’?) But the difficulty with the radical’s ‘Who whom?’ is that it invites Michael Frayn’s reasonable regression: Who asks ‘Who whom?’?The blurb to the wonderful vast new Comprehensive Grammar of the English Language (Quirk-Greenbaum-Leech-Svartvik) says truly of its quadrumvirate that they are ‘acknowledged to be leading ...”

“... short volume is not so much a biography of Crossman – that is to be provided by Anthony Howard – as a portrait of someone he clearly loved. But it is a long way from being the misty-eyed picture of a faultless hero. Black Tam o’the Binns has a reputation to maintain as a man who puts truth and objectivity before mere friendship. Faithfully, he ...”

“... Reading through the counterpointing essays of Randolph Trumbach, G.S. Rousseau, Arend Huussen and Michael Rey is like eavesdropping on a seminar. Participants in the debate argue about who did what to whom, how often and for how much in a way that reinforces rather than removes the sense of confusion about categories. Exchanging rival sets of ...”

“... Jubilee Line stations. Pick saw all this design work as means to a moral end. A recent study by Michael Saler, The Avant-Garde in Interwar England (1999), dubs him a ‘medieval Modernist’: by which is meant that Pick regarded the purpose of design, and indeed the whole working of the Underground, in the utopian tradition of Ruskin, Morris and Ebenezer ...”