“... the fact that Mary was being made love to at the time in peculiar ways by a young painter called Kenneth Callahan (her own technical defloration had occurred a couple of years earlier) and was also involved, though not seriously, with a green-eyed lesbian of 35 called Czerna Wilson, who wore her bronze hair in a pigtail that reached her hips. Callahan’s ...”

“... apparently rather remote from the stated aims of the collection, for instance the chapters on Kenneth Tynan’s theatre criticism and on the usefulness of Blackwood’s Magazine as a vehicle of First World War propaganda. But this is a lively and sensible book, largely, it must be said, by academics of one kind or another, few of whom ever passed the ...”

“... politicians don’t. Besides, as Susan Faludi pointed out, the core of Schwarzenegger’s white, male, locker-room constituency likes the idea of assaulting and humiliating women, so long as there’s no emotion involved – a further reason Clinton got pilloried for his indiscretions (he seemed to care about the women he romanced). Second, a tripling ...”

“... or on albums or in ordinary books. One was The Penguin Book of Contemporary Verse, edited by Kenneth Allott. It had been published first in 1950, with a second edition in 1962. The other was The New Poetry, also published in 1962. Edited by A. Alvarez, it had a crazy Jackson Pollock painting on the cover. In the Allott anthology I was intrigued by some ...”

“... what order. Stanzas follow the movement of eye and mind from road to roadside, through ‘leafless white birches’ to a munitions plant, or to the ‘beauty,/at the swamp’s centre: the/dead-end highway, abandoned/ when the new bridge went in’. Williams’s most powerful lines show, in ‘Spring Strains’ for example, how an observer might scan a young ...”

“... might be, he would accuse her of being ‘too Frenchy’.) In her three years at the White House, she led a major renovation, and in a televised tour of the improvements combined a geeky knowledge of Lincoln and Jefferson with an antique dealer’s fastidiousness about the dating of chairs. She also did a shorter version of the tour in ...”

“... they lived in Deyá, Mallorca, where Mathews came under the influence of Robert Graves, whose The White Goddess lurks behind some of the arcane mystic lore that turns up in the plot of his first novel, The Conversions (1962). A much greater influence on his early fiction, however, was Raymond Roussel, to whose work he was introduced by John Ashbery in ...”

“... appears as static as a Monet locomotive idling at the Gare St Lazare. He also left out the hare. Kenneth Clark described Rain, Steam and Speed as the ‘most extraordinary’ of Turner’s paintings. ‘I suppose that everybody today would accept it as one of the cardinal pictures of the 19th century on account of its subject as well as its ...”

“... certainly got the memo. ‘The BBC,’ she complained in a letter to the then minister of health, Kenneth Robinson, ‘are determined to do everything in their power to present promiscuity as normal.’Up the Junction, based on a book by Nell Dunn, was the first collaboration between Ken Loach, who joined the BBC as a trainee director in 1963, and Tony ...”

“... Union: The UK as a Federation, published last year; while Conservatives at Westminster, including Kenneth Baker, Malcolm Rifkind and members of the so-called Democracy Taskforce set up by the Tories in opposition and headed by Ken Clarke, have over the past decade proposed various means of ironing out post-devolutionary wrinkles in the British political ...”

“... how horrific it would be! In his palmy days he could be seen walking down Charing Cross Road, in a white cashmere jacket with matching plus-fours and knee-length pink stockings, a marmoset perching on his shoulder. By the 1930s he was entertaining in Southend pubs in exchange for a drink or small change, his ravaged features plastered over with make-up, and on ...”

“... our culture’s chief pictorial repository for the so-called human condition. John Rupert Martin, Kenneth Clark, H.P. Chapman and E.H. Gombrich (respectively) were, each of them, writing out of a scholarly knowledge of the 17th century. Nonetheless, their terminologies raise a major problem: does the strength of our emotional response to Rembrandt lead us ...”

“... murderous teenagers of Heavenly Creatures as ‘the most hideous man alive’, matches wits with Kenneth Tynan and Laurence Olivier in Austin Pendleton’s play Orson’s Shadow, and has even been fingered posthumously as a suspect in the 1947 Black Dahlia murder. Welles appears, larger than life, in documentaries and dramatisations, of both his own story ...”

“... previous eighteen months: colour had come back, after years of exclusion, into Kline’s black and white world. There are distinct echoes of the Klines – of his tribute to King Oliver’s syncopation, for example – in Suburb in Havana. De Kooning, to sum up, was a creature of the New York School. But he was also a naïf, a Great American Artist, a ...”

“... the difference which is neatly captured in two remarks by two different observers. The first is Kenneth Galbraith, in The Affluent Society published in the late 1950s, where he remarked that ‘few things are more evident in modern social history than the decline of interest in inequality as an economic issue. This has been particularly true in the United ...”